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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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112<br />

She does not even notice that Siegmund is feeling sick.<br />

For her<br />

the world is resumed in her self-sufficiency which has been<br />

entirely restored after she has 'predominated1 under the<br />

moonlight.<br />

Siegmund, on the other hand, is sick within himself,<br />

as if he had lost his soul to the moon through Helena.<br />

He feels<br />

lost twice. First, he and Helena have lost the trail. He feels<br />

insecure and leaves his lover to find the way home.<br />

He simply<br />

follows her like a little child follows his strong mother who<br />

always knows the best way to go.<br />

Finally, he feels lost within<br />

himself and seems to go into a strong crisis which leads him to<br />

question his situation with Helena.<br />

Siegmund feels as if he had<br />

dissolved within the limits of his soul.<br />

The trouble is that he<br />

is not aware that the woman is causing him to feel like this. She<br />

is the male in the relation: the one who is active and directs<br />

the intercourse.<br />

What is left for him is a deep sensation of<br />

almost disintegration.<br />

His role becomes the one of the passive<br />

female. This is perhaps why he diagnoses his sickness as follows:<br />

‘Surely,' he told himself, *1 have drunk life too<br />

hot, and it has hurt my cup. My soul seems to leak<br />

out — I am half here, half gone away...1<br />

Then be came to the hour of Helena's strange<br />

ecstasy over him. That, somehow, had filled him<br />

with passionate grief. It was happiness<br />

concentrated one drop too keen, so that what<br />

should have been vivid wine was like a pure poison<br />

scathing him (p.77).<br />

Notice here that Helena is the one who has 'strange ecstasy' which<br />

'fills him' with passionate grief.<br />

Is this, the female role in a<br />

sexual intercourse? Siegmund is transformed into a 'cup' which<br />

is the container of passion. There is also the sensation<br />

of guilt for the sexual act since he feels hurt by what is<br />

supposed to give him pleasure.<br />

Instead, it becomes like 'pure<br />

poison scathing him'.<br />

Helena is the castrating woman hurting<br />

him. This thought makes Siegmund unconsciously condemn the<br />

relation.<br />

Not because it is adulterous but because he feels hurt<br />

for being an agent of sin (the sexual relation may have, this

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