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1 Theorising Agency in International Relations In Hobbes's Wake ...

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Read<strong>in</strong>g Hobbes through Lacan sh<strong>in</strong>es a drastically different light upon the <strong>in</strong>dividual that has stood <strong>in</strong><br />

the discipl<strong>in</strong>e’s sights ever s<strong>in</strong>ce it turned to Hobbes’ state of nature for its first cues about the<br />

structure of the <strong>in</strong>ternational system (<strong>in</strong> realism); and that rema<strong>in</strong>ed <strong>in</strong> its sights even when it moved<br />

away from Hobbes to further distil the essence of these unit’s selves (<strong>in</strong> constructivism). Specifically, it<br />

restores the half of the Hobbesian <strong>in</strong>dividual that was hidden by IR’s lenses be<strong>in</strong>g fastened upon the<br />

state of nature alone. The key realist <strong>in</strong>sight that does carry over <strong>in</strong>to a Lacanian read<strong>in</strong>g is that the<br />

agonistic relations dramatized by his mythical nature, that state of permanent and latent warfare<br />

between the units, is constitutive and it is structural. Where the Lacanian read<strong>in</strong>g departs from<br />

realism, however, is that, with Hobbes’ full picture and the Leviathan back <strong>in</strong> sights, that unit is not a<br />

discrete, self-conta<strong>in</strong>ed entity or billiard ball; nor does it consequently yield an atomistic billiard board<br />

of utility-maximis<strong>in</strong>g units – whether collid<strong>in</strong>g or roll<strong>in</strong>g <strong>in</strong> the same direction.<br />

This <strong>in</strong>dividualist conception of the <strong>in</strong>dividual, for which Hobbes’ ‘natural man’ was first<br />

marshalled by rationalism, and which has not been entirely shaken off by constructivism’s concept of<br />

the ‘self’, actually falls short of appreciat<strong>in</strong>g just how far Hobbes reaches <strong>in</strong> foreground<strong>in</strong>g the fear of<br />

death as prime mover of this ‘natural man’s’ behaviour. This fear is <strong>in</strong>deed what drives the <strong>in</strong>dividual,<br />

and subsequently for realism, states, to seek security as their primary objective, to echo Aron’s (1966,<br />

72) words. But it is also what drives the <strong>in</strong>dividual to not dwell <strong>in</strong> the state of nature at all. Hence<br />

freez<strong>in</strong>g the narrative at this po<strong>in</strong>t to uphold only the state of nature <strong>in</strong> focus makes little sense. What<br />

is to be found there, a Lacanian read<strong>in</strong>g reveals, is noth<strong>in</strong>g but a wordless <strong>in</strong>fant, a naked be<strong>in</strong>g<br />

stripped of the trapp<strong>in</strong>gs of agency, a pre-actor, whose life would be very short <strong>in</strong>deed. The rational<br />

actor, for its part, that is, an actor presumably equipped with the means to act – who can, say, talk<br />

and walk, at the very least – is the one who leaves the state of nature as quickly as possible and<br />

contracts with the Leviathan <strong>in</strong> order to stay alive. That is the rational th<strong>in</strong>g to do. That survival is at<br />

stake is true <strong>in</strong> a fundamental, constitutive sense. It is what constitutes the <strong>in</strong>dividual per se; not a<br />

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