Walking Corpses & Conscious Plants: Possibilist Ecologies in ...

Walking Corpses & Conscious Plants: Possibilist Ecologies in ... Walking Corpses & Conscious Plants: Possibilist Ecologies in ...

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Bingham 40 been attacked on that level, and it was definitely scary. Everybody was scared, and the future was uncertain. It was definitely on my mind.” One of the most unsettling aspects of these attacks was how vehicles requiring special knowledge to operate were transformed into missiles. Despite precautions taken to prevent accidental loss of life, these planes were re-purposed by terrorists and used to kill intentionally—even making unwilling passengers agents in the process. States of normalcy were manipulated through the concealment of identity and malevolent intentions in order to kill ordinary people with no military affiliations. The resulting devastation eliminated the ability for many who lived through it to feel completely safe or protected. Similarly, uncertainty exists and grows throughout The Walking Dead. To understand how faith and sanity deteriorate, I first want to examine the types of acts and conditions which cause such extreme transformations of ideals and perceptions. Philosopher Adriana Cavarero works through a related examination of the impact of such violence in her book Horrorism: Naming Contemporary Violence. In this text, Cavarero examines the effects that witnessing extreme instances of violence and symbolic representations of these acts have upon individual subjects. She is not concerned with experiences of violence that victims or witnesses can heal from; rather she works to name a type of force which attacks the helpless and, once experienced, totally alters the identity of the individual who has undergone its effects. Even more specifically, she is concerned with tackling the emergence of a relatively new type of violence which appeared in the midst of September 11 th , 2001 in the form of suicide bombers. Horrorism is restricted to defining a type of violence which operates as a result of the following circumstances: the body of is transformed into a weapon used to destroy

Bingham 41 and dismember other bodies (Cavarero 57, 103), the victims are defenseless and randomly affected (ibid. 30-1, 76), and those who survive the aftermath are forever altered through the damage of loss which changes their subjectivity and essentially numbs them (ibid. 34, 43, 51). These conditions prompt a general reconsideration of bodily existence. In the actual world we experience, life is incontestably punctuated by three events: conception, birth, and death. A condition in Kirkman's parallel universe is that all people transform after death unless their brains are damaged or destroyed beforehand. This robs humanity of its defining attributes: conscience and consciousness. Like the victims of horrorism Cavarero describes, the people who become zombies suffer a loss of their natural subjectivity. Understandably, characters in The Walking Dead have a hard time coping with such a loss of identity. The undead are rarely called “zombies.” Instead of referring to the creatures as monsters, terms which describe behavioral attributes like “walker,” “roamer,” or “lurker,” are used to distinguish them from the humans. This emphasis on naming may seem trivial but it strengthens our identification with the characters as individuals by stressing the difficulty encountered by attempting to classify the dehumanizing transformation which has changed their peers into monstrous entities. The narrative is not a simple story of the living engaged in a futile fight against the dead, but rather is a complex examination of human behavior and the fluctuation of moral values in relation to the condition of one's physical status. As societal infrastructure collapses, the maintenance of health and interpersonal relationships both become complicated. The Walking Dead inhabits a strange space between the radical and conventional.

B<strong>in</strong>gham 41<br />

and dismember other bodies (Cavarero 57, 103), the victims are defenseless and<br />

randomly affected (ibid. 30-1, 76), and those who survive the aftermath are forever<br />

altered through the damage of loss which changes their subjectivity and essentially<br />

numbs them (ibid. 34, 43, 51). These conditions prompt a general reconsideration of<br />

bodily existence.<br />

In the actual world we experience, life is <strong>in</strong>contestably punctuated by three<br />

events: conception, birth, and death. A condition <strong>in</strong> Kirkman's parallel universe is that<br />

all people transform after death unless their bra<strong>in</strong>s are damaged or destroyed beforehand.<br />

This robs humanity of its def<strong>in</strong><strong>in</strong>g attributes: conscience and consciousness. Like the<br />

victims of horrorism Cavarero describes, the people who become zombies suffer a loss of<br />

their natural subjectivity. Understandably, characters <strong>in</strong> The <strong>Walk<strong>in</strong>g</strong> Dead have a hard<br />

time cop<strong>in</strong>g with such a loss of identity. The undead are rarely called “zombies.” Instead<br />

of referr<strong>in</strong>g to the creatures as monsters, terms which describe behavioral attributes like<br />

“walker,” “roamer,” or “lurker,” are used to dist<strong>in</strong>guish them from the humans. This<br />

emphasis on nam<strong>in</strong>g may seem trivial but it strengthens our identification with the<br />

characters as <strong>in</strong>dividuals by stress<strong>in</strong>g the difficulty encountered by attempt<strong>in</strong>g to classify<br />

the dehumaniz<strong>in</strong>g transformation which has changed their peers <strong>in</strong>to monstrous entities.<br />

The narrative is not a simple story of the liv<strong>in</strong>g engaged <strong>in</strong> a futile fight aga<strong>in</strong>st the dead,<br />

but rather is a complex exam<strong>in</strong>ation of human behavior and the fluctuation of moral<br />

values <strong>in</strong> relation to the condition of one's physical status. As societal <strong>in</strong>frastructure<br />

collapses, the ma<strong>in</strong>tenance of health and <strong>in</strong>terpersonal relationships both become<br />

complicated.<br />

The <strong>Walk<strong>in</strong>g</strong> Dead <strong>in</strong>habits a strange space between the radical and conventional.

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