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HEINRICH HEINE - Repositories

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Blackguard and Apostate<br />

bliss, his ideas were undoubtedly stimulating and<br />

his prose and verse were of great significance.<br />

About a week after the appearance of the review<br />

in the Athenaeum, Heine's articles on the state of<br />

German literature of his day began to be published<br />

in the Parisian journal V Europe litter aire.<br />

The editor of the Athenaeum must have been favorably<br />

impressed by the brilHant analyses and by<br />

the inexhaustible wit of the first contributions, for<br />

he invited Heine to present to English readers a<br />

similar survey of contemporary German literature.<br />

The Athenaeum sought to increase its circulation<br />

by a promise of Heine as its authority on Central<br />

Europe and Sainte-Beuve as its authority on France.<br />

It welcomed a report that Sarah Austin, who had<br />

written eloquently about the Weimar circle and<br />

who had personal contact with Heine after his arrival<br />

in France, intended to make him better known<br />

to the British public than could be done within the<br />

limited space of reviews. It called upon the French<br />

essayist Edgar Quinet to prepare a paper on Heine<br />

that was to serve as an introduction to the latter's<br />

own articles. In the final issue of 1833, it reported<br />

to its readers that the appearance of Heine's articles<br />

had been delayed because the writer had enlarged<br />

his views as he proceeded to examine and to con-<br />

[13]

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