Merchant of Venice. - Repositories
Merchant of Venice. - Repositories
Merchant of Venice. - Repositories
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140 NOTES [ACT H.<br />
groups do you divide the personages <strong>of</strong> this act ? Who forms<br />
the connecting link between the different groups ? What is<br />
the strongest character contrast that has yet been presented?<br />
What are the two strongest emotions that have been revealed<br />
by the characters <strong>of</strong> this act ? Keep in mind, for themes at<br />
the close, the development <strong>of</strong> Shylock's plot against Antonio:<br />
also the friendship between Antonio and Bassanio,—whether<br />
or not it was equally strong on both sides.<br />
ACT II.<br />
SCENE I<br />
Morocco. Erom the words the Prince utters, from the way<br />
in which Portia addresses him. and from the "Flourish <strong>of</strong><br />
cornets" mentioned in the stage directions, we may assume in<br />
the appearance <strong>of</strong> both Morocco and his train a great deal <strong>of</strong><br />
"barbaric splendor."<br />
1. 2. livery. Used <strong>of</strong>ten in Shakespeare in the sense <strong>of</strong> a<br />
servant's uniform worn to show what master he serves. Whose<br />
livery does Morocco wear, and <strong>of</strong> what color is it ?<br />
L 5. Phoebus. Apollo, the god <strong>of</strong> the sun, or the sun itself.<br />
1. 7. reddest. Would this degree <strong>of</strong> comparison be right here<br />
to-day ? Red blood was regarded as a sign <strong>of</strong> courage.<br />
1. 8. aspects This is one <strong>of</strong> the words that in Shakespeare's<br />
time had the accent nearer the end than it is to-day. Notice<br />
where the same word occurs before in I., i., 54.<br />
1. 9. fear'd. Used in its original meaning <strong>of</strong> frightened. Is<br />
Morocco conceited, or only justly self-respecting?<br />
1. 13. In terms <strong>of</strong>. With respect to.