RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
225 and corrosive death". When they finish love-making Gerald is renewed as if he had become a child in the arms of a powerful and loving mother. She again gave him life and he gave her death. There is also a sense of separateness between them. While Gerald is sleeping, Gudrun thinks that "They would never be together. Ah, this awful inhuman distance which would always be interposed between her and the other being!" (p.339). Gerald and Gudrun's affair takes up to a certain point another course when both decide to travel abroad with Ursula and Birkin. In the Alps their relation reaches its nadir. They start a process of rejection of each other which culminates with Gerald's death and Gudrun's attachment to a corrupt artist named Loerke. This part will be analysed later on in terms of Gerald and Gudrun's separateness and Ursula and Birkin's togetherness. 2. Cycle of Creation 2-1. Building a New World: Birkin and Ursula vs Birkin and Gerald Birkin is essentially a theorist in what refers to love. When he leaves Hermione, the nature of their separation can be seen in terms of Birkin's rejection of Hermione's possessiveness in love: due to this he has developed a theory in which man and woman must search for an equilibrium. He rejects theoretically the idea of one mate dominating the other (as Hermione had dominated him). The problem is, however, that his theories hardly match with his practice. When Hermione has hit him with the lapis lazuli he escapes from her and decides to have a sort of 'purification' in nature
226 because he thinks that people, humanity as a whole, have become rotten. The only way to free himself from this rottenness is to be in a close contact with nature. and sits down trying to purify himself. He takes off his clothes The interesting thing in this communion is that nature also hurts Birkin and he, instead of feeling hurt, thinks that the sharp-needles of the bough touching him are better than the touch of any woman. Of course, in his mind, Hermione is the model for any other woman he may meet in his life. His experience with her has been too harsh to be forgotten so soon. After his 'purification* he becomes sick. It is as if Hermione has passed to his body a kind of low energy which diminishes his strength. When he recovers he sticks to his hatred for humanity and it is Ursula who becomes his impertinent critic. She sees in Birkin someone whom one cannot trust, but she feels impelled towards him perhaps because he represents for her everything her previous experiences in love, mainly Skrebensky, have failed to represent. Birkin's theory of a new social and emotional order does not comprise love in the ordinary sense. In fact he denies the old way of praising love. What he wants is something different, something 'beyond* the commonplace old-fashioned way of love. And he sees two alternatives: either to find an equilibrium with a woman, which he calls a relation of 'star-polarity', or a relation of friendship with a man, which he defines as Blutbrttderscha:ft and which is in fact a disguise for homosexuality. These two kinds of relation are proposed to Ursula and Gerald respectively. And as they occur at the same time, it is useful here to define them gradually, one and another, chiefly because one is seen as an alternative to the other (or as additional).
- Page 183 and 184: 174 Paul at this time, encounters t
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- Page 189 and 190: 180 When she leaves the school her
- Page 191 and 192: 182 dead. The only part of him whic
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- Page 195 and 196: 186 the self Which has made Ursula
- Page 197 and 198: 188 compete with her. In fact Skreb
- Page 199 and 200: CHAPTER IV 1 WOMEN IN LOVE: THE PRO
- Page 201 and 202: 192 world is a world of dust which
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- Page 205 and 206: up to this. One of them refers to H
- Page 207 and 208: 198 because he is no 'clone', no sl
- Page 209 and 210: 200 London bohemianism which Birkin
- Page 211 and 212: 202 dominant figure in the affair.
- Page 213 and 214: 204 course startles Gerald who cann
- Page 215 and 216: 206 in the expectancy to find a 'fo
- Page 217 and 218: 208 On the other hand, Lawrence giv
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- Page 221 and 222: 212 "Think!" he said to her', "you
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- Page 225 and 226: 216 see the gate shut; then Gerald
- Page 227 and 228: 218 in a fierce desire to deny the
- Page 229 and 230: 220 and for a young doctor who was
- Page 231 and 232: 222 mutual hellish recognition (p.2
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- Page 239 and 240: everyone develops the "river of dis
- Page 241 and 242: Ursula: '... I think that a new wor
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- Page 249 and 250: 240 (p.252 - My underlining). His a
- Page 251 and 252: 242 the two because somehow he acce
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- Page 259 and 260: 250 as you are always saying? You t
- Page 261 and 262: 252 turning suddenly to catch hold
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- Page 265 and 266: 256 which no one can escape from. H
- Page 267 and 268: 258 like nothing; she is like Geral
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- Page 271 and 272: 262 can only feel the 'unison in se
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225<br />
and corrosive death".<br />
When they finish love-making Gerald is<br />
renewed as if he had become a child in the arms of a powerful<br />
and loving mother.<br />
She again gave him life and he gave her<br />
death.<br />
There is also a sense of separateness between them.<br />
While Gerald is sleeping, Gudrun thinks that "They would never<br />
be together.<br />
Ah, this awful inhuman distance which would always<br />
be interposed between her and the other being!" (p.339).<br />
Gerald and Gudrun's affair takes up to a certain point<br />
another course when both decide to travel abroad with Ursula and<br />
Birkin. In the Alps their relation reaches its nadir. They<br />
start a process of rejection of each other which culminates with<br />
Gerald's death and Gudrun's attachment to a corrupt artist named<br />
Loerke.<br />
This part will be analysed later on in terms of Gerald<br />
and Gudrun's separateness and Ursula and Birkin's togetherness.<br />
2. Cycle of Creation<br />
2-1. Building a New World: Birkin and Ursula vs Birkin and<br />
Gerald<br />
Birkin is essentially a theorist in what refers to love.<br />
When he leaves Hermione, the nature of their separation can be<br />
seen in terms of Birkin's rejection of Hermione's possessiveness<br />
in love: due to this he has developed a theory in which man and<br />
woman must search for an equilibrium.<br />
He rejects theoretically<br />
the idea of one mate dominating the other (as Hermione had<br />
dominated him).<br />
The problem is, however, that his theories<br />
hardly match with his practice.<br />
When Hermione has hit him with the lapis lazuli he escapes<br />
from her and decides to have a sort of 'purification' in nature