Merchant of Venice. - Repositories
Merchant of Venice. - Repositories Merchant of Venice. - Repositories
xviii INTROD UCTION Thomas Lucy for stealing deer from that gentleman's park, certain it is that the young man left his family in Stratford about the year 1585, and departed to try his fortune in London. London and London Theatres. — We have already taken a glance at London in the Elizabethan age; it is not difficult to appreciate what a school its very streets must have been to one whose wits were sharp and whose nature was social. No college training, no study of any kind could have been so powerful in the development of the poet, as was intercourse with the men with whom he was to become acquainted in London. When he entered the city, however, Shakespeare had no prestige, probably no friends, and worse than all no money to speak of. There is an ill-founded tradition that he secured employment at first in caring for the horses on which the gallants of the city rode from their homes to the theatres. Another tradition says that he was a prompter's assistant on the stage. However this may have been, it is apparent that soon after his arrival in London Shakespeare became associated with some of the theatres. The only play-houses then belonging to London were two small unroofed wooden structures in the fields outside the city gates. The plays were acted by daylight on stages devoid of scenery, where little but a placard aunounced the change of place from act to act. On the
INTROD UCTION xix stage itself sat the gay gallants of the town, smoking and laughing, and joking the boy actors who appeared in the character of women. Those not favored with seats of such prominence found places in the galleries, or stood with the jostling crowd on the ground below. Yet rude as was the play-house, scholars and poets were turning their attention to the plays, and the theatres did not fail to attract crowds of citizens. The drai^a had already won favor with the queen, who soon gained the reputation of loving plays as much as she loved the ostentation of her court and of her own apparel. Life as an Actor and Playwright. — Two years after Shakespeare came to London he had formed some connection with the theatres, but not until five years later is there any record of what he was doing. Then (1592) we find that he had already become known as an actor, and that his popularity as a writer of plays was exciting the jealousy of other London dramatists, one of whom referred to him as " an upstart crow, beautified with our feathers . . . and being, ... in his owne conceit, the only Shakes-scene in a countrie." From now on until a few years before his death (1616) Shakespeare was continually acting with some of the theatrical companies, playing before the queen in her palace on holidays, — especially in the Christmas time, — wandering from one town to another with the players when their 'Services were not required in the capital, and all the
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xviii<br />
INTROD UCTION<br />
Thomas Lucy for stealing deer from that gentleman's<br />
park, certain it is that the young man left his family<br />
in Stratford about the year 1585, and departed to try<br />
his fortune in London.<br />
London and London Theatres. — We have already<br />
taken a glance at London in the Elizabethan age; it<br />
is not difficult to appreciate what a school its very<br />
streets must have been to one whose wits were sharp<br />
and whose nature was social. No college training,<br />
no study <strong>of</strong> any kind could have been so powerful in<br />
the development <strong>of</strong> the poet, as was intercourse with<br />
the men with whom he was to become acquainted in<br />
London. When he entered the city, however, Shakespeare<br />
had no prestige, probably no friends, and worse<br />
than all no money to speak <strong>of</strong>. There is an ill-founded<br />
tradition that he secured employment at first in caring<br />
for the horses on which the gallants <strong>of</strong> the city<br />
rode from their homes to the theatres. Another<br />
tradition says that he was a prompter's assistant on<br />
the stage. However this may have been, it is apparent<br />
that soon after his arrival in London Shakespeare<br />
became associated with some <strong>of</strong> the theatres. The<br />
only play-houses then belonging to London were two<br />
small unro<strong>of</strong>ed wooden structures in the fields outside<br />
the city gates. The plays were acted by daylight on<br />
stages devoid <strong>of</strong> scenery, where little but a placard<br />
aunounced the change <strong>of</strong> place from act to act. On the