RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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ut he "never loved his own son as he loved his step child Anna" (p.82). A reasonable idea to explain this may be that Anna, the step-daughter, belongs exclusively to the foreign Lydia. Anna is the embodiement of the external unknown world Tom wants to meet. His own son, on the other hand, belongs both to him and his wife. The child has both components of foreignness of the mother and Englishness of the father. The child, therefore, is much more important to the mother because it was born of Tom's seed and has his English blood* Lydia becomes "now really English, really Mrs Brangwen" (ibid). Lydia, after giving birth, returns to Tom again. But for him her return is brief. He is sure that she is all he wants from life but somehow there is still something missing. Tom thinks that the reason may be that "She could only want him in her own way, and to her own measure" (p.83). And he rebels, although he knows that "he must control himself, measure himself to her" (ibid). While they do not meet, Tom clings to Anna, doing everything she wants him to do. Besides, he tries to search for another source of living. In his search, he unconsciously takes an apparently wrong path: he meets another woman on the excuse that he can transform his Anna into a lady, but, in fact, it seems that he wants to have an extra-marital affair like his brother Alfred did: His brother Alfred, in Nottingham, had caused a great.scandal by becoming the lover of an educated woman, a lady, widow of a doctor. Tom Brangwen was so curious about the woman that the next time he was in .Wirksworth he asked for her house (pp.89-90). As in the beginning, Tom is attracted to sophisticated, outerdirected women: at first it was Lydia, then the mistress of Alfred. Tom goes to the lady's house but he gives up the idea

144 of taking a mistress because "the other form of life was beyond him..." (p.91). Thus, he returns to the Marsh farm, back to Lydia. Now Lawrence makes it clear that although Tom's wife seems so apart from him, she is actually very much aware of her husband's needs: 'Why do you go away so often?' she said. 'But you don't want me,' he replied. She was silent for a while. 'You do not want to be with me any more,' she said. It startled him. How did she know this truth? He -thought i't was his secret' (p. 92). For the first time they seem to agree in their utter strangeness and separateness. Tom tells Lydia about his meeting with the lady in Wirksworth. This makes him feel Lydia is "again the active unknown facing him" (p.93). And the foreign woman knows his inner desire to search for another woman: ’Why should you want to find a woman who is more to you than me?' she said. The turbulence raged in his breast. 'I don't,' he said. 'Why do you?' she repeated. 'Why do you want to deny me?' (ibid). Tom cannot bear the questioning. He tells his wife: "'You make me feel as if I was nothing'" (p.94). This is definitely the key to the couple's decisive meeting and final union. Lydia takes him in her arms and Tom senses that She was now transfigured, she was wonderful, beyond him. He wanted to go. But he could not not as yet kiss her. He was himself apart... She waited for him to meet her, not to bow before her and serve her. She wanted his active participation, not his submission (p.95). Hence they meet half-way* Neither Tom nor Lydia needs to submit. They must be together to search the fulfilment both want. This happens two years after their marriage. They become complete. They recognize their differences and in so doing they are united: At last they had thrown open the doors, each to

144<br />

of taking a mistress because "the other form of life was beyond<br />

him..." (p.91).<br />

Thus, he returns to the Marsh farm, back to<br />

Lydia. Now Lawrence makes it clear that although Tom's wife<br />

seems so apart from him, she is actually very much aware of her<br />

husband's needs:<br />

'Why do you go away so often?' she said.<br />

'But you don't want me,' he replied.<br />

She was silent for a while.<br />

'You do not want to be with me any more,' she said.<br />

It startled him. How did she know this truth?<br />

He -thought i't was his secret' (p. 92).<br />

For the first time they seem to agree in their utter strangeness<br />

and separateness. Tom tells Lydia about his meeting with the<br />

lady in Wirksworth.<br />

This makes him feel Lydia is "again the<br />

active unknown facing him" (p.93).<br />

And the foreign woman knows<br />

his inner desire to search for another woman:<br />

’Why should you want to find a woman who is more<br />

to you than me?' she said.<br />

The turbulence raged in his breast.<br />

'I don't,' he said.<br />

'Why do you?' she repeated. 'Why do you want to<br />

deny me?' (ibid).<br />

Tom cannot bear the questioning.<br />

He tells his wife: "'You make<br />

me feel as if I was nothing'" (p.94).<br />

This is definitely the key<br />

to the couple's decisive meeting and final union.<br />

Lydia takes<br />

him in her arms and Tom senses that<br />

She was now transfigured, she was wonderful,<br />

beyond him. He wanted to go. But he could not<br />

not as yet kiss her. He was himself apart...<br />

She waited for him to meet her, not to bow before<br />

her and serve her. She wanted his active<br />

participation, not his submission (p.95).<br />

Hence they meet half-way* Neither Tom nor Lydia needs to submit.<br />

They must be together to search the fulfilment both want.<br />

This<br />

happens two years after their marriage.<br />

They become complete.<br />

They recognize their differences and in so doing they are united:<br />

At last they had thrown open the doors, each to

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