RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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crescent disrespect for him, he turns to the first child Ursula. They form "a strange alliance". It almost looks like the alliance formed by Tom and Anna when Lydia had her first child. The difference seems to be that Lydia did not destroy Tom as Anna does Will. The little Ursula is a support to the man. It may be said that as Will cannot master Anna, he has turned to the child to master her, to exert a certain power over her. However, Ursula rejects Will, as we shall see later, and he, unable to stand her rejection as well as that of his own wife, turns to seek pleasure in Nottingham. He wants to experience new things apart from the world of his wife's "trance of motherhood". Will realizes that "Save for his wife, he was a virgin... He wanted the other life. His own life was barren, not enough. He wanted the other" (p.227). Thus, he looks for other women. It seems that the Brangwen men always repeat the past: first Alfred had an intellectual mistressthen Tom tries to imitate his brother and have a mistress but he gives up;,and finally Will reproduces the same attitude of his relatives. The girl he finds is an adolescent. He tries to master her, again as a projection of his incompetence at home, but he fails. The girl flees from him and he returns home frustrated but, in a certain way, renewed. He has awakened in himself the thirsty male who only craves for sex. Anna perceives the new man in her husband and likes it. She was tired of the old, conventional and mystic lover. For her, this Will coming from Nottingham is a stranger and "She liked this strange man come home to her. He was very welcome, indeed! She was very glad to welcome a stranger. She had been bored by the old husband" (p.235). The new Will is no husband. He is the lover, the obsessed male prostitute: "He was the sensual male seeking his pleasure, she was the female ready to

take hers: but in her own way" (ibid). Even here Anna does not forget she is the master and if the man is to come to her, it will be the way she likes. Thus Will and Anna restart their marriage through the recognition of their obsession with sex. They cease to exist as human beings. The flame of love and mutual respect has died. In their new meeting "There was no tenderness, no love between them any more, only the maddening, sensuous lust for discovery and the insatiable, exorbitant gratification in the sensual beauties of; '[Anna's] body" (p. 236). They have no feelings, only lust. The children are left aside for the couple "lived in the darkness and death of their own sensual activities" (p.237). The lovers have also lost their reserves: All the shameful things of the body revealed themselves to him now with a sort of sinister, tropical beauty. All the shameful natural and unnatural acts of sensual voluptuousness which he and the woman partook together, created together, they had their heavy beauty and their delight. Shame, what was it? It was part of the extreme delight. It was that part of delight of which man is usually afraid. Why afraid? The secret, shameful things are most terribly beautiful (pp.237-8). The passage seems to refer to anal intercourse. Sex is seen as a natural act. But if they (Will and Anna) have discovered 'delight' in 'unnatural and shameful' acts, one may easily infer that it is the use of the anus as a source for pleasure or pain. The element of sado-masochism or domination would be particularly strong in this kind of sex. The same kind of language used in this quoted passage is used (more explicitly) in Women in Love and Lady Chatterley to refer to anal intercourse: [Ursula] traced with her hands the line of [Birkin's] loins and thighs, at the back, and a living fire ran through her, from him, darkly... It was a dark fire of electricity that rushed from him to her, and flooded them both with rich

crescent disrespect for him, he turns to the first child Ursula.<br />

They form "a strange alliance".<br />

It almost looks like the<br />

alliance formed by Tom and Anna when Lydia had her first child.<br />

The difference seems to be that Lydia did not destroy Tom as Anna<br />

does Will. The little Ursula is a support to the man. It may<br />

be said that as Will cannot master Anna, he has turned to the<br />

child to master her, to exert a certain power over her. However,<br />

Ursula rejects Will, as we shall see later, and he, unable to<br />

stand her rejection as well as that of his own wife, turns to<br />

seek pleasure in Nottingham.<br />

He wants to experience new things<br />

apart from the world of his wife's "trance of motherhood".<br />

Will<br />

realizes that "Save for his wife, he was a virgin... He wanted<br />

the other life. His own life was barren, not enough. He wanted<br />

the other" (p.227). Thus, he looks for other women. It seems<br />

that the Brangwen men always repeat the past: first Alfred had<br />

an intellectual mistressthen Tom tries to imitate his brother<br />

and have a mistress but he gives up;,and finally Will reproduces<br />

the same attitude of his relatives.<br />

The girl he finds is an<br />

adolescent.<br />

He tries to master her, again as a projection of<br />

his incompetence at home, but he fails.<br />

The girl flees from him<br />

and he returns home frustrated but, in a certain way, renewed.<br />

He has awakened in himself the thirsty male who only craves for<br />

sex.<br />

Anna perceives the new man in her husband and likes it.<br />

She was tired of the old, conventional and mystic lover.<br />

For<br />

her, this Will coming from Nottingham is a stranger and "She<br />

liked this strange man come home to her.<br />

He was very welcome,<br />

indeed! She was very glad to welcome a stranger. She had been<br />

bored by the old husband" (p.235).<br />

The new Will is no husband.<br />

He is the lover, the obsessed male prostitute: "He was the<br />

sensual male seeking his pleasure, she was the female ready to

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