Merchant of Venice. - Repositories
Merchant of Venice. - Repositories Merchant of Venice. - Repositories
142 NOTES [ACT II 1, 43. What peculiar grammatical construction in this line that has occurred twice before in the play ? Eind the two other instances. 1. 44. temple. Some editors think this was originally written table ; others think it means the church. Give good reasons for both views, and in the second case show what Shakespeare has just been writing about that might lead him to give the Greek rather than the Christian word for a place of worship. 1. 46. To make me. What ellipsis must be supplied before the beginning of this line ? I. 46. blest or cursed'st. What less condensed form of expression would we use here to-day ? II. 1-46. Read toward the end of the notes the article on the Duration of the Action, and tell what reasons there are for the elapse of not much more than a week between this scene and the last. Why did Morocco wish to win Portia as his wife ? Do you think she was inwardly "mocking" him as she mocked the other suitors in her conversation with Nerissa? What is the most important fact that we have learned from this scene ? SCENE Launcelot. To which one of the three groups of characters presented in Act I. do we now return ? 1. 1. serve. Assist. At present, however, which attitude is his conscience assuming in regard to his running away ? 1. 10. Via. " A word of exhortation used by a boat's crew when increasing their stroke." II
SCENE 2.] NOTES 143 1. 17. smack. Perhaps, smacking of evil. 1. 17. grow to. Similar in thought to smack. 1, 23. God bless the mark. This phrase is a parenthetic apology for the use of the word devil. 1. 25. saving your reverence. See 1. 23 above, 1. 26. incarnal. A word coined by Launcelot. What word nearly like "incarnal" in sound does Launcelot think he is using? 1. 28. In what two meanings is conscience here used ? 1. 31. run. At this point Launcelot runs off the stage at full speed and bumps into Old Gobbo, who enters leaning on his stick and carrying a basket beneath his arm. 1. 32. Master. To see the point in what follows, we must remember that this title was given only to young men of some rank. 1. 35. sand-blind. Half-blind. The word has no connection, probably, with sand^ except in the clownish imagination of Launcelot, but is a corrupted .form of semi-blind. The other degree of blindness is named by a word of Launcelot's own manufacture; yet what similar phrase have we at present to denote a person that is totally blind ? 1. 41. marry. Indeed. A corrupted form of Mary, meaning, originally, " by the Virgin Mary." 1. 43. sonties. Saints (probably). 1. 50. exceeding. Where in I., i., have we had this word used in the same sense as it is here ? 1. 51. well to live. Well to do, or, perhaps, "With every prospect of a long life." (Variorum.)
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142 NOTES [ACT II<br />
1, 43. What peculiar grammatical construction in this line<br />
that has occurred twice before in the play ? Eind the two other<br />
instances.<br />
1. 44. temple. Some editors think this was originally written<br />
table ; others think it means the church. Give good reasons<br />
for both views, and in the second case show what Shakespeare<br />
has just been writing about that might lead him to give the Greek<br />
rather than the Christian word for a place <strong>of</strong> worship.<br />
1. 46. To make me. What ellipsis must be supplied before<br />
the beginning <strong>of</strong> this line ?<br />
I. 46. blest or cursed'st. What less condensed form <strong>of</strong> expression<br />
would we use here to-day ?<br />
II. 1-46. Read toward the end <strong>of</strong> the notes the article on the<br />
Duration <strong>of</strong> the Action, and tell what reasons there are for the<br />
elapse <strong>of</strong> not much more than a week between this scene and<br />
the last. Why did Morocco wish to win Portia as his wife ? Do<br />
you think she was inwardly "mocking" him as she mocked the<br />
other suitors in her conversation with Nerissa? What is the<br />
most important fact that we have learned from this scene ?<br />
SCENE<br />
Launcelot. To which one <strong>of</strong> the three groups <strong>of</strong> characters<br />
presented in Act I. do we now return ?<br />
1. 1. serve. Assist. At present, however, which attitude is<br />
his conscience assuming in regard to his running away ?<br />
1. 10. Via. " A word <strong>of</strong> exhortation used by a boat's crew<br />
when increasing their stroke."<br />
II