RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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225 and corrosive death". When they finish love-making Gerald is renewed as if he had become a child in the arms of a powerful and loving mother. She again gave him life and he gave her death. There is also a sense of separateness between them. While Gerald is sleeping, Gudrun thinks that "They would never be together. Ah, this awful inhuman distance which would always be interposed between her and the other being!" (p.339). Gerald and Gudrun's affair takes up to a certain point another course when both decide to travel abroad with Ursula and Birkin. In the Alps their relation reaches its nadir. They start a process of rejection of each other which culminates with Gerald's death and Gudrun's attachment to a corrupt artist named Loerke. This part will be analysed later on in terms of Gerald and Gudrun's separateness and Ursula and Birkin's togetherness. 2. Cycle of Creation 2-1. Building a New World: Birkin and Ursula vs Birkin and Gerald Birkin is essentially a theorist in what refers to love. When he leaves Hermione, the nature of their separation can be seen in terms of Birkin's rejection of Hermione's possessiveness in love: due to this he has developed a theory in which man and woman must search for an equilibrium. He rejects theoretically the idea of one mate dominating the other (as Hermione had dominated him). The problem is, however, that his theories hardly match with his practice. When Hermione has hit him with the lapis lazuli he escapes from her and decides to have a sort of 'purification' in nature

226 because he thinks that people, humanity as a whole, have become rotten. The only way to free himself from this rottenness is to be in a close contact with nature. and sits down trying to purify himself. He takes off his clothes The interesting thing in this communion is that nature also hurts Birkin and he, instead of feeling hurt, thinks that the sharp-needles of the bough touching him are better than the touch of any woman. Of course, in his mind, Hermione is the model for any other woman he may meet in his life. His experience with her has been too harsh to be forgotten so soon. After his 'purification* he becomes sick. It is as if Hermione has passed to his body a kind of low energy which diminishes his strength. When he recovers he sticks to his hatred for humanity and it is Ursula who becomes his impertinent critic. She sees in Birkin someone whom one cannot trust, but she feels impelled towards him perhaps because he represents for her everything her previous experiences in love, mainly Skrebensky, have failed to represent. Birkin's theory of a new social and emotional order does not comprise love in the ordinary sense. In fact he denies the old way of praising love. What he wants is something different, something 'beyond* the commonplace old-fashioned way of love. And he sees two alternatives: either to find an equilibrium with a woman, which he calls a relation of 'star-polarity', or a relation of friendship with a man, which he defines as Blutbrttderscha:ft and which is in fact a disguise for homosexuality. These two kinds of relation are proposed to Ursula and Gerald respectively. And as they occur at the same time, it is useful here to define them gradually, one and another, chiefly because one is seen as an alternative to the other (or as additional).

225<br />

and corrosive death".<br />

When they finish love-making Gerald is<br />

renewed as if he had become a child in the arms of a powerful<br />

and loving mother.<br />

She again gave him life and he gave her<br />

death.<br />

There is also a sense of separateness between them.<br />

While Gerald is sleeping, Gudrun thinks that "They would never<br />

be together.<br />

Ah, this awful inhuman distance which would always<br />

be interposed between her and the other being!" (p.339).<br />

Gerald and Gudrun's affair takes up to a certain point<br />

another course when both decide to travel abroad with Ursula and<br />

Birkin. In the Alps their relation reaches its nadir. They<br />

start a process of rejection of each other which culminates with<br />

Gerald's death and Gudrun's attachment to a corrupt artist named<br />

Loerke.<br />

This part will be analysed later on in terms of Gerald<br />

and Gudrun's separateness and Ursula and Birkin's togetherness.<br />

2. Cycle of Creation<br />

2-1. Building a New World: Birkin and Ursula vs Birkin and<br />

Gerald<br />

Birkin is essentially a theorist in what refers to love.<br />

When he leaves Hermione, the nature of their separation can be<br />

seen in terms of Birkin's rejection of Hermione's possessiveness<br />

in love: due to this he has developed a theory in which man and<br />

woman must search for an equilibrium.<br />

He rejects theoretically<br />

the idea of one mate dominating the other (as Hermione had<br />

dominated him).<br />

The problem is, however, that his theories<br />

hardly match with his practice.<br />

When Hermione has hit him with the lapis lazuli he escapes<br />

from her and decides to have a sort of 'purification' in nature

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