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Analysis of Different Materials for Trumpet Mouthpieces

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<strong>Analysis</strong> <strong>of</strong> <strong>Different</strong><br />

<strong>Materials</strong> <strong>for</strong> <strong>Trumpet</strong><br />

<strong>Mouthpieces</strong><br />

Greg Formosa<br />

PHYS 199 - POM


INTRODUCTION<br />

• 3 <strong>Mouthpieces</strong> tested<br />

– C5 tuning note<br />

– A.k.a. Concert Bb4 - 466.164 Hz<br />

• Blessing 5C Mouthpiece<br />

– Metal (Original, Brass)<br />

– Plastic (Accura SI 40 RP)<br />

– Wood (Oak)


• Densities<br />

Gathered In<strong>for</strong>mation<br />

– Metal = brass ~67% copper, 33% zinc<br />

• 8.430-8.730 8.730 g/cm 3<br />

– Plastic = Accura SI 40<br />

• 1.1 g/cm 3<br />

– Wood = Oak<br />

• 0.590 – 0.930 g/cm 3


HYPOTHESIS<br />

• Less dense = more absorption<br />

– Lower amplitude/energy as density decreases<br />

– Less harmonics, more absorbed as density<br />

decreases<br />

– Frequencies similar*<br />

• Metal = “norm”<br />

• Plastic = similar<br />

• Wood = flat<br />

– Phase Differences<br />

• Plastic is similar to Metal<br />

• Wood has greater differences<br />

*Based on audible<br />

differences and<br />

general feel


Physical Differences<br />

• Audible Differences<br />

– Metal = brighter, more harmonics<br />

– Plastic = similar to metal, slightly less power<br />

– Wood = lower harmonics, less bright<br />

• Physical Differences (feel)<br />

– Metal = normal, smooth and easy to play<br />

– Plastic = similar, less heat transfer, harder to play<br />

higher<br />

– Wood = “stickier, stickier,” harder to control with lips, not<br />

smooth


5C Metal – Harmonic Amplitudes<br />

3x<br />

3x<br />

2.5x<br />

2<br />

x<br />

1.25x<br />

.5x


5C Wood – Harmonic Amplitudes<br />

4<br />

1.75x 1.63x<br />

1.25x 1.25x<br />

x<br />

.25x


5C Wood – Harmonic Amplitudes<br />

2x<br />

2. 2x<br />

2x<br />

3<br />

1.6x<br />

x<br />

.167x


Ratio <strong>of</strong> Harmonics to Fundamentals<br />

3<br />

2<br />

4<br />

WOOD<br />

METAL<br />

PLASTIC<br />

.167<br />

.167<br />

1.58<br />

1.58<br />

2<br />

2.2<br />

2.2<br />

2+<br />

2+<br />

Wood<br />

Wood<br />

.25<br />

.25<br />

1.25<br />

1.25<br />

1.25+<br />

1.25+<br />

1.63<br />

1.63<br />

1.75<br />

1.75<br />

Plastic<br />

Plastic<br />

.5<br />

.5<br />

1.25<br />

1.25<br />

2.5<br />

2.5<br />

3+<br />

3+<br />

3<br />

Metal<br />

Metal<br />

6th<br />

6th<br />

5th<br />

5th<br />

4th<br />

4th<br />

3rd<br />

3rd<br />

2nd<br />

2nd


PHASE DIFFERENCES<br />

• 2 nd harmonic very similar – 125-135 135 degrees<br />

• 4 th and 6 th harmonics <strong>of</strong> plastic slightly out <strong>of</strong><br />

phase<br />

• 3 rd and 5 th harmonics closer in phase <strong>for</strong> plastic


• Wood Mpc. . Phase:<br />

– Very skewed phases<br />

– Extremely high degree out <strong>of</strong> phase (25,000)<br />

– No similar aspects to other mpc. . Phases


5C Metal – Normalized Amplitude


5C Plastic – Normalized Amplitude


5C Wood – Normalized Amplitude


Normalized Amplitudes<br />

• Metal and plastic similar, like relative<br />

phases graphs<br />

• Plastic is slightly out <strong>of</strong> phase compared to<br />

metal, but a little skewed<br />

• Wood 2 nd harmonic is very similar to metal<br />

and plastic<br />

– All others (3, 4, 5, 6) are skewed and bent<br />

towards 0, between -30 and 30 degrees


FREQUENCIES<br />

• Graphs all similar, hard to differentiate<br />

• Inconclusive data<br />

• By ear: (compared to metal)<br />

– Plastic sounded a bit flat<br />

– Wood sounded a bit sharp


CONCLUSIONS<br />

• Harmonics & energies stay generally the same<br />

regardless <strong>of</strong> material or density<br />

– Plastic’s s 2 nd harmonic is bigger than normal, unaudible difference<br />

though<br />

• As density decreases, the 3 rd -5 th (strong) harmonics<br />

move closer to fundamental, less out <strong>of</strong> phase<br />

• Also as density decreases, 2 nd harmonic moved more<br />

and more out <strong>of</strong> phase, away from fundamental<br />

– Unaudible differences in phase, except maybe to trained ears<br />

• Biggest difference is due to texture and rigidity to player<br />

– The difference between mouthpieces to a musical listener is<br />

minute, but to the player is great.

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