Merchant of Venice. - Repositories
Merchant of Venice. - Repositories Merchant of Venice. - Repositories
162 NOTES [ACT HI. il. 1-129. Judging from this scene, what do you think is the age of Shylock ? Has he travelled during his lifetime ? What is the bitterest thing that Shylock says in this scene ? Does he show any love for his daughter ? Any tenderness toward any one else ? Trace the report of Antonio's losses from the first hint anywhere in the play of the disaster, up to the time when the report becomes confirmed. Why does Tubal tell his story in the way that he does ? Why is this an especially unfortunate time for the report to reach the ears of Shylock ? What purpose do we now feel that Shylock has against Antonio ? In the beginning of this scene what makes us feel that only a short time has elapsed since the end of Act II. ? Later in the scene what lines show definitely just how much time has elapsed since the end of Act I. ? What is the one most important point of the story learned from this scene ? SCENE II 1. 2. choosing wrong. That is, your choosing wrong. How is the construction unrhetorical ? *. 4. it is not love. Is this quite true ? i. 6. quality. Manner. 1. 7. understand me. What difference would it make whether or not Bassanio understood Portia, so long as the winning of her hand depended solely on the choice of the right casket ? L 9. month. he might tarry ? When she first spoke, how long did she wish
SCENE 2.] NOTES 163 I. 11> am then forsworn. Present tense for the future, 1. 14. Beshrew. See IL, vi., 52. Remember that the word ts used here in a very gentle — nay, even tender—way. 1. 15. o'erlook^d. Bewitched, cast a spell upon. 1. 20. Prove it so. If it prove so. Explain fully what she means by this, 1. 21. fortune go to helL What crime would fortune have committed ? 1. 22. peize. (Pronounced piz.) Retard, How long, probably, had Bassanio been at Belmont ? 1. 27. treason. Referring to the practice of torturing a confession out of traitors on the rack. Is Portia in earnest, or in sport ? 1. 28. What disturbs Bassanio's peace of mind in the same way that treason disturbs the peace of a state ? 1. 30. life. Living together, harmony. 1. 36. sum of my confession. All I have to confess. 1. 44. swan-like end. Alluding to the old belief that the swan never sang until just at death, when it breathed out its life in one beautiful strain of music. 1. 47. watery death-bed. Is not this a conceit, that is, a farfetched, fanciful comparison ? What other lover in the play is made to speak in this same extravagant manner, and where ? 1.52. bridegroom's ear. "An allusion to the custom of playing music under the windows of the bridegroom's bedroom on the morning of his marriage." (Halliwell.)
- Page 144 and 145: 112 THE MERCHANT OF VENICE [A-OT V.
- Page 146 and 147: 114 THE MERCHANT OF VENICE [ACT V.
- Page 148 and 149: 116 THE MERCHANT OF VENICE [ACT V.
- Page 150 and 151: 118 THE MERCHANT OF VENICE [ACT V.
- Page 152 and 153: 120 THE MERCHANT OF VENICE [ACT V T
- Page 154 and 155: 122 NOTES [ACT i. trunk-hose, stock
- Page 156 and 157: 124 NOTES [ACT 1. I. 37. thought. H
- Page 158 and 159: 126 NOTES [ACT I speech, what shoul
- Page 160 and 161: 128 NOTES [ACT I 1. 148. self. Same
- Page 162 and 163: 130 NOTES [ACT I. SCENE Belmont. Mr
- Page 164 and 165: 132 NOTES [ACT I I. 47. sadness. Mi
- Page 166 and 167: 134 NOTES [ACT i. substituted for a
- Page 168 and 169: 136 NOTES [ACT I. 1. 89. publican.
- Page 170 and 171: 138 NOTES [ACT 1 1. 88. inserted. W
- Page 172 and 173: 140 NOTES [ACT H. groups do you div
- Page 174 and 175: 142 NOTES [ACT II 1, 43. What pecul
- Page 176 and 177: 144 NOTES [ACT II. I. 52. a\ Used a
- Page 178 and 179: 146 NOTES [ACT II. passage. Profess
- Page 180 and 181: 148 NOTES [ACT H. 11. 1-20. From th
- Page 182 and 183: 150 NOTES [ACT II I. 30, wry-neck'd
- Page 184 and 185: 152 NOTES [ACT II. L 43. office of
- Page 186 and 187: 154 NOTES [ACT i) (. 51. cerecloth.
- Page 188 and 189: 156 NOTES [ACT IL IL 1-53. What new
- Page 190 and 191: 158 NOTES [ACT H 1. 63. tried. A di
- Page 192 and 193: 160 NOTES [ACT m. 1.42. rhenish. Rh
- Page 196 and 197: 164 NOTES [ACT IIL I. 54. presence.
- Page 198 and 199: 166 NOTES [ACT m I. 129. substance.
- Page 200 and 201: 168 NOTES [ACT III 1. 274. impeach
- Page 202 and 203: 170 NOTES [ACT IIL I. 31. Consistem
- Page 204 and 205: 172 NOTES [ACT in. is the principal
- Page 206 and 207: 174 NOTES [ACT IV, written in verse
- Page 208 and 209: 176 NOTES [ACT IV. 1.61. Does this
- Page 210 and 211: 178 NOTES [ACT IV. 1. 173, within h
- Page 212 and 213: 180 NOTES [ACT IV. 1. 294. Most rig
- Page 214 and 215: 182 NOTES [ACT IV Professor Moulton
- Page 216 and 217: 184 NOTES [ACT V. 1. 7. Thisbe. Thi
- Page 218 and 219: 186 NOTES [ACT V 1. 66. Diana. The
- Page 220 and 221: 188 NOTES [ACT V. 1. 141. breathing
- Page 222 and 223: 190 NOTES 12. The Development of Sh
- Page 224 and 225: 192 NOTES most delicate and sensiti
- Page 226 and 227: 194 NOTES of an iambus, or of a dac
- Page 228 and 229: 196 NOTES sense a story, The Orator
- Page 230 and 231: 198 NOTES name of Antonio Perez. Th
- Page 232 and 233: 200 INDEX TO NOTES cater-cousins, 1
- Page 234 and 235: 202 INDEX TO NOTES guarded, 145. gu
- Page 236 and 237: 204 INDEX TO NOTES offend'st, 177.
- Page 238 and 239: 206 INDEX TO NOTES swan-like end, 1
- Page 241 and 242: Macmillan's Pocket Series of Englis
- Page 243 and 244: Pocket Series of English Classics
162 NOTES [ACT HI.<br />
il. 1-129. Judging from this scene, what do you think is the<br />
age <strong>of</strong> Shylock ? Has he travelled during his lifetime ? What<br />
is the bitterest thing that Shylock says in this scene ? Does he<br />
show any love for his daughter ? Any tenderness toward any<br />
one else ? Trace the report <strong>of</strong> Antonio's losses from the first<br />
hint anywhere in the play <strong>of</strong> the disaster, up to the time when<br />
the report becomes confirmed. Why does Tubal tell his story<br />
in the way that he does ? Why is this an especially unfortunate<br />
time for the report to reach the ears <strong>of</strong> Shylock ? What<br />
purpose do we now feel that Shylock has against Antonio ?<br />
In the beginning <strong>of</strong> this scene what makes us feel that only a<br />
short time has elapsed since the end <strong>of</strong> Act II. ? Later in the<br />
scene what lines show definitely just how much time has elapsed<br />
since the end <strong>of</strong> Act I. ? What is the one most important<br />
point <strong>of</strong> the story learned from this scene ?<br />
SCENE II<br />
1. 2. choosing wrong. That is, your choosing wrong. How<br />
is the construction unrhetorical ?<br />
*. 4. it is not love. Is this quite true ?<br />
i. 6. quality. Manner.<br />
1. 7. understand me. What difference would it make<br />
whether or not Bassanio understood Portia, so long as the<br />
winning <strong>of</strong> her hand depended solely on the choice <strong>of</strong> the right<br />
casket ?<br />
L 9. month.<br />
he might tarry ?<br />
When she first spoke, how long did she wish