Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
Walking Corpses & Conscious Plants: Possibilist Ecologies in ...
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B<strong>in</strong>gham 37<br />
Chapter II:<br />
Transfusion and Transference: Ideology, Art & how bleed<strong>in</strong>g <strong>in</strong>k blots substitute<br />
explod<strong>in</strong>g bodies <strong>in</strong> The <strong>Walk<strong>in</strong>g</strong> Dead<br />
“If we accept the hypothesis that our popular arts mirror our culture, that they are somehow tied to our<br />
concerns and based upon widespread assumptions, then the study of our popular culture becomes an<br />
important means of understand<strong>in</strong>g our society.” -Berger, The Comic Stripped American p. 6-7<br />
An artwork is both a product of labor and an object with timeless qualities—its<br />
value often depends upon its age, rarity, purpose, and ability to convey the skill or<br />
reputation of the artist responsible for its creation. When determ<strong>in</strong><strong>in</strong>g the economic value<br />
of such a work, one also considers aesthetic values. In the case of popular art forms like<br />
comics, economic value is almost always <strong>in</strong>dicative of reproducibility. Generally<br />
speak<strong>in</strong>g, what's reproduced will be related to by a wide-spread audience whose support<br />
is the only guarantee of profitable success. Though comic-strips and books may have a<br />
s<strong>in</strong>gularly low economic value, they have been and still are purchased with great<br />
frequency. Engag<strong>in</strong>g <strong>in</strong>terest <strong>in</strong> an audience over an extended period of time proves that<br />
comics have rema<strong>in</strong>ed culturally relevant. Discover<strong>in</strong>g how requires an exploration of<br />
content, its presentation, and why that material appeals to an audience too.<br />
Beyond see<strong>in</strong>g art as an object for consumption, there is a deeper subjective<br />
attraction to art s<strong>in</strong>ce it is believed by some to possess a direct l<strong>in</strong>k to the soul. By this I<br />
mean to say that, at the most basic level, an object evok<strong>in</strong>g aesthetic sensibility also often<br />
elicits an emotional attachment from the viewer which can be so powerful that it equates<br />
to a religious or spiritual experience. One way the significance or success of an artwork<br />
might be measured is <strong>in</strong> terms of its ability to create shared experience which promotes<br />
communal <strong>in</strong>teraction and response.<br />
Partly as a result of their relatively easy<br />
reproduction, comics have acted as a perfect outlet for express<strong>in</strong>g matters of political<br />
concern. Comic strips and the longer graphic narratives they've <strong>in</strong>spired have deep roots