HEINRICH HEINE - Repositories

HEINRICH HEINE - Repositories HEINRICH HEINE - Repositories

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46 I^eine, real forms of the Italian people. Nature has here got back from the artists the capital she formerly lent to them; and see ! it is restored with handsoiiic interest. Nature, which formerly su})- plied the artist with models, now copies the masterpieces created by the artist from her own models. The sense of the beautiful has permeated the whole nation, and as formerly the flesh exercised its influence over the spirit, so now the spirit influences the flesh. Not fruitless is the worship of those beautiful iMadoiinas, of the fair altar pictures that impress themselves on the soul of the bridegroom, while the bride carries devoutly in her breast the features of some beautiful saint. Through such elective affinity a race of beings has here arisen fairer than the sweet soil whereon it blossoms and the .sunny sky that sheds a halo round it like a frame of gold. POOR PETER. Grete and Hans come dancing by, They shout for very glee ; Poor Peter stands all silently, And white as chalk is he.

I^etne* 47 Grete and Hans were wed this morn. And shine in bright array; But ah, poor Peter stands forlorn. Dressed for a working-day: He mutters, as with wistful eyes He gazes at them still: " 'Twere easy — were I not too wise - To do myself some ill " II. " An aching sorrow fills my breast. My heart is like to break; It leaves me neither peace nor rest. And all for Crete's sake. " It drives me to her side, as though She still could comfort me ; But in her eyes there's something now That makes me turn and flee. "I climb the highest hill-top where I am at least alone: And standing in the stillness there I weep and make my moan." IIL Poor Peter wanders slowly by; So pale is he, so dull and shy,' The very neighbors in the street Turn round to gaze, when him they meet.

46 I^eine,<br />

real forms of the Italian people. Nature<br />

has here got back from the artists<br />

the capital she formerly lent to them;<br />

and see ! it is restored with handsoiiic<br />

interest. Nature, which formerly su})-<br />

plied the artist with models, now copies<br />

the masterpieces created by the artist<br />

from her own models. The sense of<br />

the beautiful has permeated the whole<br />

nation, and as formerly the flesh exercised<br />

its influence over the spirit, so now<br />

the spirit influences the flesh. Not<br />

fruitless is the worship of those beautiful<br />

iMadoiinas, of the fair altar pictures<br />

that impress themselves on the soul of<br />

the bridegroom, while the bride carries<br />

devoutly in her breast the features of<br />

some beautiful saint. Through such<br />

elective affinity a race of beings has<br />

here arisen fairer than the sweet soil<br />

whereon it blossoms and the .sunny sky<br />

that sheds a halo round it like a frame<br />

of gold.<br />

POOR<br />

PETER.<br />

Grete and Hans come dancing by,<br />

They shout for very glee ;<br />

Poor Peter stands all silently,<br />

And white as chalk is he.

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