RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
131 right1" (p.176). This certainly implies his suicide. Helena feels powerless — "Siegmund was beyond her grasp". And she, too, implies her death: I won't live a day after you'"(p.177). They separate once more, this time forever. Helena goes to Cornwall,, the land of Tristan and Isolde. And this association is very meaningful since there are several passages in the book in which these two lovers are mentioned at the background of Siegmund and Helena's love affair. The only difference is that in the Tristan and Isolde story both die, and in this novel of forbidden love, only Siegmund seeks death. Back home Siegmund feels ill; his thirst for sleep is an anticipation of his death. His brain seems to work like a machine out of control. His agony is described in terms of pleasure and pain: It seemed to him as if he ought to have endured the heat of his body, and the infernal trickling of the drops of sweat. But at the thought of it he moved his hands gratefully over his sides, which now were dry, and soft, and smooth;slightly chilled on the surface perhaps, for he felt a sudden tremor of shivering from the warm contact of his hands (p.183) That night there is a mixture of lightning and moonlight. Siegmund likes the cool night, but the moon is defeated by the coming of the sun and becomes "a dead mouse which floats on water" (p.184). This may imply Siegmund's death at the return of a punishing reality. He thinks deliriously about Helena. She has castrated him and as he cannot feel released from her, he comes to think about death as if it were impossible to make a decision. He recalls the saying. "'If thine hand offend thee, cut it off.' He could cut himself off from life. It was plain and straight forward" (p.185). This is self-castration, as a complement to what Helena has caused him. Yet, he is not ready
132 to perforin the action. The narrative continues vacillating back and forth between his suicide and his surviving. There are two possibilities: either to use a razor to cut his wrists or to hang himself. Then Helena comes to his mind again and he seems to give in the idea of suicide. In the following day his body is found by a window-cleaner Beatrice has called to help her. Siegmund has finally hung himself. Helena comes to know of his suicide through a newspaper. She falls delirious. Beatrice, on the other hand, does not seem to suffer much. Lawrence tries to make us believe she feels guilty, but it is not convincing. One may think that the author tries to do this because he does not sympathize with Siegmund1s wife. He seems to want to show that Beatrice is in fact better off because of Siegmund's death, because soon after his burial she moves to South London to reorganize her life. She becomes a successful landlady. After this long flash-back the story comes back to to the present, almost a year after Siegmund's death. Helena is with Cecyl Byrne, a new friend of hers. She is trying to reorganize her life. Byrne represents another possible sweetheart.:. The point in the new affair is not new, though. Byrne is a potential Siegmund. He also seems to be about to fall under the woman's spell as Siegmund did. The couple starts their affair by going to the same places Helena has been with her dead lover the previous year. Helena is again dealing with a dependent male who "Like a restless insect hovered about her" (p.213). The idea of a repetition in the story of the dreaming woman is clear: they walk through the same paths she has walked with Siegmund; the same larch-fingers which stole her pins are the same ones. The man wants to fulfil the gap Siegmund left. He does not think in
- Page 89 and 90: he can have pleasure. Miriam is for
- Page 91 and 92: who she is and what she wants. The
- Page 93 and 94: This is like Paul's passion for Cla
- Page 95 and 96: operate on her, since her heart wou
- Page 97 and 98: 87 'Let's make a sacrifice of Arabe
- Page 99 and 100: characteristics as she had. in what
- Page 101 and 102: My last point about Sons and Lovers
- Page 103 and 104: 93 relation unbearable up to the po
- Page 105 and 106: 95 teacher Siegmund. He is a marrie
- Page 107 and 108: 97 and strong, and fully fruited, h
- Page 109 and 110: 99 though Siegmund wants her, she r
- Page 111 and 112: 101 an analogy for Helena. Siegmund
- Page 113 and 114: 103 any of the relationships, nor c
- Page 115 and 116: 105 Helena's sharpness, and will-to
- Page 117 and 118: 107 like him: She glanced up at Sie
- Page 119 and 120: 109 Siegmund, usually a bad swimmer
- Page 121 and 122: Ill the moon:"Rocked thus on his st
- Page 123 and 124: 113 connotation in his mind) . In f
- Page 125 and 126: 115 is to warn Siegmund of the dang
- Page 127 and 128: 117 ... For centuries a certain typ
- Page 129 and 130: 119 she alone will not bear the gui
- Page 131 and 132: 121 The idea which is implicit here
- Page 133 and 134: 123 not see it. He bowed in obedien
- Page 135 and 136: 125 laurels of having given Siegmun
- Page 137 and 138: 128 as always, is not aware of Sieg
- Page 139: 130 on her hat, her eyes, gazing he
- Page 143 and 144: 134 extreme splits of soul/body. 'B
- Page 145 and 146: 136 prepares the path to the other.
- Page 147 and 148: 138 connection with the land. This
- Page 149 and 150: 140 Tom proposes marriage to Lydia:
- Page 151 and 152: 142 They looked at each other, a de
- Page 153 and 154: 144 of taking a mistress because "t
- Page 155 and 156: and thinks of them "as if they were
- Page 157 and 158: 148 actualy loves or hates. The mix
- Page 159 and 160: 15 0 Will is an artist and his conc
- Page 161 and 162: 15 2 light of the moon covering Ann
- Page 163 and 164: 154 pleasure, but as soon as the no
- Page 165 and 166: in the night they were gathering sh
- Page 167 and 168: is like a dwarf without power. exul
- Page 169 and 170: everything: life and death. He is c
- Page 171 and 172: take hers: but in her own way" (ibi
- Page 173 and 174: 164 family the inarticulate sorrow
- Page 175 and 176: much violence. Thus, her love for h
- Page 177 and 178: 168 time she walked in a confused h
- Page 179 and 180: 170 'separateness' is seen in Women
- Page 181 and 182: 172 destroying in people the creati
- Page 183 and 184: 174 Paul at this time, encounters t
- Page 185 and 186: 176 be a complete human being in th
- Page 187 and 188: 178 mistress and her uncle because
- Page 189 and 190: 180 When she leaves the school her
132<br />
to perforin the action. The narrative continues vacillating back<br />
and forth between his suicide and his surviving. There are two<br />
possibilities: either to use a razor to cut his wrists or to<br />
hang himself. Then Helena comes to his mind again and he seems<br />
to give in the idea of suicide. In the following day his body<br />
is found by a window-cleaner Beatrice has called to help her.<br />
Siegmund has finally hung himself.<br />
Helena comes to know of his suicide through a newspaper.<br />
She falls delirious. Beatrice, on the other hand, does not seem<br />
to suffer much. Lawrence tries to make us believe she feels<br />
guilty, but it is not convincing.<br />
One may think that the author<br />
tries to do this because he does not sympathize with Siegmund1s<br />
wife.<br />
He seems to want to show that Beatrice is in fact better<br />
off because of Siegmund's death, because soon after his burial<br />
she moves to South London to reorganize her life. She becomes<br />
a successful landlady.<br />
After this long flash-back the story comes back to to the<br />
present, almost a year after Siegmund's death.<br />
Helena is with<br />
Cecyl Byrne, a new friend of hers.<br />
She is trying to reorganize<br />
her life. Byrne represents another possible sweetheart.:.<br />
The<br />
point in the new affair is not new, though. Byrne is a potential<br />
Siegmund. He also seems to be about to fall under the woman's<br />
spell as Siegmund did.<br />
The couple starts their affair by going<br />
to the same places Helena has been with her dead lover the<br />
previous year. Helena is again dealing with a dependent male who<br />
"Like a restless insect hovered about her" (p.213).<br />
The idea of<br />
a repetition in the story of the dreaming woman is clear: they<br />
walk through the same paths she has walked with Siegmund; the<br />
same larch-fingers which stole her pins are the same ones. The<br />
man wants to fulfil the gap Siegmund left. He does not think in