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One of Our Conquerors - World eBook Library

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George Meredith<br />

soil; considering the pretensions <strong>of</strong> the English language to<br />

become the universal. If we refuse additions from above, they<br />

force themselves on us from below.’<br />

Dr. Wardan liked the frame <strong>of</strong> the observations, disliked<br />

the substance.<br />

‘<strong>One</strong> is to understand that the English language has these<br />

pretensions?’ he said:—he minced in his manner, after the<br />

well-known mortar-board and tassel type; the mouthing <strong>of</strong> a<br />

petrifaction: clearly useless to the pleadings <strong>of</strong> the patriotic<br />

Dr. Bouthoin and his curate.<br />

He gave no grip to Colney, who groaned at cheap Donnish<br />

sarcasm, and let him go, after dealing him a hard pellet<br />

or two in a cracker-covering.<br />

There was Victor all over the field netting his ephemerae!<br />

And he who feeds on them, to pay a price for their congratulations<br />

and flatteries, he is one <strong>of</strong> them himself!<br />

Nesta came tripping from the Rev. Septimus Barmby. ‘Dear<br />

Mr. Durance, where is Captain Dartrey?’<br />

Mrs. Blathenoy had just conducted her husband through<br />

a crowd, for an introduction <strong>of</strong> him to Captain Dartrey. That<br />

was perceptible.<br />

Dudley Sowerby followed Nesta closely: he struck across<br />

the path <strong>of</strong> the Rev. Septimus: again he had the hollow <strong>of</strong><br />

her ear at his disposal.<br />

‘Mr. Radnor was excellent. He does everything consummately:<br />

really, we are all sensible <strong>of</strong> it. I am. He must lead us<br />

in a symphony. These light “champagne overtures” <strong>of</strong> French<br />

composers, as Mr. Fenellan calls them, do not bring out his<br />

whole ability:—Zampa, Le Pre aux clercs, Masaniello, and<br />

the like.’<br />

‘Your duet together went well.’<br />

‘Thanks to you—to you. You kept us together.’<br />

‘Papa was the runaway or strain-the-leash, if there was one.’<br />

‘He is impetuous, he is so fervent. But, Miss Radnor, I<br />

could not be the runaway-with you … with you at the piano.<br />

Indeed, I … shall we stroll down? I love the lake.’<br />

‘You will hear the bell for your cold dinner very soon.’<br />

‘I am not hungry. I would so much rather talk—hear you.<br />

But you are hungry? You have been singing twice: three times!<br />

Opera singers, they say, eat hot suppers; they drink stout.<br />

And I never heard your voice more effective. Yours is a voice<br />

that … something <strong>of</strong> the feeling one has in hearing cathe-<br />

197

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