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HEINRICH HEINE - Repositories

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The Wandering Jew<br />

Mattress Grave and utilizing many of the poet's<br />

own sayings. Its historic basis was a visit paid to the<br />

dying poet by Lady Duff-Gordon, an Englishwoman<br />

whom Heine had known in his brilliant<br />

early days of exile as Little Lucy. Zangwill blended<br />

Lucy and La Mouche, the last woman to visit<br />

Heine, into one figure, a sympathetic listener who<br />

afforded the sick man an opportunity to review<br />

his entire past life and to air his final views. Heine<br />

saw himself, in Zangwill's reconstruction, as a paradox:<br />

a German Parisian, a Jewish German, a hated<br />

political exile who yearned for his homeland, a<br />

sceptical sufferer with a Christian patience, a romantic<br />

poet expressing in classic form the modern<br />

realistic spirit, a poor Jew. The dying poet exclaimed:<br />

"My father was Germany, my mother<br />

was the Ghetto; the brooding spirit of Israel<br />

breathes through me that engendered the tender<br />

humor of her sages, the celestial fantasies of her<br />

saints." Heine spoke to his English visitor of his<br />

baptism as an act of youthful folly, as a necessary<br />

card of admission into European culture. He deeply<br />

regretted this step of apostasy. He envisaged the<br />

religion of the future as Judaism broadened by<br />

Hellenism, the beauty of goodness mated with the<br />

goodness o^ beauty.<br />

[119]

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