RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
231 with horror. Ursula's acceptance of the crabs in her lantern implies the acceptance of her unconscious tendency to dissolution. Crabs usually live in contact with mud and the fact that Ursula accepts this lantern may lead to the idea that she has within herself elements of decadence. Gudrun's cuttlefish is a creature which is always seen as nasty and gluey because of its dark substance ("ink") which is liberated from its body in any situation of danger. Also cuttlefish is beaked, i.e., it implies perhaps clitoridal self-assertion, an exchange of sex roles in Gudrun. She rejects this lantern because she in fact denies her own cuttlefish-like quality. The second pair of lanterns belong to the "black river of dissolution". The two sisters exchange them. It may be inferred from this exchange that Ursula, in accepting her own lantern and also accepting Gudrun's, shows that she has the same aggressive characteristics of her sister. The difference is that Gudrun denies her aggression exchanging her lantern with Ursula. Gudrun throws her unconscious away whereas Ursula accepts hers. Anyway, both sisters represent the two rivers. The other scene which supports Birkin's theory is seen in the Alps when the sisters exchange stockings. Gudrun gives Ursula a pair of her stockings before Ursula leaves with Birkin for Italy. The fact that Ursula accepts her corrupt sister's gift before leaving her and Gerald, implies that once more Ursula has shown her capacity for coping with her inner tendency for corruption. Once more Gudrun denies her corruption and gives it away. Ursula will carry with her to the new world some elements of the old. The stockings are a kind of passport to the new world and they also imply that elements of the old world belong to the new one. It is impossible to deny this connection. Gudrun tells this to
Ursula: '... I think that a new world is a development from this world, and to isolate oneself with one other person, isn't to find a new world at all, but only to secure oneself in one's illusions' (p. 428) . After the accident with Gerald's sister, Ursula is passionately in love with Birkin, but as time goes by, the passion seems to enter into a kind of disillusionment and she starts to deny Birkin. She feels depressed and Lawrence almost suggests suicide as a way to escape from this state of mind. But Ursula does not want suicide: the problem with her is that she is lost in her own ideas. She does not know where to go and how to go. As her mind is sick, her body becomes the instrument of her sickness. When Birkin comes to see her on a Sunday evening, Ursula rejects him. She feels a horrible repulsion and hatred against the man. Unable to cope with this low energy Ursula passes to him, Birkin gets sick too. And here he turns to Gerald. It is now that his mind seems perverse in relation to the idea of sex. Birkin becomes the prophet of celibacy because in sex he could not find satisfaction. This is what Lawrence tells us: On the whole, [Birkin] hated sex, it was such a limitation. It was sex.that turned a man into a broken half of a couple, the woman into the other broken half. And he wanted to be single in himself, the woman single in herself. He wanted sex to revert the level of the other appetites, to be regarded as a functional process, not as a fulfilment. He believed in sex marriage. But beyond this, he wanted a further conjunction, where man had being and woman had being, two pure beings, each constituting the freedom of the other, balancing each other like two poles of one force, like two angels, or two demons (p.191). Although the idea of 'balance' recurs to Birkin's (or to Lawrence's) mind, this is not what he really wants. This above
- Page 189 and 190: 180 When she leaves the school her
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231<br />
with horror.<br />
Ursula's acceptance of the crabs in her lantern<br />
implies the acceptance of her unconscious tendency to<br />
dissolution.<br />
Crabs usually live in contact with mud and the<br />
fact that Ursula accepts this lantern may lead to the idea that<br />
she has within herself elements of decadence.<br />
Gudrun's cuttlefish<br />
is a creature which is always seen as nasty and gluey because of<br />
its dark substance ("ink") which is liberated from its body in<br />
any situation of danger.<br />
Also cuttlefish is beaked, i.e., it<br />
implies perhaps clitoridal self-assertion, an exchange of sex<br />
roles in Gudrun.<br />
She rejects this lantern because she in fact<br />
denies her own cuttlefish-like quality. The second pair of<br />
lanterns belong to the "black river of dissolution".<br />
The two<br />
sisters exchange them.<br />
It may be inferred from this exchange<br />
that Ursula, in accepting her own lantern and also accepting<br />
Gudrun's, shows that she has the same aggressive characteristics<br />
of her sister.<br />
The difference is that Gudrun denies her<br />
aggression exchanging her lantern with Ursula.<br />
Gudrun throws<br />
her unconscious away whereas Ursula accepts hers.<br />
Anyway, both<br />
sisters represent the two rivers.<br />
The other scene which<br />
supports Birkin's theory is seen in the Alps when the sisters<br />
exchange stockings.<br />
Gudrun gives Ursula a pair of her stockings<br />
before Ursula leaves with Birkin for Italy.<br />
The fact that<br />
Ursula accepts her corrupt sister's gift before leaving her and<br />
Gerald, implies that once more Ursula has shown her capacity<br />
for coping with her inner tendency for corruption.<br />
Once more<br />
Gudrun denies her corruption and gives it away.<br />
Ursula will<br />
carry with her to the new world some elements of the old.<br />
The<br />
stockings are a kind of passport to the new world and they also<br />
imply that elements of the old world belong to the new one.<br />
It<br />
is impossible to deny this connection.<br />
Gudrun tells this to