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62. HEADLIGHTS ILLUMINATE the Black Humvee, then go dead. The distant RUMBLE of an ENGINE dies. Boots hit the muddy ground. A SILHOUETTED FIGURE approaches the Machine Shop. EXT. MACHINE SHOP The sounds of BRUTAL VIOLENCE. The SILHOUETTED FIGURE examines the ROLLER DOOR. The RED LIGHT of the ELECTRONIC LOCK is the only light in the darkness. A gloved hand tugs at the lock. The SILHOUETTED FIGURE makes its way around the building. INT. MACHINE SHOP Beth’s face is dirty, BRUISED. Her OVERALLS are grubby from her surroundings. She is dazed, confused, collapses to her knees. She tries to scream but nothing comes out. A BLADE shimmers in the light. EXT. MACHINE SHOP The SILHOUETTED FIGURE pulls back some CORRUGATED IRON. More sounds of BRUTAL VIOLENCE come from inside. Urgency replaces stealth as the SILHOUETTED FIGURE finds a crawlspace and gets to the building’s interior. INT. MACHINE SHOP Beth has been forced up against the WORK BENCH. Her OVERALLS are completely shredded. BLOOD SOAKS through what remains of Beth’s clothing, from her groin, down her legs. The Captain pulls back, grabs her and throws her to the ground. Beth struggles to her knees, defiantly stands up. Her virtually naked body is ECLIPSED in SHADOW. She looks around, ignoring her attacker.
63. BETH’S POV - MACHINE SHOP (HAND HELD) ERRATIC. BLURRED. MACHINE PARTS sit on a METAL BENCH. Grease, oil, dirt covers everything. CONCRETE FLOOR, workshop PIT. Tools of all sorts, abandoned. COBWEBS. BACK TO SCENE Beth steps back, trips up on some metal object. She staggers to her feet again. Knows the Captain is relishing her misery. The SILHOUETTED FIGURE comes up behind the Captain, grabs him by the head and neck, pulling him back, throwing him down hard. Beth grabs up something... a section of METAL TUBE. Beth lunges forward and hits the Captain across the collarbone. There is a gut-churning CRACK. The Captain gets up, wiping BLOOD from his mouth. CAPTAIN Oh, how we find courage in others. The SILHOUETTED FIGURE vanishes. The Captain winces in pain as he realises he can’t use his arm. The Captain reaches to his holster. In a fit of rage, Beth swings the METAL TUBE again. The Captain collapses, the wind knocked out of him. CAPTAIN You keep going... Bethany, and you’ll end up just like me. Beth pulls up the shoulder of her OVERALLS to cover her exposed breast. She realises, as she tugs away at the ZIP desperately, that it is broken. Her efforts are pointless. An open SWISS ARMY KNIFE lies on the ground. Beth picks it up, looks at it. The BLADE REFLECTS in the light. Through BLOODSHOT EYES Beth takes in her surroundings. Beth takes the opportunity to flee.
Page 2 and 3:
2. TITLES ROLL FADE IN: New Zealand
Page 4 and 5:
4. FLAMES. Burning rubbish is sent
Page 6 and 7:
6. Aotearoa’. He wears a KILT, Ot
Page 8 and 9:
8. cracks in the LINO, picking the
Page 10 and 11:
10. Beth runs to another building.
Page 12 and 13: 12. Beth sits down at the top of th
Page 14 and 15: 14. The display shows Beth’s CRED
Page 16 and 17: 16. A small amount of rubbish litte
Page 18 and 19: 18. SPYHOLE POV - TWO POLICE OFFICE
Page 20 and 21: 20. More pressure. Beth loses the w
Page 22 and 23: 22. She says you should stay for di
Page 24 and 25: 24. An ELECTRONIC MARQUEE SIGN sign
Page 26 and 27: 26. Lone Man. An EXPLOSION DETONATE
Page 28 and 29: 28. EXT. MOUNT VICTORIA LOOKOUT The
Page 30 and 31: 30. louder through the downpour. EX
Page 32 and 33: 32. The Guard produces some BINOCUL
Page 34 and 35: 34. Beth looks up, transfixed in ho
Page 36 and 37: 36. INT. BARRACK BLOCK Beth moves t
Page 38 and 39: 38. The Guard stands to one side as
Page 40 and 41: 40. Two prisoners are ordered out o
Page 42 and 43: 42. EXT. PARADE GROUND Beth steps u
Page 44 and 45: 44. The what? INT. BARRACK BLOCK (E
Page 46 and 47: 46. The Camp Commandant ponders the
Page 48 and 49: 48. Getting up, Beth reaches over t
Page 50 and 51: 50. EXT./INT. BARRACK BLOCK (DAWN)
Page 52 and 53: 52. The Captain spins around, surpr
Page 54 and 55: 54. Beth continues to shake. She is
Page 56 and 57: 56. BETH My Mum would play for my f
Page 58 and 59: 58. The Corporal directs Beth on. B
Page 60 and 61: 60. The Captain looks up. Two HARRI
Page 64 and 65: 64. EXT. MACHINE SHOP - APPROACH RO
Page 66 and 67: 66. The Intelligence Agent walks al
Page 68 and 69: 68. The DOOR SQUEAKS open. Beth can
Page 70 and 71: 70. INTELLIGENCE AGENT I’ve got m
Page 72 and 73: 72. INT. SOLITARY CONFINEMENT - WEL
Page 74 and 75: 74. GUARD SERGEANT It’s amazing w
Page 76 and 77: 76. CAPTAIN But sir, he hasn’t te
Page 78 and 79: 78. EXT. COURTYARD (NOON) Prisoners
Page 80 and 81: 80. EXT. COURTYARD A QUAD BIKE ROAR
Page 82 and 83: 82. INT. CAMP COMMANDANT’S OFFICE
Page 84 and 85: 84. EXT. CITY SUBURB - NORMANDALE (
Page 86 and 87: 86. The Camp Commandant closes his
Page 88 and 89: 88. A few seconds later, another RO
Page 90 and 91: 90. EXT. CAMP COMMANDANT’S OFFICE
Page 92 and 93: 92. PROJECTILES IMPACT the water. F
Page 94 and 95: 94. Pressure on the TRIGGER. CAMP C
Page 96 and 97: 96. The Friendly Guard looks at Bet
Page 98 and 99: 98. EXT. WELLINGTON - WADESTOWN RAI
Page 100 and 101: 100. This security is backed up by
Page 102 and 103: 102. The Female Prisoner’s body r
Page 104 and 105: 104. EXT. C.B.D. - HIGH RISE - GROU
Page 106 and 107: 106. MABEL Sure. Let’s find our w
Page 108 and 109: 108. INT. INTERNAL SECURITY HEADQUA
Page 110 and 111: 110. BETH It was my choice. (beat)
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