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Merchant of Venice. - Repositories

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SCENE 6.] NOTES 151<br />

vises for Jessica? Which needed protection the more ? What<br />

does this scene give as a reason for II., ii., 142? What is the<br />

most important point <strong>of</strong> the story learned from this scene ?<br />

•j?or themes later, keep especially in mind the character <strong>of</strong><br />

Shylock as a father; also the characters <strong>of</strong> Portia and Jessica<br />

as daughters.<br />

SCENE<br />

1. 1. pent-house. A shed hanging out from a main building.<br />

1. 2. hour. Is this the hour that was to elapse before they<br />

met at Gratiano's lodging, the hour that they were to spend<br />

away from the banquet-table preparing the masque, or is it<br />

the appointed time that Lorenzo had set to be with them at<br />

this place ?<br />

1. 5. pigeons. Doves were said to draw the chariot <strong>of</strong><br />

Venus, the goddess <strong>of</strong> love; it is she that seals love''s bonds.<br />

1. 7. obliged. Notice in how many syllables this word is<br />

pronounced here. It means bound by contract.<br />

1.13. chased. Notice the number <strong>of</strong> syllables,<br />

1. 14. younker. Youngster.<br />

VI<br />

1. 15. scarfed. Decorated with flags.<br />

1. 30. What grammatical construction in this line unusual<br />

to-day ?<br />

L 37. themselves conlmit. Themselves is not now used alone<br />

in the nominative except by poetic license. What other pronoun<br />

usually stands with it in this case ?<br />

L 42. What pun in this line ?

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