Walking Corpses & Conscious Plants: Possibilist Ecologies in ...

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Bingham 75 Tabachnick, Stephen E., ed. Teaching the Graphic Novel. New York: The Modern Language Association of America, 2009. vii- 355. “2010s Eisner Awards Recipients.” San Diego Comic-Con International. Web. .
Bingham 76 APPENDIX A Fig. 1. Opening panel of The Walking Dead. Fig. 2. Fig. 3.
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Walking Corpses & Conscious Plants:
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Bingham 3 I owe an extreme debt of
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Bingham 5 Introduction My project e
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Bingham 7 personal growth through t
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Bingham 9 beliefs. Seeing a possibl
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Bingham 11 zombie exceeds death as
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Bingham 13 the validity of singular
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Bingham 15 Chapter I: The History o
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Bingham 17 Swamp Thing. According t
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Bingham 19 instructional profession
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Bingham 21 Another artist who worke
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Bingham 23 action into panels (Cohn
Page 25 and 26: Bingham 25 sponsorship. He designed
Page 27 and 28: Bingham 27 Charles Moulton. Marston
Page 29 and 30: Bingham 29 Frederick Wertham prompt
Page 31 and 32: Bingham 31 “graphic novel” was
Page 33 and 34: Bingham 33 what is or isn't a graph
Page 35 and 36: Bingham 35 Works Cited Benton, Mike
Page 37 and 38: Bingham 37 Chapter II: Transfusion
Page 39 and 40: Bingham 39 conflict or war. This ex
Page 41 and 42: Bingham 41 and dismember other bodi
Page 43 and 44: Bingham 43 bodies to pieces. (Cavar
Page 45 and 46: Bingham 45 thus creating an affecti
Page 47 and 48: Bingham 47 margins. Unlike the four
Page 49 and 50: Bingham 49 implicates the role of o
Page 51 and 52: Bingham 51 demonstrates that he is
Page 53 and 54: Bingham 53 Amy (Figure 10 & 11). Th
Page 55 and 56: Bingham 55 being who has done nothi
Page 57 and 58: Bingham 57 transgressions, this ima
Page 59 and 60: Bingham 59 Returning to the full pa
Page 61 and 62: Bingham 61 order” (200). The prem
Page 63 and 64: Bingham 63 possession, selling, ste
Page 65 and 66: Bingham 65 with yourself? Not me. I
Page 67 and 68: Bingham 67 immediate proximity of t
Page 69 and 70: Bingham 69 experience, or the human
Page 71 and 72: Bingham 71 sentences Thomas to hang
Page 73 and 74: Bingham 73
Page 75: Bingham 74 Works Cited Berger, Arth
Page 79 and 80: Bingham 78 Fig. 7. Fig. 8.
Page 95 and 96: Fig. 38. Bingham 94
Page 97 and 98: Fig. 41. Bingham 96
Page 101 and 102: Bingham 101 Chapter III: Speaking o
Page 103 and 104: Bingham 103 preserved, yet not enti
Page 105 and 106: Bingham 105 increasingly more discu
Page 107 and 108: Bingham 107 Wrightson only drew the
Page 109 and 110: Bingham 109 by the inexorable progr
Page 111 and 112: Bingham 111 appeared. Though the tw
Page 113 and 114: Bingham 113 General Avery Carlton S
Page 115 and 116: Bingham 115 dismembered body which
Page 117 and 118: Bingham 117 sheltered from or not e
Page 119 and 120: Bingham 119 authority. This subtle,
Page 121 and 122: Bingham 121 the center of the page
Page 123 and 124: Bingham 123 affect. Apart from this
Page 125 and 126: Bingham 125 acts of fictional chara
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Bingham 127 resemblance, their comp
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Bingham 129 experience. The creator
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Bingham 131 justified. What follows
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Bingham 133 present to witness it t
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Bingham 135 If we read each charact
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Bingham 137 able to issue an urgent
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1 According to comics historian Rob
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Bingham 140 - Interview by David Ro
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