Walking Corpses & Conscious Plants: Possibilist Ecologies in ...

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preserved, yet not entirely concluded because the work leaves room for an expansion
upon topics regarding community, consciousness, and status through modification and reinterpretation.
Considering that the writer who would take on the task of supplying a new
storyline explaining the creature's origins and future endeavors saw his goal as loftier
than simply obtaining commercial success, it is clear that the version of the narrative
resulting from his collaboration with Bissette and Totleben performs an integral function
of creative expression by failing to be satisfied with the worldviews expressed in the past
and working to rectify them. By examining the manner in which the plot has been
expanded upon and re-imagined in the later revival of the series, I show how the work
capitalizes upon a consideration for the discursive nature of art and uses this foundation
as a base from which to pose important questions about counter-acting political
complacency.
Paradoxically, individuals are inheritors of culture as well as the agents who
determine its characteristics. From an evolutionary standpoint, existence is wholly
attributable to competition. Similarly, civilization's customs and conventions can be seen
as the consequences of power dynamics which people are implicated in preserving and
perpetuating. In this sense public agreement and accuracy are contingent as states of
cause and effect; but, this is not without constant contention. Language dually functions
as an instrument of creation which can claim as well as challenge; like any other
representational tool, it can be used as a vehicle for expression. Whether expressed
pictorially, linguistically, or through performance, art becomes a vital tool for adaptation
and survival; it transforms the personal into the communal by providing an object which
presents information demanding interpretation and comment. According to Scott