RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
ut he "never loved his own son as he loved his step child Anna" (p.82). A reasonable idea to explain this may be that Anna, the step-daughter, belongs exclusively to the foreign Lydia. Anna is the embodiement of the external unknown world Tom wants to meet. His own son, on the other hand, belongs both to him and his wife. The child has both components of foreignness of the mother and Englishness of the father. The child, therefore, is much more important to the mother because it was born of Tom's seed and has his English blood* Lydia becomes "now really English, really Mrs Brangwen" (ibid). Lydia, after giving birth, returns to Tom again. But for him her return is brief. He is sure that she is all he wants from life but somehow there is still something missing. Tom thinks that the reason may be that "She could only want him in her own way, and to her own measure" (p.83). And he rebels, although he knows that "he must control himself, measure himself to her" (ibid). While they do not meet, Tom clings to Anna, doing everything she wants him to do. Besides, he tries to search for another source of living. In his search, he unconsciously takes an apparently wrong path: he meets another woman on the excuse that he can transform his Anna into a lady, but, in fact, it seems that he wants to have an extra-marital affair like his brother Alfred did: His brother Alfred, in Nottingham, had caused a great.scandal by becoming the lover of an educated woman, a lady, widow of a doctor. Tom Brangwen was so curious about the woman that the next time he was in .Wirksworth he asked for her house (pp.89-90). As in the beginning, Tom is attracted to sophisticated, outerdirected women: at first it was Lydia, then the mistress of Alfred. Tom goes to the lady's house but he gives up the idea
144 of taking a mistress because "the other form of life was beyond him..." (p.91). Thus, he returns to the Marsh farm, back to Lydia. Now Lawrence makes it clear that although Tom's wife seems so apart from him, she is actually very much aware of her husband's needs: 'Why do you go away so often?' she said. 'But you don't want me,' he replied. She was silent for a while. 'You do not want to be with me any more,' she said. It startled him. How did she know this truth? He -thought i't was his secret' (p. 92). For the first time they seem to agree in their utter strangeness and separateness. Tom tells Lydia about his meeting with the lady in Wirksworth. This makes him feel Lydia is "again the active unknown facing him" (p.93). And the foreign woman knows his inner desire to search for another woman: ’Why should you want to find a woman who is more to you than me?' she said. The turbulence raged in his breast. 'I don't,' he said. 'Why do you?' she repeated. 'Why do you want to deny me?' (ibid). Tom cannot bear the questioning. He tells his wife: "'You make me feel as if I was nothing'" (p.94). This is definitely the key to the couple's decisive meeting and final union. Lydia takes him in her arms and Tom senses that She was now transfigured, she was wonderful, beyond him. He wanted to go. But he could not not as yet kiss her. He was himself apart... She waited for him to meet her, not to bow before her and serve her. She wanted his active participation, not his submission (p.95). Hence they meet half-way* Neither Tom nor Lydia needs to submit. They must be together to search the fulfilment both want. This happens two years after their marriage. They become complete. They recognize their differences and in so doing they are united: At last they had thrown open the doors, each to
- Page 101 and 102: My last point about Sons and Lovers
- Page 103 and 104: 93 relation unbearable up to the po
- Page 105 and 106: 95 teacher Siegmund. He is a marrie
- Page 107 and 108: 97 and strong, and fully fruited, h
- Page 109 and 110: 99 though Siegmund wants her, she r
- Page 111 and 112: 101 an analogy for Helena. Siegmund
- Page 113 and 114: 103 any of the relationships, nor c
- Page 115 and 116: 105 Helena's sharpness, and will-to
- Page 117 and 118: 107 like him: She glanced up at Sie
- Page 119 and 120: 109 Siegmund, usually a bad swimmer
- Page 121 and 122: Ill the moon:"Rocked thus on his st
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- Page 125 and 126: 115 is to warn Siegmund of the dang
- Page 127 and 128: 117 ... For centuries a certain typ
- Page 129 and 130: 119 she alone will not bear the gui
- Page 131 and 132: 121 The idea which is implicit here
- Page 133 and 134: 123 not see it. He bowed in obedien
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- Page 137 and 138: 128 as always, is not aware of Sieg
- Page 139 and 140: 130 on her hat, her eyes, gazing he
- Page 141 and 142: 132 to perforin the action. The nar
- Page 143 and 144: 134 extreme splits of soul/body. 'B
- Page 145 and 146: 136 prepares the path to the other.
- Page 147 and 148: 138 connection with the land. This
- Page 149 and 150: 140 Tom proposes marriage to Lydia:
- Page 151: 142 They looked at each other, a de
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- Page 157 and 158: 148 actualy loves or hates. The mix
- Page 159 and 160: 15 0 Will is an artist and his conc
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- Page 163 and 164: 154 pleasure, but as soon as the no
- Page 165 and 166: in the night they were gathering sh
- Page 167 and 168: is like a dwarf without power. exul
- Page 169 and 170: everything: life and death. He is c
- Page 171 and 172: take hers: but in her own way" (ibi
- Page 173 and 174: 164 family the inarticulate sorrow
- Page 175 and 176: much violence. Thus, her love for h
- Page 177 and 178: 168 time she walked in a confused h
- Page 179 and 180: 170 'separateness' is seen in Women
- Page 181 and 182: 172 destroying in people the creati
- Page 183 and 184: 174 Paul at this time, encounters t
- Page 185 and 186: 176 be a complete human being in th
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- Page 189 and 190: 180 When she leaves the school her
- Page 191 and 192: 182 dead. The only part of him whic
- Page 193 and 194: 184 Ursula first refused him cried
- Page 195 and 196: 186 the self Which has made Ursula
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144<br />
of taking a mistress because "the other form of life was beyond<br />
him..." (p.91).<br />
Thus, he returns to the Marsh farm, back to<br />
Lydia. Now Lawrence makes it clear that although Tom's wife<br />
seems so apart from him, she is actually very much aware of her<br />
husband's needs:<br />
'Why do you go away so often?' she said.<br />
'But you don't want me,' he replied.<br />
She was silent for a while.<br />
'You do not want to be with me any more,' she said.<br />
It startled him. How did she know this truth?<br />
He -thought i't was his secret' (p. 92).<br />
For the first time they seem to agree in their utter strangeness<br />
and separateness. Tom tells Lydia about his meeting with the<br />
lady in Wirksworth.<br />
This makes him feel Lydia is "again the<br />
active unknown facing him" (p.93).<br />
And the foreign woman knows<br />
his inner desire to search for another woman:<br />
’Why should you want to find a woman who is more<br />
to you than me?' she said.<br />
The turbulence raged in his breast.<br />
'I don't,' he said.<br />
'Why do you?' she repeated. 'Why do you want to<br />
deny me?' (ibid).<br />
Tom cannot bear the questioning.<br />
He tells his wife: "'You make<br />
me feel as if I was nothing'" (p.94).<br />
This is definitely the key<br />
to the couple's decisive meeting and final union.<br />
Lydia takes<br />
him in her arms and Tom senses that<br />
She was now transfigured, she was wonderful,<br />
beyond him. He wanted to go. But he could not<br />
not as yet kiss her. He was himself apart...<br />
She waited for him to meet her, not to bow before<br />
her and serve her. She wanted his active<br />
participation, not his submission (p.95).<br />
Hence they meet half-way* Neither Tom nor Lydia needs to submit.<br />
They must be together to search the fulfilment both want.<br />
This<br />
happens two years after their marriage.<br />
They become complete.<br />
They recognize their differences and in so doing they are united:<br />
At last they had thrown open the doors, each to