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HEINRICH HEINE - Repositories

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Martyr of Montmartre<br />

the dismal convulsions which announce the extinction<br />

of physical life." ^^<br />

While Enghsh readers were thus being offered<br />

details of Heine's death, he was engaged in negotiations<br />

with "Her Majesty's Theatre" for the production<br />

of a ballet on the subject of Faust. The prospectus<br />

of this London opera house promised the Faustballet<br />

for the season of 1847. Preparations were<br />

already in progress for its staging, when Benjamin<br />

Lumley, the director, suddenly ordered its removal<br />

from the repertoire, despite the expenses lavished<br />

upon this work by the manager. In his reminiscences,<br />

published in 1864, Lumley reprinted his correspondence<br />

with Heine from 1847 to 1852 regarding<br />

this ballet and gave his reasons for the decision<br />

to lay it aside: "True, it was the work of a poet; but<br />

of a poet unacquainted with the necessities of stage<br />

representation, especially in England — of a man<br />

of powerful imagination, who presupposed that a<br />

public would see the effects as he S2L\V them, and feel<br />

w ith his feelings. In short, the execution of the ballet<br />

was an impossibility." ^^<br />

Although Heine's ballet on Faust was not produced<br />

in England because of practical difficulties,<br />

nevertheless the fact that its staging ^\^as seriously<br />

considered by the Court theatre clearly indicated<br />

[51]

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