Merchant of Venice. - Repositories

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16 THE MERCHANT OF VENICE [ACT I. are so reasonable; for there is not one among them but I dote on his very absence; and I pray God grant them a fair departure. Ner. Do you not remember, lady, in your father's time, a Venetian, a scholar, and a soldier, that came hither in company of the Marquis of Montf errat ? Por. Yes, yes, it was Bassanio; as I think he was so called. Ner. True, madam: he, of all the men that ever my foolish eyes looked upon, was the best deserving a fair lady. Por. I remember him well; and I remember him worthy of thy praise. Enter a Serving-man. How now! what news ? Serv. The four° strangers seek for you, madam, to take their leave: and there is a forerunner come from ir a fifth, the Prince of Morocco; who brings word, the prince his master will be here to-night. Por. If I could bid the fifth welcome with so good a heart as I can bid the other four farewell, I should be glad of his approach: if he have the condition® of a saint and the complexion of a devil, I had rather he should shrive me than wive me. iic
ScBNB 3.] THE MERCHANT OF VENICE 17 Come, Nerissa. Sirrah, go before. Whiles we shut the gates upon one wooer, another knocks at the door. \_Exeuwt. SCENE III. Venice. A public place.° Enter BASSANIO and SHTLOCK.** Shy. Three thousand ducats**; well. Bass. A.J, sir, for three months. Shy. For three months; well. Bass. For the which, as I told you, Antonio shall be bound. Shy. Antonio shall become bound; well. Bass. May you" stead me ? will you pleasure me ? shall I know your answer ? Shy. Three thousand ducats for three months, and Antonio bound. Bass. Your answer to that. Shy. Antonio is a good° man. Bass. Have you heard any imputation to the contrary ? Shy. Ho, no, no, no, no: my meaning, in saying he is a good man, is to have you understand me, that he is sufficient. Yet his means are in supposition: lo
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Page 6 and 7: J^lacmillan's ^PocW American ant( I
Page 10 and 11: WILUAJVI SHAKESFJiAKliJ
Page 12 and 13: COPYRIGHT, 1899, BY THE MACMILLAN C
Page 14 and 15: viii PREFACE to study Shakespeare,
Page 16 and 17: X PREFACE unless I have given long
Page 18 and 19: xii IN TROD UGTION by the Turks. Th
Page 20 and 21: xiv INTROD UCTION making was abroad
Page 22 and 23: XVl INTROD UCTION Boyhood. — Will
Page 24 and 25: xviii INTROD UCTION Thomas Lucy for
Page 26 and 27: XX INTROD UCTION time revising old
Page 28 and 29: Xxii INTRODUCTION 11. ROMANCES. Per
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Page 34 and 35: DRAMATIS PERSONuE The DUKE OP VENIC
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122 NOTES [ACT i. trunk-hose, stock
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124 NOTES [ACT 1. I. 37. thought. H
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126 NOTES [ACT I speech, what shoul
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128 NOTES [ACT I 1. 148. self. Same
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130 NOTES [ACT I. SCENE Belmont. Mr
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132 NOTES [ACT I I. 47. sadness. Mi
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134 NOTES [ACT i. substituted for a
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136 NOTES [ACT I. 1. 89. publican.
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138 NOTES [ACT 1 1. 88. inserted. W
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140 NOTES [ACT H. groups do you div
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142 NOTES [ACT II 1, 43. What pecul
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144 NOTES [ACT II. I. 52. a\ Used a
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146 NOTES [ACT II. passage. Profess
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148 NOTES [ACT H. 11. 1-20. From th
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150 NOTES [ACT II I. 30, wry-neck'd
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152 NOTES [ACT II. L 43. office of
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154 NOTES [ACT i) (. 51. cerecloth.
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156 NOTES [ACT IL IL 1-53. What new
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158 NOTES [ACT H 1. 63. tried. A di
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160 NOTES [ACT m. 1.42. rhenish. Rh
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162 NOTES [ACT HI. il. 1-129. Judgi
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164 NOTES [ACT IIL I. 54. presence.
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166 NOTES [ACT m I. 129. substance.
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168 NOTES [ACT III 1. 274. impeach
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170 NOTES [ACT IIL I. 31. Consistem
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172 NOTES [ACT in. is the principal
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174 NOTES [ACT IV, written in verse
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176 NOTES [ACT IV. 1.61. Does this
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178 NOTES [ACT IV. 1. 173, within h
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180 NOTES [ACT IV. 1. 294. Most rig
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182 NOTES [ACT IV Professor Moulton
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184 NOTES [ACT V. 1. 7. Thisbe. Thi
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186 NOTES [ACT V 1. 66. Diana. The
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188 NOTES [ACT V. 1. 141. breathing
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190 NOTES 12. The Development of Sh
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192 NOTES most delicate and sensiti
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194 NOTES of an iambus, or of a dac
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196 NOTES sense a story, The Orator
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198 NOTES name of Antonio Perez. Th
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200 INDEX TO NOTES cater-cousins, 1
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202 INDEX TO NOTES guarded, 145. gu
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204 INDEX TO NOTES offend'st, 177.
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206 INDEX TO NOTES swan-like end, 1
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Macmillan's Pocket Series of Englis
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Pocket Series of English Classics
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Pocket Series of English Classics
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