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HEINRICH HEINE - Repositories

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Continuator of Goethe<br />

tory of Heine's works as to mark his place in modern<br />

European letters, his special tendency and significance.^^<br />

He intended to make Romancero his<br />

principal text. It was, therefore, Heine of the mattress-grave<br />

whose face peered through the verse and<br />

prose of Arnold.<br />

Much of the inspiration for the poem has been<br />

ascribed to Saint-Rene Taillander, a French critic,<br />

whose article in the Revue des deux Mondes of<br />

April 1, 1852, contained several details used by<br />

Arnold both in the elegy and in the essay. Besides,<br />

Taillander's article was preceded by an arresting<br />

portrait of Heine on his death-bed, which might<br />

have influenced Arnold's verses on the martyr of<br />

Montmartre.<br />

The poem begins with a description of Heine's<br />

tomb. There the German poet knows quiet. Paris<br />

is but a faint murmur outside. Surely, Heine was<br />

not loath to come away from the uproar of the<br />

streets and the pain of existence in order to sleep<br />

in Montmartre under the wings of renown. It is<br />

true that, when alive, he never yielded to pain.<br />

Though a weak son of mankind, he raised his brow<br />

to the stars and defied the storms of misfortune.<br />

Calmness was never his lot on earth and calmness<br />

IS not his even in the grave. Sweet Virgil, austere<br />

[71]

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