Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
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B<strong>in</strong>gham 68<br />
present to witness this immediate reaction, Rick's absence has allowed tension to escalate<br />
and the rema<strong>in</strong><strong>in</strong>g semblance of legal fabric to deteriorate further toward mob rule. All<br />
the while Thomas Richards is escap<strong>in</strong>g detection by allow<strong>in</strong>g the emotional passions of<br />
the group to mask his guilt. When Rick returns he is given the consolation of f<strong>in</strong>d<strong>in</strong>g<br />
Tyreese alive, but he and the others <strong>in</strong> the prison are still panicked. No testimony other<br />
than suspicion connects Dexter to the crime; so there is no promise there won't be another<br />
kill<strong>in</strong>g. Though Rick has no evidence Dexter is responsible, he threatens physical force if<br />
proof can be found (Figure 37). Rick's challenge and confrontational exterior hide an<br />
<strong>in</strong>tense emotional pa<strong>in</strong> and sentiment of failure (Figure 38). He blames himself for the<br />
death of Hershel's daughters because he assured their safety and was not present to offer<br />
protection when they were attacked. Dexter rema<strong>in</strong>s suspect until Thomas attempts to<br />
repeat his crime.<br />
Turn<strong>in</strong>g aga<strong>in</strong> to the theories of Mark Ledbetter, moments of physical <strong>in</strong>jury or<br />
harm which come to characters can represent po<strong>in</strong>ts of cognitive importance for readers;<br />
body metaphor familiarizes readers with the text (12) and makes character experience<br />
more personal and easier to <strong>in</strong>ternalize <strong>in</strong> relation to political experience (15). When<br />
Thomas attempts to repeat his crime with Andrea, he targets her while she is isolated<br />
from the rest of the group. Moreover, he physically <strong>in</strong>jures her before she is able to seek<br />
out help, slic<strong>in</strong>g off her left earlobe and scarr<strong>in</strong>g that side of her face. As this attack<br />
leaves Andrea scarred, it also has the same effect upon readers. In seek<strong>in</strong>g out the ethic<br />
of a text, Ledbetter notes identify<strong>in</strong>g <strong>in</strong>stances like these as an essential exercise because<br />
“these characters' bodies serve as microcosm to the larger 'body' of text—the narrative we<br />
are read<strong>in</strong>g—and to the language of body metaphor which is so much a part of the human