RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
209 associated with a bloody warrior searching for power to feed some deficiency within himself. His main objective in life is to subjugate people, to look at them from a high place whence he can impose his superiority. Thomas Crich thinks of the poor as his 'equals' although he does not give away all his properties to be as poor as his workers. Gerald, on the other hand, did not care about equality. The whole Christian attitude of love and self-sacrifice was old hat. He knew that position and authority were the right thing in the world, it was useless to cant about it (p.219) . In order to exert his power and authority Gerald starts changing the old-fashioned world of work of his father. The mines are transformed into a huge modern system of production in which the machine replaces men. In transforming the old system Gerald replaces the Christian God of his father with a machine God in which "he could establish the very expression of his will, the incarnation of his power, a great perfect machine, a system, an activity of pure order, pure mechanical repetition, repetition ad infinitum, hence eternal and infinite" (p.220). The man in Gerald ceases to exist and in his place there is Gerald, 'the God of the Machine'. When he starts this process of nullification of the human in man to transform him, Gerald becomes a demon, dumb and blind-folded to feelings. Old Crich's idealist concepts of the 'industry of love' are killed and in their place Gerald introduces the modern concepts of capitalism. Ignorant workers are replaced by efficient engineers. The most modern equipment is brought from America in order to improve the mines and provide more benefits. The widows of the miners who used to receive free loads of coal, are forced to pay for them because for Gerald "'The firm is not a charity institution, as everybody seems to think'" (p.222). Thus the mines start to produce as
210 they never did in Thomas Crich's administration. The miners at first disliked Gerald, but the strength of the machine makes them all submit: The men were satisfied to belong to the great and wonderful machine, even whilst it destroyed them. It was what they wanted... Their hearts died within them, but their souls were satisfied. It was what they wanted (p.223). And now that Gerald has done everything to occupy his time and to satisfy his thirst for power, he is dismissed too. The machine does not need him anymore. When he feels that his system is so perfect that it does not even need him, he becomes hollow. There is nothing more he can do: thus, he feels desperate because what is he apart from the machine? His whole being is shaken by this sudden realization: when he was alone in the evening and had nothing to do, he had suddenly stood up in terror, not knowing what he was. And he went to the mirror and looked long and closely at his own face, at his own eyes, seeking for something. He was afraid, in mortal dry fear, but he knew not what of (p.224). Gerald's conflict is due to his own hollowness. He is a man who has not built anything in life except for the modernization of his mines. His feelings are abstractions. He is a non-human being. That is why he looks at his own eyes and Yet he was not sure that they were not blue false bubbles that would burst in a moment and leave clear annihilation. He could see the darkness in them, as if they were only bubbles of darkness. He was afraid that one day he would break down and be a purely meaningless bubble lapping round a darkness (pp.22 4-5). His fear of becoming a 'bubble of darkness' may be explained by his own fear of suicide. In his family death is a very common word. As a child Gerald has played'Cain' and accidentally killed his brother with a gun. But as the word 'accidental', according
- Page 167 and 168: is like a dwarf without power. exul
- Page 169 and 170: everything: life and death. He is c
- Page 171 and 172: take hers: but in her own way" (ibi
- Page 173 and 174: 164 family the inarticulate sorrow
- Page 175 and 176: much violence. Thus, her love for h
- Page 177 and 178: 168 time she walked in a confused h
- Page 179 and 180: 170 'separateness' is seen in Women
- Page 181 and 182: 172 destroying in people the creati
- Page 183 and 184: 174 Paul at this time, encounters t
- Page 185 and 186: 176 be a complete human being in th
- Page 187 and 188: 178 mistress and her uncle because
- Page 189 and 190: 180 When she leaves the school her
- Page 191 and 192: 182 dead. The only part of him whic
- Page 193 and 194: 184 Ursula first refused him cried
- Page 195 and 196: 186 the self Which has made Ursula
- Page 197 and 198: 188 compete with her. In fact Skreb
- Page 199 and 200: CHAPTER IV 1 WOMEN IN LOVE: THE PRO
- Page 201 and 202: 192 world is a world of dust which
- Page 203 and 204: 194 knowledge, breaks out with hars
- Page 205 and 206: up to this. One of them refers to H
- Page 207 and 208: 198 because he is no 'clone', no sl
- Page 209 and 210: 200 London bohemianism which Birkin
- Page 211 and 212: 202 dominant figure in the affair.
- Page 213 and 214: 204 course startles Gerald who cann
- Page 215 and 216: 206 in the expectancy to find a 'fo
- Page 217: 208 On the other hand, Lawrence giv
- Page 221 and 222: 212 "Think!" he said to her', "you
- Page 223 and 224: 214 life and he even apologizes to
- Page 225 and 226: 216 see the gate shut; then Gerald
- Page 227 and 228: 218 in a fierce desire to deny the
- Page 229 and 230: 220 and for a young doctor who was
- Page 231 and 232: 222 mutual hellish recognition (p.2
- Page 233 and 234: 224 him to be. The interesting aspe
- Page 235 and 236: 226 because he thinks that people,
- Page 237 and 238: 228 polarity', or in his words: 'Wh
- Page 239 and 240: everyone develops the "river of dis
- Page 241 and 242: Ursula: '... I think that a new wor
- Page 243 and 244: atmosphere of something hidden betw
- Page 245 and 246: disguised inner selves beneath thei
- Page 247 and 248: egathers itself in the water as if
- Page 249 and 250: 240 (p.252 - My underlining). His a
- Page 251 and 252: 242 the two because somehow he acce
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- Page 255 and 256: 246 energy. Hermione. That is how U
- Page 257 and 258: 248 'finger-tips'. The couple decid
- Page 259 and 260: 250 as you are always saying? You t
- Page 261 and 262: 252 turning suddenly to catch hold
- Page 263 and 264: 254 exploits Loerke and vice versa.
- Page 265 and 266: 256 which no one can escape from. H
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210<br />
they never did in Thomas Crich's administration.<br />
The miners at<br />
first disliked Gerald, but the strength of the machine makes<br />
them all submit:<br />
The men were satisfied to belong to the great and<br />
wonderful machine, even whilst it destroyed them.<br />
It was what they wanted... Their hearts died within<br />
them, but their souls were satisfied. It was what<br />
they wanted (p.223).<br />
And now that Gerald has done everything to occupy his time<br />
and to satisfy his thirst for power, he is dismissed too.<br />
The<br />
machine does not need him anymore.<br />
When he feels that his<br />
system is so perfect that it does not even need him, he becomes<br />
hollow.<br />
There is nothing more he can do: thus, he feels<br />
desperate because what is he apart from the machine?<br />
His whole<br />
being is shaken by this sudden realization:<br />
when he was alone in the evening and had nothing<br />
to do, he had suddenly stood up in terror, not<br />
knowing what he was. And he went to the mirror<br />
and looked long and closely at his own face, at<br />
his own eyes, seeking for something. He was<br />
afraid, in mortal dry fear, but he knew not<br />
what of (p.224).<br />
Gerald's conflict is due to his own hollowness.<br />
He is a man<br />
who has not built anything in life except for the<br />
modernization of his mines.<br />
His feelings are abstractions. He<br />
is a non-human being.<br />
That is why he looks at his own eyes and<br />
Yet he was not sure that they were not blue false<br />
bubbles that would burst in a moment and leave<br />
clear annihilation. He could see the darkness in<br />
them, as if they were only bubbles of darkness.<br />
He was afraid that one day he would break down<br />
and be a purely meaningless bubble lapping round<br />
a darkness (pp.22 4-5).<br />
His fear of becoming a 'bubble of darkness' may be explained by<br />
his own fear of suicide.<br />
In his family death is a very common<br />
word.<br />
As a child Gerald has played'Cain' and accidentally killed<br />
his brother with a gun.<br />
But as the word 'accidental', according