Merchant of Venice. - Repositories
Merchant of Venice. - Repositories Merchant of Venice. - Repositories
110 THE MERCHANT OF VENICE [ACT V. Lor. He is not^ nor we have not heard from him. But go we in, I pray thee, Jessica, And ceremoniously let us prepare Some welcome for the mistress of the house. Enter LAUNCELOT. Laun. Sola, sola°! wo ha, ho! sola, sola! Lor. Who calls? 40 Laun. Sola! did you see Master Lorenzo? Master Lorenzo, sola, sola! Lor. Leave hollaing, man: here. Laun. Sola! where? where? Lor. Here. Laun. Tell him there's a post come from my master, with his horn full of good news: my master will be here ere morning. \^Exit. Lor. Sweet soul, let's in, and there expect their coming. And yet no matter: why should we go in? 50 My friend Stephano, signify, I pray you. Within the house, your mistress is at hand; And bring your music forth into the air. \_Exit STEPHANO. How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music
SCENE l.J THE MERCHANT OF VENICE 111 Creep in our ears: soft stillness and the night Become^ the touches^ of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines° of bright gold: There's not the smallest orb which thou behold'st But in his motion like an angel sings, ^ Still quiring° to the young-eyed cherubins°; Such harmony is in immortal souls; But whilst this muddy vesture of decay° Doth grossly close it in, we cannot hear it.^ 6i Enter MUSICIANS. Come, ho, and wake Diana^ with a hymn! With sweetest touches pierce your mistress' ear. And draw her home with music. [^Music. Jes. I am never merry when I hear sweet music. Lor. The reason is, your spirits^ are attentive^: 70 For do but note a wild and wanton herd. Or race of youthful and unhandled colts. Fetching mad bounds, bellowing and neighing loud, Which is the hot condition of their blood; If they but hear perchance a trumpet sound. Or any air of music touch their ears. You shall perceive them make a mutuaF stand, Their savage eyes turn'd to a modest gaze
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SCENE l.J THE MERCHANT OF VENICE 111<br />
Creep in our ears: s<strong>of</strong>t stillness and the night<br />
Become^ the touches^ <strong>of</strong> sweet harmony.<br />
Sit, Jessica. Look how the floor <strong>of</strong> heaven<br />
Is thick inlaid with patines° <strong>of</strong> bright gold:<br />
There's not the smallest orb which thou behold'st<br />
But in his motion like an angel sings, ^<br />
Still quiring° to the young-eyed cherubins°;<br />
Such harmony is in immortal souls;<br />
But whilst this muddy vesture <strong>of</strong> decay°<br />
Doth grossly close it in, we cannot hear it.^<br />
6i<br />
Enter MUSICIANS.<br />
Come, ho, and wake Diana^ with a hymn!<br />
With sweetest touches pierce your mistress' ear.<br />
And draw her home with music.<br />
[^Music.<br />
Jes. I am never merry when I hear sweet music.<br />
Lor. The reason is, your spirits^ are attentive^: 70<br />
For do but note a wild and wanton herd.<br />
Or race <strong>of</strong> youthful and unhandled colts.<br />
Fetching mad bounds, bellowing and neighing loud,<br />
Which is the hot condition <strong>of</strong> their blood;<br />
If they but hear perchance a trumpet sound.<br />
Or any air <strong>of</strong> music touch their ears.<br />
You shall perceive them make a mutuaF stand,<br />
Their savage eyes turn'd to a modest gaze