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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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216<br />

see the gate shut; then Gerald trotting on a red Arab mare. The<br />

animal seems to be pleased with her master till she hears the<br />

approaching noise of the locomotive.<br />

The mare then becomes<br />

frightened and uneasy and soon "she was rocking with horror"<br />

(p.103).<br />

Gudrun and Ursula observe the scene and see how Gerald<br />

manages to control the animal.<br />

Gerald, as he notices the<br />

uneasiness of the mare, shows in his face a light of<br />

satisfaction because now he must control her using his power and<br />

also because he could perhaps feel the presence of the women's<br />

eyes directly on his masterful figure.<br />

He treats the mare like<br />

a sadist would treat his woman.<br />

Gudrun, seeing this, "was<br />

looking at him with black-dilated, spellbound eyes" (ibid).<br />

She<br />

is fascinated by Gerald's violence with the animal.<br />

It is the<br />

way she would like a man to treat her.<br />

Her feelings are<br />

masochistic and together with Gerald's sadism, they form a pair<br />

of "perfect" lovers.<br />

Gudrun feels as if she were the mare/<br />

submitting to the powerful male over her.<br />

It is as if she were<br />

in the ecstasy of sexual intercourse and her sensations are<br />

described like a painful but pleasurable orgasm:<br />

Gudrun looked and saw the trickles of blood on<br />

the sides of the mare, and she turned white. And<br />

then on the very wound the bright spurs came down,<br />

pressing relentlessly. The world reeled and<br />

passed into nothingness for Gudrun, she could not<br />

know any more.<br />

When she was recovered, her soul was calm and<br />

cold, without feeling (p.104).<br />

When the locomotive passes and Gerald goes away almost riding<br />

over Gudrun, the emotions of the man are of one who feels proud<br />

for having had the opportunity to show off his thirst for<br />

violence.<br />

Ursula is angry at him but Gudrun seems hollow or<br />

blind to everything, morally uncritical:<br />

Gudrun was as if numbed in her mind by the sense<br />

of indomitable soft weight of the man, bearing

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