Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
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B<strong>in</strong>gham 60<br />
fragility can <strong>in</strong>fluence <strong>in</strong>terpersonal <strong>in</strong>teractions. They can also affect how <strong>in</strong>dividuals<br />
perceive their relationship to the environment they <strong>in</strong>habit. On a larger scale, if multiple<br />
<strong>in</strong>dividuals come to the same conclusions about a particular idea, or recognize patterns <strong>in</strong><br />
the appearance or dissipation of violence, they can take constructive action which will be<br />
world alter<strong>in</strong>g.<br />
The <strong>Walk<strong>in</strong>g</strong> Dead is more of a cautionary tale than a straightforward<br />
consciousness rais<strong>in</strong>g exercise, though. As Elk<strong>in</strong>s posits, “Pictures of the body elicit<br />
thoughts about the body, and they can also provoke physical reactions <strong>in</strong> my body”<br />
(Object 138). Thus the simple act of view<strong>in</strong>g an image can manifest doubly <strong>in</strong> both body<br />
and m<strong>in</strong>d. When we an encounter an unth<strong>in</strong>kable event, like one where a child is forced<br />
to kill to protect his parent, it's impossible not to <strong>in</strong>terrogate the conditions that have<br />
made the event a reality. Undoubtedly, changes to the anticipated time-l<strong>in</strong>e of bodily<br />
existence partially account for this state of affairs. In the actual world we <strong>in</strong>habit as<br />
readers, life is <strong>in</strong>contestably punctuated by three events: conception, birth, and death.<br />
Human existence has become complicated with<strong>in</strong> the fictional universe of The <strong>Walk<strong>in</strong>g</strong><br />
Dead though. Another two events have been added to the expected trajectory of the<br />
body: reanimation and cerebral annihilation. These states are devoid of the<br />
consciousness which characterizes the others. Even though these bodily transformations<br />
are mediated through fiction, they prompt emotional and physical reactions from readers.<br />
See<strong>in</strong>g such horror manifest with<strong>in</strong> the work via illustration as well as narrative pushes<br />
readers to adopt and challenge the view po<strong>in</strong>ts of the characters who are confronted by it.<br />
Accord<strong>in</strong>g to Arthur Asa Berger, “On the visual level alone the grotesque is significant.<br />
Its ugl<strong>in</strong>ess is an affront to society and suggests that someth<strong>in</strong>g is wrong with the social