RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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becomes the first love of Ursula, Anna's daughter.
At seventeen Anna starts rebelling against her parents.
A way to escape from them is to go to the church.
Not that she
is a religious girl.
The church and its language mean nothing
for her.
The church is only her escape from Tom and Lydia. The
culminating point of her distaste for religion happens when she
laughs hysterically in the church.
This event is posterior to
her meeting with Will Brangwen, her future husband and nephew to
her step-father.
The Sunday she meets Will they go together to the church.
Anna is somehow unaware of her step-cousin1s presence till he
rises to sing a hymn.
She is unable to control herself and then
she starts giggling till she breaks up with wild laughter.
Although she tries to regain control over herself she cannot.
Her outburst of laughter is stronger than her will.
In fact,
one plausible explanation of her hysteria may be the idea that
Anna is rejecting what Will represents to her.
He may mean to
her a symbol of obedience, of the false religiosity she does not
like.
Her outburst of mocking laughter may be seen as Anna's
first real denial of Will's beliefs.
Or it may be her sensual
awakening.
Eros is a form of rebellion or defiance of
traditional forms for her.
Will becomes an assiduous visitor to the Marsh farm.
Through him Lawrence presents to us his (the author's) most
terrible conflict: the circle of love and hate.
Lawrence says
that
Sometimes [Will] talked of his father, whom he hated
with a hatred that was burningly close to love, of
his mother, whom he loved, with a love that was
keenly close to hatred, or to revolt (p.114).
This passage implies Will's inability to really discern who he