Merchant of Venice. - Repositories

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42 THE MERCHANT OF VENICE [ACT IL Fast bind, fast find, A proverb never stale in thrifty mind. \JExit Jes. Farewell; and if my fortune be not crost,° I have a father, you a daughter, lost. [Exit SCENE VI. The same. Enter GRATIANO and SALARINO, masqued. Gra. This is the pent-house° under which Lorenzo Desired us to make stand. Salar. His hour° is almost past. Gra. And it is marvel he out-dwells his hour, For lovers ever run before the clock. Salar. 0, ten times faster Venus' pigeons^ fly To seal love's bonds new-made, than they are wont To keep obliged^ faith unforfeited! Gra. That ever holds: who riseth from a feast With that keen appetite that he sits 9.own ? Where is the horse that doth untread again ic His tedious measures with the i;inbated fire That he did pace them first ? All things that are, Are with more spirit chased^ than enjoy'd.\ How like a younker^ or a prodigal
SCENE 6.] THE MERCHANT OF VENICE 43 The scarfed" bark puts from her native bay, Hugg'd and embraced by the strumpet wind I How like the prodigal doth she return, With over-weather'd ribs and ragged sails. Lean, rent, and beggar'd by the strumpet wind! Salar. Here comes Lorenzo: more <strong>of</strong> this hereafter. 20 Enter LORENZO. Lor. Sweet friends, your patience for my long abode; Not I, but my affairs, have made you wait: When you shall please to play the thieves for wives, I'll watch as long for you then. Approach; Here dwells my father Jew. Ho! who's within ? Enter JESSICA, above, in boy's clothes. Jes. Who are you ? Tell me, for more certainty. Albeit I'll swear that I do know your tongue. Lor. Lorenzo, and thy love. Jes. Lorenzo, certain; and my love, indeed. For who love I so much ? And now who knows" 30 But you, Lorenzo, whether I am yours ? Lor. Heaven and thy thoughts are witness that thou art.
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J^lacmillan's ^PocW American ant( I
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WILUAJVI SHAKESFJiAKliJ
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COPYRIGHT, 1899, BY THE MACMILLAN C
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viii PREFACE to study Shakespeare,
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X PREFACE unless I have given long
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xii IN TROD UGTION by the Turks. Th
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xiv INTROD UCTION making was abroad
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XVl INTROD UCTION Boyhood. — Will
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Page 28 and 29: Xxii INTRODUCTION 11. ROMANCES. Per
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104 THE MERCHANT OF VENICE [ACT IV
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108 THE MERCHANT OF VENICE [Aox V A
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110 THE MERCHANT OF VENICE [ACT V.
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112 THE MERCHANT OF VENICE [A-OT V.
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120 THE MERCHANT OF VENICE [ACT V T
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122 NOTES [ACT i. trunk-hose, stock
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124 NOTES [ACT 1. I. 37. thought. H
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126 NOTES [ACT I speech, what shoul
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128 NOTES [ACT I 1. 148. self. Same
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130 NOTES [ACT I. SCENE Belmont. Mr
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132 NOTES [ACT I I. 47. sadness. Mi
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134 NOTES [ACT i. substituted for a
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136 NOTES [ACT I. 1. 89. publican.
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138 NOTES [ACT 1 1. 88. inserted. W
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140 NOTES [ACT H. groups do you div
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142 NOTES [ACT II 1, 43. What pecul
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144 NOTES [ACT II. I. 52. a\ Used a
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146 NOTES [ACT II. passage. Profess
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148 NOTES [ACT H. 11. 1-20. From th
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150 NOTES [ACT II I. 30, wry-neck'd
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152 NOTES [ACT II. L 43. office of
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154 NOTES [ACT i) (. 51. cerecloth.
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156 NOTES [ACT IL IL 1-53. What new
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158 NOTES [ACT H 1. 63. tried. A di
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160 NOTES [ACT m. 1.42. rhenish. Rh
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162 NOTES [ACT HI. il. 1-129. Judgi
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164 NOTES [ACT IIL I. 54. presence.
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166 NOTES [ACT m I. 129. substance.
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168 NOTES [ACT III 1. 274. impeach
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170 NOTES [ACT IIL I. 31. Consistem
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172 NOTES [ACT in. is the principal
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174 NOTES [ACT IV, written in verse
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176 NOTES [ACT IV. 1.61. Does this
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178 NOTES [ACT IV. 1. 173, within h
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180 NOTES [ACT IV. 1. 294. Most rig
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182 NOTES [ACT IV Professor Moulton
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184 NOTES [ACT V. 1. 7. Thisbe. Thi
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186 NOTES [ACT V 1. 66. Diana. The
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188 NOTES [ACT V. 1. 141. breathing
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190 NOTES 12. The Development of Sh
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192 NOTES most delicate and sensiti
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194 NOTES of an iambus, or of a dac
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196 NOTES sense a story, The Orator
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198 NOTES name of Antonio Perez. Th
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200 INDEX TO NOTES cater-cousins, 1
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202 INDEX TO NOTES guarded, 145. gu
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204 INDEX TO NOTES offend'st, 177.
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206 INDEX TO NOTES swan-like end, 1
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Macmillan's Pocket Series of Englis
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Pocket Series of English Classics
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Pocket Series of English Classics
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