RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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189 first phase does not present any balanced relationship, except for Tom and Lydia's marriage. This, as I have already pointed out, is not a total success since the balance between the couple ends with Tom's death and Lydia then returns to her previous, separate and unknown self. The search must therefore continue in the other novels and stories. Whatever success Tom and Lydia achieved lies in the past and cannot serve as a model for the Ursulas of tomorrow.
CHAPTER IV 1 WOMEN IN LOVE: THE PROCESS OF DESTRUCTION AND CREATION Lawrence used to say that Women in Love is a 'sequel' to The Rainbow although it is quite unlike it."*" One may say that The Rainbow 'distills' life into a process of pure creation whereas Women in Love, a definitive product of the first world war, encompasses a process of 'de-creation' and of the decadence of modern society. However, the novel is not only representative of destruction and decadence. It is more than that. It shows that it is possible to fight against destruction and build through it a new life. The novel implies too that it is useless to create a new life by simply rejecting the values of the old life. These values cannot be forgotten because inevitably they will influence the new values. After all, the new life will be created out of the old. And the characters, despite their intentions, carry within their inner selves both the seeds of creation plus the seeds of destruction. They cannot simply say 'I represent the new world because I have destroyed the old one.' They must add that in fact they represent something ^see Daleski, 1965 , p. 126.
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UNIVERSIDADE FEDERAL DE SANTA CATAR
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iii A todas as pessoas que ainda a-
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V AGRADECIMENTO ESPECIAL Ao Profess
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vii relationships. Yet, the partner
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ix Lawrence mostra uma tentativa de
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CHAPTER I STATEMENT OF PROBLEM When
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3 because of this, this phase is co
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5 The views of these above mentione
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7 female reader will remember herse
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Millets' tendentious criticism stat
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11 Everyone who writes on Lawrence
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13 As for homosexuality (which Moor
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15 two thirds of the book [Huxley]
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17 in this dissertation. Vivas' vie
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19 lack of evidence to prove his po
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21 text and supported by the text.
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23 kind of bridge for her search. H
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25 As for the affair between Gudrun
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27 a position Lawrence could not de
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29 the love of the powerful mother,
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31 can be associated with Dr Franks
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33 indifferent to human life. Yet h
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35 he says "Yet at the end, when Ci
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37 spiritual, or aggressive women a
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CHAPTER II THE PATTERN OF CONFLICT
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41 and mind superiority. She is wha
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43 father was serving beer in a pub
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45 the control the whole family wit
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eturning home drunken and certainly
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to reconcile the children with the
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more persuasive to her sons in the
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succeed in life. This is an unconsc
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to strengthen the relation. This me
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eally wants. He goes from one decis
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prefers to think of death instead o
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61 mutual acceptance between them.
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63 implies definitely the mother's
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65 William. He dies. Mrs Morel's li
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67 reserve. And on such occasions h
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69 to go out of it and he has on on
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71 failure. She is losing her son t
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73 more are related to his impotenc
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75 Clara. The idea is that through
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77 was the marital failure? Who was
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he can have pleasure. Miriam is for
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who she is and what she wants. The
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This is like Paul's passion for Cla
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operate on her, since her heart wou
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87 'Let's make a sacrifice of Arabe
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characteristics as she had. in what
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My last point about Sons and Lovers
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93 relation unbearable up to the po
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95 teacher Siegmund. He is a marrie
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97 and strong, and fully fruited, h
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99 though Siegmund wants her, she r
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101 an analogy for Helena. Siegmund
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103 any of the relationships, nor c
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105 Helena's sharpness, and will-to
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107 like him: She glanced up at Sie
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109 Siegmund, usually a bad swimmer
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Ill the moon:"Rocked thus on his st
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113 connotation in his mind) . In f
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115 is to warn Siegmund of the dang
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117 ... For centuries a certain typ
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119 she alone will not bear the gui
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121 The idea which is implicit here
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123 not see it. He bowed in obedien
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125 laurels of having given Siegmun
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128 as always, is not aware of Sieg
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130 on her hat, her eyes, gazing he
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132 to perforin the action. The nar
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134 extreme splits of soul/body. 'B
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136 prepares the path to the other.
Page 147 and 148: 138 connection with the land. This
Page 149 and 150: 140 Tom proposes marriage to Lydia:
Page 151 and 152: 142 They looked at each other, a de
Page 153 and 154: 144 of taking a mistress because "t
Page 155 and 156: and thinks of them "as if they were
Page 157 and 158: 148 actualy loves or hates. The mix
Page 159 and 160: 15 0 Will is an artist and his conc
Page 161 and 162: 15 2 light of the moon covering Ann
Page 163 and 164: 154 pleasure, but as soon as the no
Page 165 and 166: in the night they were gathering sh
Page 167 and 168: is like a dwarf without power. exul
Page 169 and 170: everything: life and death. He is c
Page 171 and 172: take hers: but in her own way" (ibi
Page 173 and 174: 164 family the inarticulate sorrow
Page 175 and 176: much violence. Thus, her love for h
Page 177 and 178: 168 time she walked in a confused h
Page 179 and 180: 170 'separateness' is seen in Women
Page 181 and 182: 172 destroying in people the creati
Page 183 and 184: 174 Paul at this time, encounters t
Page 185 and 186: 176 be a complete human being in th
Page 187 and 188: 178 mistress and her uncle because
Page 189 and 190: 180 When she leaves the school her
Page 191 and 192: 182 dead. The only part of him whic
Page 193 and 194: 184 Ursula first refused him cried
Page 195 and 196: 186 the self Which has made Ursula
Page 197: 188 compete with her. In fact Skreb
Page 201 and 202: 192 world is a world of dust which
Page 203 and 204: 194 knowledge, breaks out with hars
Page 205 and 206: up to this. One of them refers to H
Page 207 and 208: 198 because he is no 'clone', no sl
Page 209 and 210: 200 London bohemianism which Birkin
Page 211 and 212: 202 dominant figure in the affair.
Page 213 and 214: 204 course startles Gerald who cann
Page 215 and 216: 206 in the expectancy to find a 'fo
Page 217 and 218: 208 On the other hand, Lawrence giv
Page 219 and 220: 210 they never did in Thomas Crich'
Page 221 and 222: 212 "Think!" he said to her', "you
Page 223 and 224: 214 life and he even apologizes to
Page 225 and 226: 216 see the gate shut; then Gerald
Page 227 and 228: 218 in a fierce desire to deny the
Page 229 and 230: 220 and for a young doctor who was
Page 231 and 232: 222 mutual hellish recognition (p.2
Page 233 and 234: 224 him to be. The interesting aspe
Page 235 and 236: 226 because he thinks that people,
Page 237 and 238: 228 polarity', or in his words: 'Wh
Page 239 and 240: everyone develops the "river of dis
Page 241 and 242: Ursula: '... I think that a new wor
Page 243 and 244: atmosphere of something hidden betw
Page 245 and 246: disguised inner selves beneath thei
Page 247 and 248: egathers itself in the water as if
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240 (p.252 - My underlining). His a
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242 the two because somehow he acce
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244 as alternatives to the relation
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246 energy. Hermione. That is how U
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248 'finger-tips'. The couple decid
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250 as you are always saying? You t
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252 turning suddenly to catch hold
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254 exploits Loerke and vice versa.
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256 which no one can escape from. H
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258 like nothing; she is like Geral
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260 shocked,to really blame Gudrun.
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262 can only feel the 'unison in se
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264 has been marked by a whole set
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266 be sure that she will put an en
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unsatisfied tendencies" - I am temp
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270 emotionally. This may be becaus
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27 2 ♦ has a gun), unable to do a
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274 next morning he simply goes to
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The underlined sentences are the ke
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278 because she is not conscious of
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280 to see the strange glow in his
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282 top, Lawrence says that March "
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284 owner of the house for in the m
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286 relationship she is going to ha
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288 spark, and saw the shadow of th
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290 masculine identification. She w
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292 and chiffon dresses. The Banfor
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294 From this point on, March has f
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296 to March. With Henry she will h
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298 and once more the answer goes b
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300 She looked up at him with tears
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CHAPTER V THE PLUMED SERPENT - THE
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304 relations that Lawrence seems d
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306 man. But in The Plumed Serpent
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308 this fate implies punishment be
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310 and his sensuality and this see
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312 Ramon cannot be compared to Wal
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314 Carlota. The fact that Ramon wa
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316 devote special attention: the o
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i 318 ... when she remembered [Cipr
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320 my soul. Let me close my prying
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322 other kind of intimacy save for
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324 But perhaps he would be, if we
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326 general. And furthermore, if Ka
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328 black hair, which he wore rathe
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330 himself, his nakedness, his min
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332 is no beyond" and where only me
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:334 thing. She resented being made
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336 because he really is an author
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338 strong element is the meeting b
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340 novelist, deals with people in
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342 fit his own personality. More m
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344 novella analysed in this disser
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346 to that fatal place. Another fa
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348 Byrne's last speech implies tha
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350 There is a basic hostility in a
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352 him. The turning to the city al
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35 4- being. In fourth place comes
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356 Although it may seem strange to
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"358- following novels. Women in Lo
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360 The very end of the novel shows
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262 in the end of Women in Love ill
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564 that she wants a balanced relat
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366 wanted her to give herself with
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368 he can do no more in his own vo
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370 the conclusion that in Mexico t
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37-2- don't'". Her reply to this do
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37-4 the masculine side. Also, anot
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376 Ursula, in a rejected fragment
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37.8 a personality to compete with
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380 the one which shows the most su
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stories show his internal conflict
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384 perfect union in human beings
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386 Lawrence, D.H. Sons and Lovers,
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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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