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Walking Corpses & Conscious Plants: Possibilist Ecologies in ...

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B<strong>in</strong>gham 37<br />

Chapter II:<br />

Transfusion and Transference: Ideology, Art & how bleed<strong>in</strong>g <strong>in</strong>k blots substitute<br />

explod<strong>in</strong>g bodies <strong>in</strong> The <strong>Walk<strong>in</strong>g</strong> Dead<br />

“If we accept the hypothesis that our popular arts mirror our culture, that they are somehow tied to our<br />

concerns and based upon widespread assumptions, then the study of our popular culture becomes an<br />

important means of understand<strong>in</strong>g our society.” -Berger, The Comic Stripped American p. 6-7<br />

An artwork is both a product of labor and an object with timeless qualities—its<br />

value often depends upon its age, rarity, purpose, and ability to convey the skill or<br />

reputation of the artist responsible for its creation. When determ<strong>in</strong><strong>in</strong>g the economic value<br />

of such a work, one also considers aesthetic values. In the case of popular art forms like<br />

comics, economic value is almost always <strong>in</strong>dicative of reproducibility. Generally<br />

speak<strong>in</strong>g, what's reproduced will be related to by a wide-spread audience whose support<br />

is the only guarantee of profitable success. Though comic-strips and books may have a<br />

s<strong>in</strong>gularly low economic value, they have been and still are purchased with great<br />

frequency. Engag<strong>in</strong>g <strong>in</strong>terest <strong>in</strong> an audience over an extended period of time proves that<br />

comics have rema<strong>in</strong>ed culturally relevant. Discover<strong>in</strong>g how requires an exploration of<br />

content, its presentation, and why that material appeals to an audience too.<br />

Beyond see<strong>in</strong>g art as an object for consumption, there is a deeper subjective<br />

attraction to art s<strong>in</strong>ce it is believed by some to possess a direct l<strong>in</strong>k to the soul. By this I<br />

mean to say that, at the most basic level, an object evok<strong>in</strong>g aesthetic sensibility also often<br />

elicits an emotional attachment from the viewer which can be so powerful that it equates<br />

to a religious or spiritual experience. One way the significance or success of an artwork<br />

might be measured is <strong>in</strong> terms of its ability to create shared experience which promotes<br />

communal <strong>in</strong>teraction and response.<br />

Partly as a result of their relatively easy<br />

reproduction, comics have acted as a perfect outlet for express<strong>in</strong>g matters of political<br />

concern. Comic strips and the longer graphic narratives they've <strong>in</strong>spired have deep roots

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