RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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The end is not convincing enough. Another idea is that the rainbow itself is like a faint gleam of light at the end of a tunnel. When Ursula gets to the end of the tunnel, the light may be a false light or it may vanish. The rainbow may extinguish itself When she crosses the hill looking for the treasure at the bottom of it. It is therefore a false and individualistic hope, a rhetorical gesture by the author which the details of plot and character cannot justify. To sura up the main points of this chapter: The Rainbow closes Lawrence's first phase in which the author has a strong preference for women who are much connected with the mind. These women have, because of their strong minds, defeated their male partners. The most significant representatives of this phase are Helena, Who can be seen as the ancestress to Mrs Morel, Anna and Ursula. The last two women, although very strong, are not as idealistic as Helena and are not as soulful as Mrs Morel. Anna, in her victory over Will, may be seen as a strong woman in the sense that her self-sufficiency and independence have made her fight for what she believed. Her husband, on the other hand, is a weak male in the sense that he simply could not defend his own beliefs: he has let Anna superimpose her will over him. We can say that Anna and Mrs Morel have replaced their husbands in their homes exactly because their men could not fight for their rights. Ursula is different from these three heroines because her desire is not to defeat the male, at least as the other female characters did, but to find her own place in a society which is completely masculine. The fact that she has defeated her first lover may be seen in terms of Skrebensky's weak character. He "loses"not because he could not fight Ursula, but because she has a self while he does not. Thus he could not

188 compete with her. In fact Skrebensky can hardly be defined as an individual, he is part of a structure — part of a machine — and without it he is nothing. A person who is 'nothing' cannot compete with a person who has a self and is, consequently, an individual. The male characters cannot be taken as a repetition of Walter Morel. Neither Siegmund, nor Will nor Skrebensky can be viewed as representing the dark lover. The only characteristic that they share with Walter is their weak personality which causes them to be defeated by their women. The most important characteristic of this first phase is therefore the active presence of the 'femme fatale', the spiritual woman, destroyer of her love partners. Helena, Mrs Morel, Anna and Ursula are indeed fatal females since all of them defeat their males. Helena is perhaps the strongest of these women since she is the only one who leads her lover to suicide. The other two (except for Ursula) replace their husbands. Their houses become thus „ matriarchal societies.Ursula may be seen as a female who fights for a place in society, that is her main quest. The negative aspect of this phase lies in the fact that Lawrence basically shows sympathy for the independent woman: he does not overtly criticize her even when she strays (like Helena who dreamed too much but refused to accept reality in her sexual life with Siegmund. Or Ursula when she exerted her 'maximum' self over Skrebensky in the moon scene which has led to his destruction). This "feminist" sympathy it should be noted, will be withdrawn later in the leadership phase, in a novel like The Plumed Serpent. My last point refers to 'balance' in the relations. This

The end is not convincing enough.<br />

Another idea is that the<br />

rainbow itself is like a faint gleam of light at the end of a<br />

tunnel.<br />

When Ursula gets to the end of the tunnel, the light<br />

may be a false light or it may vanish.<br />

The rainbow may<br />

extinguish itself When she crosses the hill looking for the<br />

treasure at the bottom of it.<br />

It is therefore a false and<br />

individualistic hope, a rhetorical gesture by the author which<br />

the details of plot and character cannot justify.<br />

To sura up the main points of this chapter: The Rainbow<br />

closes Lawrence's first phase in which the author has a strong<br />

preference for women who are much connected with the mind. These<br />

women have, because of their strong minds, defeated their male<br />

partners.<br />

The most significant representatives of this phase<br />

are Helena, Who can be seen as the ancestress to Mrs Morel, Anna<br />

and Ursula.<br />

The last two women, although very strong, are not<br />

as idealistic as Helena and are not as soulful as Mrs Morel.<br />

Anna, in her victory over Will, may be seen as a strong woman in<br />

the sense that her self-sufficiency and independence have made<br />

her fight for what she believed.<br />

Her husband, on the other hand,<br />

is a weak male in the sense that he simply could not defend his<br />

own beliefs: he has let Anna superimpose her will over him.<br />

We<br />

can say that Anna and Mrs Morel have replaced their husbands in<br />

their homes exactly because their men could not fight for their<br />

rights.<br />

Ursula is different from these three heroines because<br />

her desire is not to defeat the male, at least as the other<br />

female characters did, but to find her own place in a society<br />

which is completely masculine.<br />

The fact that she has defeated<br />

her first lover may be seen in terms of Skrebensky's weak<br />

character.<br />

He "loses"not because he could not fight Ursula, but<br />

because she has a self while he does not. Thus he could not

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