RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
215 Gudrun and Gerald's next meeting anticipates certain features of their future affair. While watching Gerald swimming, Gudrun envies him because he as a man has advantages that she as a woman does not. One may even say that this envy she feels may be interpreted in Freudian terms as 'penis envy'. Gudrun has her masculine side tied up within herself and when she meets Gerald, who is chiefly seen in terms of his maleness, she projects onto him her desire to be like him: Gudrun envied him almost painfully. Even this momentary possession of pure isolation and fluidity seemed to her so terribly desirable that she felt herself as if damned, out there on the high road. 'God, what it is to be a man!' she cried. 'What?' exclaimed Ursula in surprise. 'The freedom, the liberty, the mobility!' cried Gudrun strangely flushed and brilliant... (p.40). Their first tête-à-tête meeting in Hermione's house implies the idea of recognition between the two. Gerald wants to fulfil Gudrun in her expectations perhaps because he sees in her a different woman who is independent, ironic, and distant from the commonplace people he used to know: He wanted to come up to her standards, fulfil her expectations. He knew that her criterion was the only one that mattered. The others were all outsiders, whatever they.might be socially. And Gerald could not help it, he was bound to strive to come up to her criterion, fulfill her idea of a man and a human being (p.95). Three other meetings define their relation: the scene of Gerald and the Arab mare, Gudrun's dance in front of Gerald's bullocks in the water party and the chasing of the rabbit Bismarck in Gerald's home. All three scenes reflect their sado- masochist exchange of roles. The first one occurs when Ursula and Gudrun are returning home from school: when they are going to cross the railway they
216 see the gate shut; then Gerald trotting on a red Arab mare. The animal seems to be pleased with her master till she hears the approaching noise of the locomotive. The mare then becomes frightened and uneasy and soon "she was rocking with horror" (p.103). Gudrun and Ursula observe the scene and see how Gerald manages to control the animal. Gerald, as he notices the uneasiness of the mare, shows in his face a light of satisfaction because now he must control her using his power and also because he could perhaps feel the presence of the women's eyes directly on his masterful figure. He treats the mare like a sadist would treat his woman. Gudrun, seeing this, "was looking at him with black-dilated, spellbound eyes" (ibid). She is fascinated by Gerald's violence with the animal. It is the way she would like a man to treat her. Her feelings are masochistic and together with Gerald's sadism, they form a pair of "perfect" lovers. Gudrun feels as if she were the mare/ submitting to the powerful male over her. It is as if she were in the ecstasy of sexual intercourse and her sensations are described like a painful but pleasurable orgasm: Gudrun looked and saw the trickles of blood on the sides of the mare, and she turned white. And then on the very wound the bright spurs came down, pressing relentlessly. The world reeled and passed into nothingness for Gudrun, she could not know any more. When she was recovered, her soul was calm and cold, without feeling (p.104). When the locomotive passes and Gerald goes away almost riding over Gudrun, the emotions of the man are of one who feels proud for having had the opportunity to show off his thirst for violence. Ursula is angry at him but Gudrun seems hollow or blind to everything, morally uncritical: Gudrun was as if numbed in her mind by the sense of indomitable soft weight of the man, bearing
- Page 173 and 174: 164 family the inarticulate sorrow
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- Page 179 and 180: 170 'separateness' is seen in Women
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- Page 191 and 192: 182 dead. The only part of him whic
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- Page 199 and 200: CHAPTER IV 1 WOMEN IN LOVE: THE PRO
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- Page 233 and 234: 224 him to be. The interesting aspe
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215<br />
Gudrun and Gerald's next meeting anticipates certain<br />
features of their future affair.<br />
While watching Gerald swimming,<br />
Gudrun envies him because he as a man has advantages that she as<br />
a woman does not.<br />
One may even say that this envy she feels may<br />
be interpreted in Freudian terms as 'penis envy'.<br />
Gudrun has her<br />
masculine side tied up within herself and when she meets Gerald,<br />
who is chiefly seen in terms of his maleness, she projects onto<br />
him her desire to be like him:<br />
Gudrun envied him almost painfully. Even this<br />
momentary possession of pure isolation and<br />
fluidity seemed to her so terribly desirable that<br />
she felt herself as if damned, out there on the<br />
high road.<br />
'God, what it is to be a man!' she cried.<br />
'What?' exclaimed Ursula in surprise.<br />
'The freedom, the liberty, the mobility!' cried<br />
Gudrun strangely flushed and brilliant... (p.40).<br />
Their first tête-à-tête meeting in Hermione's house implies<br />
the idea of recognition between the two.<br />
Gerald wants to fulfil<br />
Gudrun in her expectations perhaps because he sees in her a<br />
different woman who is independent, ironic, and distant from the<br />
commonplace people he used to know:<br />
He wanted to come up to her standards, fulfil her<br />
expectations. He knew that her criterion was the<br />
only one that mattered. The others were all<br />
outsiders, whatever they.might be socially. And<br />
Gerald could not help it, he was bound to strive<br />
to come up to her criterion, fulfill her idea of<br />
a man and a human being (p.95).<br />
Three other meetings define their relation: the scene of<br />
Gerald and the Arab mare, Gudrun's dance in front of Gerald's<br />
bullocks in the water party and the chasing of the rabbit<br />
Bismarck in Gerald's home. All three scenes reflect their sado-<br />
masochist exchange of roles.<br />
The first one occurs when Ursula and Gudrun are returning<br />
home from school: when they are going to cross the railway they