RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
The end is not convincing enough. Another idea is that the rainbow itself is like a faint gleam of light at the end of a tunnel. When Ursula gets to the end of the tunnel, the light may be a false light or it may vanish. The rainbow may extinguish itself When she crosses the hill looking for the treasure at the bottom of it. It is therefore a false and individualistic hope, a rhetorical gesture by the author which the details of plot and character cannot justify. To sura up the main points of this chapter: The Rainbow closes Lawrence's first phase in which the author has a strong preference for women who are much connected with the mind. These women have, because of their strong minds, defeated their male partners. The most significant representatives of this phase are Helena, Who can be seen as the ancestress to Mrs Morel, Anna and Ursula. The last two women, although very strong, are not as idealistic as Helena and are not as soulful as Mrs Morel. Anna, in her victory over Will, may be seen as a strong woman in the sense that her self-sufficiency and independence have made her fight for what she believed. Her husband, on the other hand, is a weak male in the sense that he simply could not defend his own beliefs: he has let Anna superimpose her will over him. We can say that Anna and Mrs Morel have replaced their husbands in their homes exactly because their men could not fight for their rights. Ursula is different from these three heroines because her desire is not to defeat the male, at least as the other female characters did, but to find her own place in a society which is completely masculine. The fact that she has defeated her first lover may be seen in terms of Skrebensky's weak character. He "loses"not because he could not fight Ursula, but because she has a self while he does not. Thus he could not
188 compete with her. In fact Skrebensky can hardly be defined as an individual, he is part of a structure — part of a machine — and without it he is nothing. A person who is 'nothing' cannot compete with a person who has a self and is, consequently, an individual. The male characters cannot be taken as a repetition of Walter Morel. Neither Siegmund, nor Will nor Skrebensky can be viewed as representing the dark lover. The only characteristic that they share with Walter is their weak personality which causes them to be defeated by their women. The most important characteristic of this first phase is therefore the active presence of the 'femme fatale', the spiritual woman, destroyer of her love partners. Helena, Mrs Morel, Anna and Ursula are indeed fatal females since all of them defeat their males. Helena is perhaps the strongest of these women since she is the only one who leads her lover to suicide. The other two (except for Ursula) replace their husbands. Their houses become thus „ matriarchal societies.Ursula may be seen as a female who fights for a place in society, that is her main quest. The negative aspect of this phase lies in the fact that Lawrence basically shows sympathy for the independent woman: he does not overtly criticize her even when she strays (like Helena who dreamed too much but refused to accept reality in her sexual life with Siegmund. Or Ursula when she exerted her 'maximum' self over Skrebensky in the moon scene which has led to his destruction). This "feminist" sympathy it should be noted, will be withdrawn later in the leadership phase, in a novel like The Plumed Serpent. My last point refers to 'balance' in the relations. This
- Page 145 and 146: 136 prepares the path to the other.
- Page 147 and 148: 138 connection with the land. This
- Page 149 and 150: 140 Tom proposes marriage to Lydia:
- Page 151 and 152: 142 They looked at each other, a de
- Page 153 and 154: 144 of taking a mistress because "t
- Page 155 and 156: and thinks of them "as if they were
- Page 157 and 158: 148 actualy loves or hates. The mix
- Page 159 and 160: 15 0 Will is an artist and his conc
- Page 161 and 162: 15 2 light of the moon covering Ann
- Page 163 and 164: 154 pleasure, but as soon as the no
- Page 165 and 166: in the night they were gathering sh
- Page 167 and 168: is like a dwarf without power. exul
- Page 169 and 170: everything: life and death. He is c
- Page 171 and 172: take hers: but in her own way" (ibi
- Page 173 and 174: 164 family the inarticulate sorrow
- Page 175 and 176: much violence. Thus, her love for h
- Page 177 and 178: 168 time she walked in a confused h
- Page 179 and 180: 170 'separateness' is seen in Women
- Page 181 and 182: 172 destroying in people the creati
- Page 183 and 184: 174 Paul at this time, encounters t
- Page 185 and 186: 176 be a complete human being in th
- Page 187 and 188: 178 mistress and her uncle because
- Page 189 and 190: 180 When she leaves the school her
- Page 191 and 192: 182 dead. The only part of him whic
- Page 193 and 194: 184 Ursula first refused him cried
- Page 195: 186 the self Which has made Ursula
- Page 199 and 200: CHAPTER IV 1 WOMEN IN LOVE: THE PRO
- Page 201 and 202: 192 world is a world of dust which
- Page 203 and 204: 194 knowledge, breaks out with hars
- Page 205 and 206: up to this. One of them refers to H
- Page 207 and 208: 198 because he is no 'clone', no sl
- Page 209 and 210: 200 London bohemianism which Birkin
- Page 211 and 212: 202 dominant figure in the affair.
- Page 213 and 214: 204 course startles Gerald who cann
- Page 215 and 216: 206 in the expectancy to find a 'fo
- Page 217 and 218: 208 On the other hand, Lawrence giv
- Page 219 and 220: 210 they never did in Thomas Crich'
- Page 221 and 222: 212 "Think!" he said to her', "you
- Page 223 and 224: 214 life and he even apologizes to
- Page 225 and 226: 216 see the gate shut; then Gerald
- Page 227 and 228: 218 in a fierce desire to deny the
- Page 229 and 230: 220 and for a young doctor who was
- Page 231 and 232: 222 mutual hellish recognition (p.2
- Page 233 and 234: 224 him to be. The interesting aspe
- Page 235 and 236: 226 because he thinks that people,
- Page 237 and 238: 228 polarity', or in his words: 'Wh
- Page 239 and 240: everyone develops the "river of dis
- Page 241 and 242: Ursula: '... I think that a new wor
- Page 243 and 244: atmosphere of something hidden betw
- Page 245 and 246: disguised inner selves beneath thei
The end is not convincing enough.<br />
Another idea is that the<br />
rainbow itself is like a faint gleam of light at the end of a<br />
tunnel.<br />
When Ursula gets to the end of the tunnel, the light<br />
may be a false light or it may vanish.<br />
The rainbow may<br />
extinguish itself When she crosses the hill looking for the<br />
treasure at the bottom of it.<br />
It is therefore a false and<br />
individualistic hope, a rhetorical gesture by the author which<br />
the details of plot and character cannot justify.<br />
To sura up the main points of this chapter: The Rainbow<br />
closes Lawrence's first phase in which the author has a strong<br />
preference for women who are much connected with the mind. These<br />
women have, because of their strong minds, defeated their male<br />
partners.<br />
The most significant representatives of this phase<br />
are Helena, Who can be seen as the ancestress to Mrs Morel, Anna<br />
and Ursula.<br />
The last two women, although very strong, are not<br />
as idealistic as Helena and are not as soulful as Mrs Morel.<br />
Anna, in her victory over Will, may be seen as a strong woman in<br />
the sense that her self-sufficiency and independence have made<br />
her fight for what she believed.<br />
Her husband, on the other hand,<br />
is a weak male in the sense that he simply could not defend his<br />
own beliefs: he has let Anna superimpose her will over him.<br />
We<br />
can say that Anna and Mrs Morel have replaced their husbands in<br />
their homes exactly because their men could not fight for their<br />
rights.<br />
Ursula is different from these three heroines because<br />
her desire is not to defeat the male, at least as the other<br />
female characters did, but to find her own place in a society<br />
which is completely masculine.<br />
The fact that she has defeated<br />
her first lover may be seen in terms of Skrebensky's weak<br />
character.<br />
He "loses"not because he could not fight Ursula, but<br />
because she has a self while he does not. Thus he could not