Merchant of Venice. - Repositories
Merchant of Venice. - Repositories
Merchant of Venice. - Repositories
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154 NOTES [ACT i)<br />
(. 51. cerecloth. Waxed linen, serving as a shroud for the<br />
dead. Note that cere is one syllable, even in cerement, a<br />
synonym for cerecloth.<br />
1. 61. 6bscure. Note the accent, and contrast it with that <strong>of</strong><br />
aspect in L<br />
1. 53. ten times. The ratio <strong>of</strong> gold to silver at this time in<br />
England was ten to one.<br />
1. 57. Note that upon is strongly contrasted with within, in<br />
line 59.<br />
1. 60. Is there (up to line 60) any conceit expressed in<br />
Morocco's arguing? Any pro<strong>of</strong> <strong>of</strong> his love for Portia? Any<br />
compliment paid to her ? Which <strong>of</strong> his comparisons are beautiful<br />
? Which extravagant ?<br />
1. 63. Death. Death^s-head; skull. Did Portia know what<br />
was in this casket ? Did Nerissa ? Read over L, ii., carefully,<br />
to see.<br />
1. 68. my outside. Does my refer to the casket, or to the<br />
skull ?<br />
I. 72. Your. Johnson thinks the word intended here was<br />
this.<br />
II. 1-79. Is insincerity <strong>of</strong> character betrayed by Morocco<br />
anywhere in this scene ? What was the mistake he made, or,<br />
in other words, in what one way did he not ''rightly love"?<br />
Of what does he think the more, the meaning <strong>of</strong> the metals, or<br />
<strong>of</strong> that <strong>of</strong> the inscriptions ? What do you think <strong>of</strong> Portia's<br />
bearing toward him ? What <strong>of</strong> her real feelings ? Keep in<br />
mind especially the character <strong>of</strong> Morocco, in order that after