HEINRICH HEINE - Repositories
HEINRICH HEINE - Repositories HEINRICH HEINE - Repositories
xxxiv ^^ntrobutttotu His direct political action was null, and this is neither to be wondered at nor regretted; direct political action is not the true function of literature, and Heine was a born man of letters. Even in his favourite France the turn taken by public affairs was not at all what he wished, though he read French politics by no means as we in England, most of us, read them. He thought things were tending there to the triumph of communism ; and to a champion of the idea like Heine, what there is gross and narrow in communism was very repulsive. " It is all of no use," he cried on his death-bed, " the future belongs to our enemies, the Communists, and Louis Napoleon is their John the Baptist." " And yet,"—he added with all his old love for that remarkable entity, so full of attraction for him, so profoundly unknown in England, the French people, —"do not believe that God lets all this go forward merely as a grand comedy. Even though the Communists deny him to-day, he knows better than they do, that a time will come when they will learn to believe in him." After 1831, his hopes of soon upsetting the German Governments had died away, and his propagandism took another, a more truly literary, character. It took the character of an intrepid application of the modern spirit to literature. To the ideas with which the burning questions of modern life filled him; he made all
Itootmtttott. XXXV his subject-matter minister. He touched all the great points in the career of the human race, and here he but followed the tendency of the wide culture of Germany; but he touched them with a wand which brought them all under a light where the modern eye cares most to see them, and here he gave a lesson to the culture of Germany,—so wide, so impartial, that it is apt to become slack and powerless, and to lose itself in its materials for want of a strong central idea round which to group all its other ideas. So the mystic and romantic school of Germany lost itself in the Middle Ages, was overpowered by their influence, came to ruin by its vain dreams of renewing them. Heine, with a far profounder sense of the mystic and romantic charm of the Middle Age than Goerres, or Bretano, or Arnim, Heine the chief romantic poet of Germany, is yet also much more than a romantic poet; he is a great modern poet, he is not conquered by the Middle Age, he has a talisman by which he can feel, — along with but above the power of the fascinating Middle Age itself,—the power of modern ideas. A French critic of Heine thinks he has said enough in saying that Heine proclaimed in German countries, with beat of drum, the ideas of 1789, and that at the cheerful noise of his drum the ghosts of the Middle Age took to night. But this is rather too French
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xxxiv<br />
^^ntrobutttotu<br />
His direct political action was null,<br />
and this is neither to be wondered at<br />
nor regretted; direct political action is<br />
not the true function of literature, and<br />
Heine was a born man of letters. Even<br />
in his favourite France the turn taken by<br />
public affairs was not at all what he<br />
wished, though he read French politics<br />
by no means as we in England, most of<br />
us, read them. He thought things were<br />
tending there to the triumph of communism<br />
; and to a champion of the idea<br />
like Heine, what there is gross and<br />
narrow in communism was very repulsive.<br />
" It is all of no use," he cried on<br />
his death-bed, " the future belongs to<br />
our enemies, the Communists, and Louis<br />
Napoleon is their John the Baptist."<br />
" And yet,"—he added with all his old<br />
love for that remarkable entity, so full<br />
of attraction for him, so profoundly unknown<br />
in England, the French people,<br />
—"do not believe that God lets all this<br />
go forward merely as a grand comedy.<br />
Even though the Communists deny him<br />
to-day, he knows better than they do,<br />
that a time will come when they will<br />
learn to believe in him." After 1831,<br />
his hopes of soon upsetting the German<br />
Governments had died away, and his<br />
propagandism took another, a more<br />
truly literary, character. It took the<br />
character of an intrepid application of<br />
the modern spirit to literature. To the<br />
ideas with which the burning questions<br />
of modern life filled him; he made all