27.12.2013 Views

Democracy Today.indb - Universidade do Minho

Democracy Today.indb - Universidade do Minho

Democracy Today.indb - Universidade do Minho

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

44<br />

DEMOCRACY TODAY<br />

should act as accurate as possible in accordance with the wishes of the<br />

principal, as this is the only way the agent can continue his task. I will<br />

argue here that this formalistic view is too limited and accordingly blind<br />

to a core that is the same for all representational relations. The “etymology”<br />

of the word re-presentation tells us that something/-one that is<br />

not here is presented again through something/-one else (Ankersmit<br />

2002, 108). The one(s) functioning as substitute or as replacement will<br />

never be a perfect copy of the one(s) represented. Ankersmit tries to<br />

elucidate this given by referring to the way in which a portrait represents<br />

the one portrayed. “Portraits will differ dramatically from the<br />

persons portrayed, yet this fact alone will not make us say that the<br />

portrait is a distortion of reality, or a misrepresentation” (Ibid., 113).<br />

That representation would be capable of mimicking the represented is<br />

an illusion. The reason for this is that the one who represents cannot<br />

‘read off’ the transparent and authentic characteristics and interests<br />

of the represented, simply because they are not transparently given<br />

(Saward 2010, 77). This should not be seen as a deviation. It is a functional<br />

and creative free<strong>do</strong>m at the side of the representative to give a<br />

particular interpretation of the identity of the represented. In the words<br />

of Ankersmit there is an “aesthetic gap” between the represented and its<br />

representatives. What happens in representation is that the represented<br />

are depicted as such and such. Their (collective) identity is created,<br />

by making something visible that was only there before implicitly.<br />

The aesthetic gap thus creates the opportunity for the representative<br />

to “partly determine the nature of what they represent” (Ankersmit<br />

2002, 114). This is in contrast with the framing of representation as<br />

a principal-agent relationship, as the focus is there explicitly on the<br />

correct transmission of information from the principal to the agent<br />

and on mechanisms that prevent the agent from deviating from the<br />

preferences of the principal. Both the principal-agent and the aesthetic<br />

model have different implications for the first legitimacy-question.<br />

While the principal-agent view wants to constrain the free<strong>do</strong>m of the<br />

representative as much as possible, the aesthetic view acknowledges<br />

that the representative should possess an adequate scope for manoeuvre.<br />

This last view lies between the elitist and the principal-agent view<br />

and differs from both as it accentuates the role of representation as<br />

constituting the identity of the represented.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!