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HEINRICH HEINE - Repositories

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The Wandering Jew<br />

September, 1880, traced Heine's hberahsm back to<br />

his origin. In Grant's opinion, Heine could not possibly<br />

choose between hberalism and conservatism<br />

because the choice was already predetermined for<br />

him at birth. Bearing the Pariah-mark of the Jew<br />

on his forehead, it was only in the liberal camp<br />

that he could compel even a grudging respect. Although<br />

he was perhaps the only poet who fully<br />

realized the Romantic poetic ideal, he could have<br />

no sympathy with the reactionary politics and social<br />

tenets of German Romanticism. The Middle<br />

Ages, to which his colleagues in Parnassus looked<br />

back with longing as more Christian and Germanic<br />

than their own century, had to appear to Heine as<br />

a time of desolation, of suffering, of oppression,<br />

the thousand-year-long martyrdom of the House<br />

of Israel. Although his enforced baptism broke the<br />

moral strength of his character, he never really left<br />

his people and on his long deathbed he sought consolation<br />

and momentary self-forgetfulness in the<br />

poetry and traditions of the Jews. Although he held<br />

all positive rehgions to be equally false, he was<br />

nevertheless fascinated by the strange history and<br />

tragic fate of his racial kinsmen. To this fascination<br />

was added an awareness of their social degradation<br />

and, as a result, his Jewish poems were a<br />

[115]

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