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1 Theorising Agency in International Relations In Hobbes's Wake ...

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‘natural man’ or a powerless wordless <strong>in</strong>fant, but the full-blown <strong>in</strong>dividual, complete with the<br />

trapp<strong>in</strong>gs of agency. But it also means that the actor, the <strong>in</strong>stance who enters <strong>in</strong>to <strong>in</strong>teractions with<br />

other actors, is always already a social be<strong>in</strong>g, who does not exist outside of its relation to the<br />

Leviathan-Other. It is, <strong>in</strong> Hobbes’ dramatization, simply crushed by all the dangers that loom <strong>in</strong> the<br />

state of nature.<br />

F<strong>in</strong>d<strong>in</strong>g a new basis for elaborat<strong>in</strong>g human agency first requires restor<strong>in</strong>g these two halves to<br />

Hobbes’ <strong>in</strong>dividual, his ‘natural man’ and his political, that is to say, speak<strong>in</strong>g subject. The picture thus<br />

emerg<strong>in</strong>g overlies Lacan’s subject. It reveals an <strong>in</strong>dividual fundamentally split between these two<br />

realms, the realm of immediate, unimpeded impulses (here is the state of nature) and the symbolic,<br />

the realm of language and the social; but also, importantly, an <strong>in</strong>dividual who (<strong>in</strong> normal<br />

circumstances) is not so rent between these two as to be reduced to paralysis. The speak<strong>in</strong>g subject<br />

forever straddles these two realms, one foot <strong>in</strong> either. That tension is the motor of her desire. As I<br />

have shown extensively elsewhere, because it centrally foregrounds the <strong>in</strong>dividual’s desire (as does<br />

Hobbes’), Lacan’s theorisation avoids the critique levelled at certa<strong>in</strong> post-structuralist theories of the<br />

subject, notably <strong>in</strong> the wake of Michel Foucault, for elim<strong>in</strong>at<strong>in</strong>g agency (Epste<strong>in</strong> 2010). Lacan’s is<br />

<strong>in</strong>deed a fully-fledged theory of agency, only one that carefully circumscribes where the subject acts,<br />

and where she is acted upon by the structures, social and l<strong>in</strong>guistic, with<strong>in</strong> which she is enmeshed; <strong>in</strong><br />

accordance with a structurationist social theory. It is precisely because theirs are theories that centre<br />

upon this dynamic component of the human psyche, desire, that Lacan and Hobbes need to be<br />

reckoned with <strong>in</strong> apprais<strong>in</strong>g agency. Desire, <strong>in</strong> both Lacan and Hobbes, is the eng<strong>in</strong>e, not of the<br />

natural <strong>in</strong>dividual (that was the fear of death, <strong>in</strong> Hobbes) but of human agency itself – that is, of the<br />

whole of the <strong>in</strong>dividual rather than only half. Hobbes’ desire for power that so captured the<br />

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