Merchant of Venice. - Repositories
Merchant of Venice. - Repositories
Merchant of Venice. - Repositories
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130 NOTES [ACT I.<br />
SCENE<br />
Belmont. Mrs. Jameson imagines Belmont as "on some<br />
lOvely promontory " northeast <strong>of</strong> <strong>Venice</strong>, and " overlooking the<br />
blue Adriatic," with hills or mountains "for its background."<br />
In her fancy this writer sees Portia treading " among marble<br />
palaces, beneath ro<strong>of</strong>s <strong>of</strong> fretted gold, o'er cedar floors and<br />
pavements <strong>of</strong> jasper and porphyry, amid gardens full <strong>of</strong> statues,<br />
and flowers, and fountains, and haunting music." Doubtless<br />
Shakespeare himself dreamed <strong>of</strong> nothing less beautiful or<br />
romantic for the environment <strong>of</strong> his heroine.<br />
Portia. We may imagine the dress <strong>of</strong> Portia made <strong>of</strong> costly<br />
silk and velvet, cut in some old Venetian style, and looped and<br />
embroidered with pearls and jewels. Chains <strong>of</strong> pearls would<br />
probably be around her neck and in her hair, and a dainty reticule<br />
hung from her girdle.<br />
Nerissa was not an ordinary servant, but a gentlewoman,<br />
suited to be the companion, as well as the attendant, <strong>of</strong> her<br />
mistress. Her name signifies " black." If she was dark, would<br />
her complexion resemble that <strong>of</strong> Portia, or not ?<br />
1. 1. troth. Another form <strong>of</strong> what word, and meaning the<br />
same as what word in the first line <strong>of</strong> Scene i. ? Portia is in a<br />
mood similar to that <strong>of</strong> what other person in the play ?<br />
L 8. in the mean. We speak commonly <strong>of</strong> "the golden<br />
mean" between two extremes.<br />
I. 8, What expression is there in this line that we had in<br />
another form in I., i,, 3 ? Is it familiar to you in conversation ?<br />
II. 8, 9. It will be easier to understand the comparison in<br />
II