RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
crescent disrespect for him, he turns to the first child Ursula. They form "a strange alliance". It almost looks like the alliance formed by Tom and Anna when Lydia had her first child. The difference seems to be that Lydia did not destroy Tom as Anna does Will. The little Ursula is a support to the man. It may be said that as Will cannot master Anna, he has turned to the child to master her, to exert a certain power over her. However, Ursula rejects Will, as we shall see later, and he, unable to stand her rejection as well as that of his own wife, turns to seek pleasure in Nottingham. He wants to experience new things apart from the world of his wife's "trance of motherhood". Will realizes that "Save for his wife, he was a virgin... He wanted the other life. His own life was barren, not enough. He wanted the other" (p.227). Thus, he looks for other women. It seems that the Brangwen men always repeat the past: first Alfred had an intellectual mistressthen Tom tries to imitate his brother and have a mistress but he gives up;,and finally Will reproduces the same attitude of his relatives. The girl he finds is an adolescent. He tries to master her, again as a projection of his incompetence at home, but he fails. The girl flees from him and he returns home frustrated but, in a certain way, renewed. He has awakened in himself the thirsty male who only craves for sex. Anna perceives the new man in her husband and likes it. She was tired of the old, conventional and mystic lover. For her, this Will coming from Nottingham is a stranger and "She liked this strange man come home to her. He was very welcome, indeed! She was very glad to welcome a stranger. She had been bored by the old husband" (p.235). The new Will is no husband. He is the lover, the obsessed male prostitute: "He was the sensual male seeking his pleasure, she was the female ready to
take hers: but in her own way" (ibid). Even here Anna does not forget she is the master and if the man is to come to her, it will be the way she likes. Thus Will and Anna restart their marriage through the recognition of their obsession with sex. They cease to exist as human beings. The flame of love and mutual respect has died. In their new meeting "There was no tenderness, no love between them any more, only the maddening, sensuous lust for discovery and the insatiable, exorbitant gratification in the sensual beauties of; '[Anna's] body" (p. 236). They have no feelings, only lust. The children are left aside for the couple "lived in the darkness and death of their own sensual activities" (p.237). The lovers have also lost their reserves: All the shameful things of the body revealed themselves to him now with a sort of sinister, tropical beauty. All the shameful natural and unnatural acts of sensual voluptuousness which he and the woman partook together, created together, they had their heavy beauty and their delight. Shame, what was it? It was part of the extreme delight. It was that part of delight of which man is usually afraid. Why afraid? The secret, shameful things are most terribly beautiful (pp.237-8). The passage seems to refer to anal intercourse. Sex is seen as a natural act. But if they (Will and Anna) have discovered 'delight' in 'unnatural and shameful' acts, one may easily infer that it is the use of the anus as a source for pleasure or pain. The element of sado-masochism or domination would be particularly strong in this kind of sex. The same kind of language used in this quoted passage is used (more explicitly) in Women in Love and Lady Chatterley to refer to anal intercourse: [Ursula] traced with her hands the line of [Birkin's] loins and thighs, at the back, and a living fire ran through her, from him, darkly... It was a dark fire of electricity that rushed from him to her, and flooded them both with rich
- Page 119 and 120: 109 Siegmund, usually a bad swimmer
- Page 121 and 122: Ill the moon:"Rocked thus on his st
- Page 123 and 124: 113 connotation in his mind) . In f
- Page 125 and 126: 115 is to warn Siegmund of the dang
- Page 127 and 128: 117 ... For centuries a certain typ
- Page 129 and 130: 119 she alone will not bear the gui
- Page 131 and 132: 121 The idea which is implicit here
- Page 133 and 134: 123 not see it. He bowed in obedien
- Page 135 and 136: 125 laurels of having given Siegmun
- Page 137 and 138: 128 as always, is not aware of Sieg
- Page 139 and 140: 130 on her hat, her eyes, gazing he
- Page 141 and 142: 132 to perforin the action. The nar
- Page 143 and 144: 134 extreme splits of soul/body. 'B
- Page 145 and 146: 136 prepares the path to the other.
- Page 147 and 148: 138 connection with the land. This
- Page 149 and 150: 140 Tom proposes marriage to Lydia:
- Page 151 and 152: 142 They looked at each other, a de
- Page 153 and 154: 144 of taking a mistress because "t
- Page 155 and 156: and thinks of them "as if they were
- Page 157 and 158: 148 actualy loves or hates. The mix
- Page 159 and 160: 15 0 Will is an artist and his conc
- Page 161 and 162: 15 2 light of the moon covering Ann
- Page 163 and 164: 154 pleasure, but as soon as the no
- Page 165 and 166: in the night they were gathering sh
- Page 167 and 168: is like a dwarf without power. exul
- Page 169: everything: life and death. He is c
- Page 173 and 174: 164 family the inarticulate sorrow
- Page 175 and 176: much violence. Thus, her love for h
- Page 177 and 178: 168 time she walked in a confused h
- Page 179 and 180: 170 'separateness' is seen in Women
- Page 181 and 182: 172 destroying in people the creati
- Page 183 and 184: 174 Paul at this time, encounters t
- Page 185 and 186: 176 be a complete human being in th
- Page 187 and 188: 178 mistress and her uncle because
- Page 189 and 190: 180 When she leaves the school her
- Page 191 and 192: 182 dead. The only part of him whic
- Page 193 and 194: 184 Ursula first refused him cried
- Page 195 and 196: 186 the self Which has made Ursula
- Page 197 and 198: 188 compete with her. In fact Skreb
- Page 199 and 200: CHAPTER IV 1 WOMEN IN LOVE: THE PRO
- Page 201 and 202: 192 world is a world of dust which
- Page 203 and 204: 194 knowledge, breaks out with hars
- Page 205 and 206: up to this. One of them refers to H
- Page 207 and 208: 198 because he is no 'clone', no sl
- Page 209 and 210: 200 London bohemianism which Birkin
- Page 211 and 212: 202 dominant figure in the affair.
- Page 213 and 214: 204 course startles Gerald who cann
- Page 215 and 216: 206 in the expectancy to find a 'fo
- Page 217 and 218: 208 On the other hand, Lawrence giv
- Page 219 and 220: 210 they never did in Thomas Crich'
crescent disrespect for him, he turns to the first child Ursula.<br />
They form "a strange alliance".<br />
It almost looks like the<br />
alliance formed by Tom and Anna when Lydia had her first child.<br />
The difference seems to be that Lydia did not destroy Tom as Anna<br />
does Will. The little Ursula is a support to the man. It may<br />
be said that as Will cannot master Anna, he has turned to the<br />
child to master her, to exert a certain power over her. However,<br />
Ursula rejects Will, as we shall see later, and he, unable to<br />
stand her rejection as well as that of his own wife, turns to<br />
seek pleasure in Nottingham.<br />
He wants to experience new things<br />
apart from the world of his wife's "trance of motherhood".<br />
Will<br />
realizes that "Save for his wife, he was a virgin... He wanted<br />
the other life. His own life was barren, not enough. He wanted<br />
the other" (p.227). Thus, he looks for other women. It seems<br />
that the Brangwen men always repeat the past: first Alfred had<br />
an intellectual mistressthen Tom tries to imitate his brother<br />
and have a mistress but he gives up;,and finally Will reproduces<br />
the same attitude of his relatives.<br />
The girl he finds is an<br />
adolescent.<br />
He tries to master her, again as a projection of<br />
his incompetence at home, but he fails.<br />
The girl flees from him<br />
and he returns home frustrated but, in a certain way, renewed.<br />
He has awakened in himself the thirsty male who only craves for<br />
sex.<br />
Anna perceives the new man in her husband and likes it.<br />
She was tired of the old, conventional and mystic lover.<br />
For<br />
her, this Will coming from Nottingham is a stranger and "She<br />
liked this strange man come home to her.<br />
He was very welcome,<br />
indeed! She was very glad to welcome a stranger. She had been<br />
bored by the old husband" (p.235).<br />
The new Will is no husband.<br />
He is the lover, the obsessed male prostitute: "He was the<br />
sensual male seeking his pleasure, she was the female ready to