HEINRICH HEINE - Repositories
HEINRICH HEINE - Repositories HEINRICH HEINE - Repositories
Heinrich Heine intense and luminous spirit was enchained and constrained to look down into the vast black void which undermines our seemingly solid existence, and in which he all the time was as near immersion as a sailor alone on a leaking boat in a solitary sea." '' Since Thomson regarded Heine as the clearest intelligence and the best European writer of the century, he invoked the latter's authority on frequent occasions, humorous and tragic. Writing in the National Reformer, in 1867, while this paper was engaged in a bitter feud with the Saturday Review, Thomson informed the pubhc that Heine departed from life in 1856, the year when the Saturday Review came into being, for the world of this organ was no world for him. In a more solemn tone, however, Thomson composed in 1870, a few days after Prussia defeated France, a timely article, entitled How Heine Forewarned France. Quoting extensively from Heine's works, he pointed out that this clearest German intellect after Goethe had loved France better than did any other compatriot beyond the Rhine and had therefore forewarned of catastrophic results that would follow any conflict between the two great Continental peoples. The French imperial [98]
Hellenist and Cultural Pessimist government, however, acted in all respects just contrary to Heine's advice. Instead of refraining from interference with Germany, as the poetic seer begged, it continually meddled and muddled. Instead of concihatmg old anhnosities, it created new ones. Instead of keeping armed and watchful, it remained impotent and unready. By ignoring the German prophet, it suffered disastrous invasion and ignominious defeat. Heine, the cultural pessimist, appealed to the darker side of Thomson. Heine, the spiritual brother of Leopardi and the scoffer at all things traditional, confirmed the gloomy Enghsh bard in his despair and disgust amidst the horrible and noisy solitude of London. Heine, the sardonic seer of a coming apocalypse, supplied literary weapons to Thomson, the political nihilist and disciple of Charles Bradlaugh. Heine, the modern satyr who gloated because the death of all the gods was at hand, spurred the English atheist on to greater extremes of blasphemy. Seeking solace in drink and in poetry, Thomson often quoted the martyr of Montmartre who questioned fate and who finally concluded that the only answer which ever came was a handful of earth that stopped up the mouth of the questioner. [99]
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Heinrich Heine<br />
intense and luminous spirit was enchained and constrained<br />
to look down into the vast black void<br />
which undermines our seemingly solid existence,<br />
and in which he all the time was as near immersion<br />
as a sailor alone on a leaking boat in a solitary<br />
sea." ''<br />
Since Thomson regarded Heine as the clearest<br />
intelligence and the best European writer of the<br />
century, he invoked the latter's authority on frequent<br />
occasions, humorous and tragic. Writing in<br />
the National Reformer, in 1867, while this paper<br />
was engaged in a bitter feud with the Saturday Review,<br />
Thomson informed the pubhc that Heine<br />
departed from life in 1856, the year when the<br />
Saturday Review came into being, for the world<br />
of this organ was no world for him.<br />
In a more solemn tone, however, Thomson composed<br />
in 1870, a few days after Prussia defeated<br />
France, a timely article, entitled How Heine Forewarned<br />
France. Quoting extensively from Heine's<br />
works, he pointed out that this clearest German intellect<br />
after Goethe had loved France better than<br />
did any other compatriot beyond the Rhine and<br />
had therefore forewarned of catastrophic results<br />
that would follow any conflict between the two<br />
great Continental peoples. The French imperial<br />
[98]