Walking Corpses & Conscious Plants: Possibilist Ecologies in ...

Walking Corpses & Conscious Plants: Possibilist Ecologies in ... Walking Corpses & Conscious Plants: Possibilist Ecologies in ...

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Bingham 40 been attacked on that level, and it was definitely scary. Everybody was scared, and the future was uncertain. It was definitely on my mind.” One of the most unsettling aspects of these attacks was how vehicles requiring special knowledge to operate were transformed into missiles. Despite precautions taken to prevent accidental loss of life, these planes were re-purposed by terrorists and used to kill intentionally—even making unwilling passengers agents in the process. States of normalcy were manipulated through the concealment of identity and malevolent intentions in order to kill ordinary people with no military affiliations. The resulting devastation eliminated the ability for many who lived through it to feel completely safe or protected. Similarly, uncertainty exists and grows throughout The Walking Dead. To understand how faith and sanity deteriorate, I first want to examine the types of acts and conditions which cause such extreme transformations of ideals and perceptions. Philosopher Adriana Cavarero works through a related examination of the impact of such violence in her book Horrorism: Naming Contemporary Violence. In this text, Cavarero examines the effects that witnessing extreme instances of violence and symbolic representations of these acts have upon individual subjects. She is not concerned with experiences of violence that victims or witnesses can heal from; rather she works to name a type of force which attacks the helpless and, once experienced, totally alters the identity of the individual who has undergone its effects. Even more specifically, she is concerned with tackling the emergence of a relatively new type of violence which appeared in the midst of September 11 th , 2001 in the form of suicide bombers. Horrorism is restricted to defining a type of violence which operates as a result of the following circumstances: the body of is transformed into a weapon used to destroy

Bingham 41 and dismember other bodies (Cavarero 57, 103), the victims are defenseless and randomly affected (ibid. 30-1, 76), and those who survive the aftermath are forever altered through the damage of loss which changes their subjectivity and essentially numbs them (ibid. 34, 43, 51). These conditions prompt a general reconsideration of bodily existence. In the actual world we experience, life is incontestably punctuated by three events: conception, birth, and death. A condition in Kirkman's parallel universe is that all people transform after death unless their brains are damaged or destroyed beforehand. This robs humanity of its defining attributes: conscience and consciousness. Like the victims of horrorism Cavarero describes, the people who become zombies suffer a loss of their natural subjectivity. Understandably, characters in The Walking Dead have a hard time coping with such a loss of identity. The undead are rarely called “zombies.” Instead of referring to the creatures as monsters, terms which describe behavioral attributes like “walker,” “roamer,” or “lurker,” are used to distinguish them from the humans. This emphasis on naming may seem trivial but it strengthens our identification with the characters as individuals by stressing the difficulty encountered by attempting to classify the dehumanizing transformation which has changed their peers into monstrous entities. The narrative is not a simple story of the living engaged in a futile fight against the dead, but rather is a complex examination of human behavior and the fluctuation of moral values in relation to the condition of one's physical status. As societal infrastructure collapses, the maintenance of health and interpersonal relationships both become complicated. The Walking Dead inhabits a strange space between the radical and conventional.

B<strong>in</strong>gham 40<br />

been attacked on that level, and it was def<strong>in</strong>itely scary. Everybody was scared, and the<br />

future was uncerta<strong>in</strong>. It was def<strong>in</strong>itely on my m<strong>in</strong>d.” One of the most unsettl<strong>in</strong>g aspects<br />

of these attacks was how vehicles requir<strong>in</strong>g special knowledge to operate were<br />

transformed <strong>in</strong>to missiles. Despite precautions taken to prevent accidental loss of life,<br />

these planes were re-purposed by terrorists and used to kill <strong>in</strong>tentionally—even mak<strong>in</strong>g<br />

unwill<strong>in</strong>g passengers agents <strong>in</strong> the process. States of normalcy were manipulated through<br />

the concealment of identity and malevolent <strong>in</strong>tentions <strong>in</strong> order to kill ord<strong>in</strong>ary people<br />

with no military affiliations. The result<strong>in</strong>g devastation elim<strong>in</strong>ated the ability for many<br />

who lived through it to feel completely safe or protected. Similarly, uncerta<strong>in</strong>ty exists<br />

and grows throughout The <strong>Walk<strong>in</strong>g</strong> Dead. To understand how faith and sanity deteriorate,<br />

I first want to exam<strong>in</strong>e the types of acts and conditions which cause such extreme<br />

transformations of ideals and perceptions.<br />

Philosopher Adriana Cavarero works through a related exam<strong>in</strong>ation of the impact<br />

of such violence <strong>in</strong> her book Horrorism: Nam<strong>in</strong>g Contemporary Violence. In this text,<br />

Cavarero exam<strong>in</strong>es the effects that witness<strong>in</strong>g extreme <strong>in</strong>stances of violence and<br />

symbolic representations of these acts have upon <strong>in</strong>dividual subjects. She is not<br />

concerned with experiences of violence that victims or witnesses can heal from; rather<br />

she works to name a type of force which attacks the helpless and, once experienced,<br />

totally alters the identity of the <strong>in</strong>dividual who has undergone its effects. Even more<br />

specifically, she is concerned with tackl<strong>in</strong>g the emergence of a relatively new type of<br />

violence which appeared <strong>in</strong> the midst of September 11 th , 2001 <strong>in</strong> the form of suicide<br />

bombers. Horrorism is restricted to def<strong>in</strong><strong>in</strong>g a type of violence which operates as a result<br />

of the follow<strong>in</strong>g circumstances: the body of is transformed <strong>in</strong>to a weapon used to destroy

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