RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
139 day and night, absorbedly, of a voluptuous woman and of the meeting with a small, withered foreigner of ancient breeding. No sooner was his mind free, no sooner had he left his own companions, than he began to imagine an intimacy with a fine-textured, subtle-mannered people such as the foreigner at Matlock, and amidst this subtle intimacy was always the satisfaction of a voluptuous woman (ibid). The foreigner and his companion bring to Tom the desire to search for the unknown. The unknown meaning a new life different from the one of his ancestors. The life of the land is already part of his consciousness. He needs, therefore, to search for what is hidden in the unconscious. The unknown presumes newness, a new world which is far away from the ordinary life of the Brangwens. craving for marriage. It is in this mood that Tom starts Not the ordinary marriages of his family, but one with a 'voluptuous' woman coming from the outside. As he cannot go and search for her, she comes to him. This woman is Lydia Lensky, a Polish widow who arrives at Cossethay with her three-year-old daughter. When Tom first sees her he says involuntarily "'That's her"1 (p.29). This 'that's her' is all he has been dreaming. He knows unconsciously that the woman is his link with the unknown. She is his fate. He did not have to search outside anymore. She has come directly from the outside world to meet him and to make the decisive union between Tom's two realities: nature and the unknown beyond. That is why he "felt that here was the unreality established at last. He felt also a curious certainty about her, as if she were destined to him. It was to him a profound satisfaction that she was a foreigner" (p.32). Thus, without exercising his mind much he decides he must marry her. There is no escape for him. The old Tom must die to be reborn through the womb of the foreign woman. This is the strong feeling Lawrence shows us the night
140 Tom proposes marriage to Lydia: Tom is being reborn. She represents to him a half-way towards fulfilment: "He must, in the starry multiplicity of the night humble himself, and admit and know that without her he was nothing" (p.41). With Lydia in his arms, he finds his way towards a new life. He keeps her close to him and Then, for a few seconds, he went utterly to sleep, asleep and sealed in the darkest sleep, utter, extreme oblivion. From which he came to gradually, always holding her warm and close upon him, and she as utterly silent as he, involved in the same oblivion, the fecund darkness. He returned gradually, but newly created, as after a gestation, a new birth, in the womb of darkness" (p.46). The passage is very rich in overtones of fecundity, warmth and security. Darkness here implies the connection between the woman and the unknown. The unconscious is present in the sense that both appear as if hypnotized by the situation of complete unawareness of each other. Lydia is the mother, both in the sense that she is older than Tom and in that she makes Tom not feel fear or guilt. Tom, closely connected with his mother, is now turned to her substitute. The fear of the prostitute does not revisit him because Lydia is not an ordinary woman. Their relation seems blessed by God because of this symbolic rebirth. They are both complete in their total ignorance of each other's past. In fact, it seems that there is a sense of mutual respect in their strangeness. This implies a strong hint that their relation is going to be a balanced one. What seems important to them is what they can build from their acquaintance on. Their past is ignored. There is only their present and the coming future. However, the sense of completeness between them does not
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140<br />
Tom proposes marriage to Lydia: Tom is being reborn.<br />
She<br />
represents to him a half-way towards fulfilment: "He must, in<br />
the starry multiplicity of the night humble himself, and admit<br />
and know that without her he was nothing" (p.41).<br />
With Lydia in<br />
his arms, he finds his way towards a new life. He keeps her<br />
close to him and<br />
Then, for a few seconds, he went utterly to sleep,<br />
asleep and sealed in the darkest sleep, utter,<br />
extreme oblivion.<br />
From which he came to gradually, always holding<br />
her warm and close upon him, and she as utterly<br />
silent as he, involved in the same oblivion, the<br />
fecund darkness.<br />
He returned gradually, but newly created, as<br />
after a gestation, a new birth, in the womb of<br />
darkness" (p.46).<br />
The passage is very rich in overtones of fecundity, warmth and<br />
security.<br />
Darkness here implies the connection between the woman<br />
and the unknown.<br />
The unconscious is present in the sense that<br />
both appear as if hypnotized by the situation of complete<br />
unawareness of each other.<br />
Lydia is the mother, both in the<br />
sense that she is older than Tom and in that she makes Tom not<br />
feel fear or guilt.<br />
Tom, closely connected with his mother, is<br />
now turned to her substitute.<br />
The fear of the prostitute does<br />
not revisit him because Lydia is not an ordinary woman.<br />
Their<br />
relation seems blessed by God because of this symbolic rebirth.<br />
They are both complete in their total ignorance of each other's<br />
past.<br />
In fact, it seems that there is a sense of mutual respect<br />
in their strangeness.<br />
This implies a strong hint that their<br />
relation is going to be a balanced one.<br />
What seems important to<br />
them is what they can build from their acquaintance on.<br />
Their<br />
past is ignored.<br />
There is only their present and the coming<br />
future.<br />
However, the sense of completeness between them does not