Merchant of Venice. - Repositories
Merchant of Venice. - Repositories Merchant of Venice. - Repositories
180 NOTES [ACT IV. 1. 294. Most rightful judge. Booth : *'With back to audience, and knife raised high above his head." 1. 297. Booth: "Most learned judge" is uttered with an exultant voice. 1. 305. Booth: *'Shylock staggers backward and drops the knife." 1. 327. In this line what peculiar expression that we had before in the play? Where ? Why especially appropriate to have it spoken here to Shylock ? 1. 347. privy. Secret. 1. 365. drive unto. Reduce to. 1. 372. halter. What other person in the play had previously suggested a halter as a suitable present for Shylock ? 1. 374. for. Of; i.e. consisting of. 1. 376. in use. In trust. 1.387. I am content. Booth: '^Shylock, thus addressed, raises both head and hands as if about to appeal to Portia, checks himself, and says very slowly, as head and hands drop, *I am content.' His last words are uttered plaintively. As Shylock is leaving, Gratiano seizes his left arm, and at the conclusion of the taunting speech with which he addresses him, casts Shylock's hand from him. Shylock bows low to the Duke, and slowly totters toward the door, — he meets Antonio, and shrinks with abhorrence; raises his hand (as on previous occasions), which slowly descends upon the back of his head as it drops upon his breast, — falls against the door, which slowly opens."
»CENE l.j NOTES 181 11. 340-393. What was the sentence against Shylock as Portia first gave it ? How did it read as Portia and Antonio finally allowed it to stand ? How much money had Shylock lost alto*^ gether ? Did he have the chance still left him to become again as rich as ever ? Would he be tempted to become extravagant and reckless because of the end to which his fortune was finally to be put? Why did Antonio demand that the Jew should become a Christian ?, What do you think Shylock did with himself after this affair was over? 1. 399. gratify. Reward. 1. 404. Three thousand ducats. Was this a generous offer ? Was the money Bassanio's to give ? 1. 405. cope. Set against. I. 423. trifle. Why did not Bassanio tell the truth at once ? L424. to give. The gerund. See L, i., 40 —note. II. 1-450. Would Portia have been better pleased with Bassanio if he had given her the ring more willingly ? Professor Moulton thinks that Antonio and Bassanio both were punished in this scene. If so, how ? and what for ? Is Antonio's character changed at the end of the scene ? Has Portia acted the character she imagined for herself in III., iv. ? Has she shown herself more than ''an unlessoned girl," or has it been the emergency that has brought her forth? Do you learn anything from this scene concerning the character of Bassanio and of his love for Portia ? Has Gratiano proved himself anything more than a man that likes to hear himself talk ? Whom does he copy in all things ?
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»CENE l.j NOTES 181<br />
11. 340-393. What was the sentence against Shylock as Portia<br />
first gave it ? How did it read as Portia and Antonio finally<br />
allowed it to stand ? How much money had Shylock lost alto*^<br />
gether ? Did he have the chance still left him to become again<br />
as rich as ever ? Would he be tempted to become extravagant<br />
and reckless because <strong>of</strong> the end to which his fortune was finally<br />
to be put? Why did Antonio demand that the Jew should<br />
become a Christian ?, What do you think Shylock did with<br />
himself after this affair was over?<br />
1. 399. gratify. Reward.<br />
1. 404. Three thousand ducats. Was this a generous <strong>of</strong>fer ?<br />
Was the money Bassanio's to give ?<br />
1. 405. cope. Set against.<br />
I. 423. trifle. Why did not Bassanio tell the truth at once ?<br />
L424. to give. The gerund. See L, i., 40 —note.<br />
II. 1-450. Would Portia have been better pleased with Bassanio<br />
if he had given her the ring more willingly ? Pr<strong>of</strong>essor<br />
Moulton thinks that Antonio and Bassanio both were punished<br />
in this scene. If so, how ? and what for ? Is Antonio's character<br />
changed at the end <strong>of</strong> the scene ? Has Portia acted the<br />
character she imagined for herself in III., iv. ? Has she shown<br />
herself more than ''an unlessoned girl," or has it been the<br />
emergency that has brought her forth? Do you learn anything<br />
from this scene concerning the character <strong>of</strong> Bassanio and<br />
<strong>of</strong> his love for Portia ? Has Gratiano proved himself anything<br />
more than a man that likes to hear himself talk ? Whom does<br />
he copy in all things ?