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Rosencrantz and Guildenstern Are Dead - Cherokee County Schools

Rosencrantz and Guildenstern Are Dead - Cherokee County Schools

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Act II Summary<br />

As characters from Hamlet continue to come <strong>and</strong> go, <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> ruminate about their<br />

continued confusion. Eventually, the Player arrives <strong>and</strong> complains about how the two courtiers disappeared<br />

(in Act I at the lighting change) when his troupe was performing. He complains that as actors he <strong>and</strong> his<br />

troupe need an audience to complete their sense of identity. Hamlet has asked the tragedians to perform The<br />

Murder of Gonzago <strong>and</strong> since the Player seems to be "a man who knows his way around," <strong>Guildenstern</strong> asks<br />

for advice. The Player tells them to accept uncertainty as a natural part of human life. As <strong>Rosencrantz</strong> <strong>and</strong><br />

<strong>Guildenstern</strong> speculate about their future, the question of control, <strong>and</strong> the nature of death, Claudius <strong>and</strong><br />

Gertrude re-enter <strong>and</strong> once again sweep <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> into their Shakespearean roles. As the<br />

characters from Hamlet come <strong>and</strong> go, the acting troupe eventually returns to rehearse The Murder of Gonzago,<br />

but this rehearsal is interrupted by scenes involving other characters from Hamlet <strong>and</strong> gradually evolves<br />

beyond the rehearsal of The Murder of Gonzago as it appears in Hamlet to a summary of events that occur<br />

later in the play, including the death of Polonius <strong>and</strong> the deaths of <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> themselves.<br />

<strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> don't quite underst<strong>and</strong> that it is their own deaths being enacted, but<br />

<strong>Guildenstern</strong> is rattled by the suggestion <strong>and</strong> accuses the actors of not underst<strong>and</strong>ing death. A blackout brings<br />

the action back to Hamlet <strong>and</strong> the frantic conclusion of The Murder of Gonzago.<br />

Suddenly it is sunrise, the next day, <strong>and</strong> Claudius enters <strong>and</strong> comm<strong>and</strong>s <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> to<br />

accompany Hamlet to Engl<strong>and</strong>. As <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> wonder about how to find Hamlet, he<br />

appears, dragging the body of Polonius. They join their two belts to capture him, but Hamlet evades them as<br />

<strong>Rosencrantz</strong>'s trousers fall down. Eventually, Hamlet is brought to Claudius by others <strong>and</strong> the stage lighting<br />

changes once more to reveal that <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> are again outdoors. They are taking Hamlet to<br />

Engl<strong>and</strong>.<br />

Act III Summary<br />

Act III opens in pitch darkness with soft sea sounds <strong>and</strong> sailor voices indicating that <strong>Rosencrantz</strong> <strong>and</strong><br />

<strong>Guildenstern</strong> are on a boat. Gradually, light pirates attack the ship <strong>and</strong> in the confused battle that follows<br />

Hamlet, the Player, <strong>and</strong> <strong>Rosencrantz</strong> <strong>and</strong> Guildenslern leap into the three barrels. After the fight is over, only<br />

the Player <strong>and</strong> <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> reappear. Hamlet is now gone, but as <strong>Rosencrantz</strong> <strong>and</strong><br />

<strong>Guildenstern</strong> look at the letter again they discovered that the letter Hamlet substituted now instructs the King<br />

of Engl<strong>and</strong> to put them to death. All the players re-emerge from one of the barrels <strong>and</strong> form a menacing circle<br />

around <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong>. The Player offers philosophizing words, but the enraged <strong>Guildenstern</strong><br />

snatches a dagger from his belt <strong>and</strong> stabs the Player in the throat, appearing to kill him. However, the dagger<br />

is retractable, the Player rises, <strong>and</strong> the tragedians act out several kinds of deaths as the light dims, leaving only<br />

<strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> on stage. <strong>Rosencrantz</strong> proclaims that he has "had enough" <strong>and</strong> disappears.<br />

<strong>Guildenstern</strong> calls for his friend, realizes he's gone, <strong>and</strong> disappears himself.<br />

Immediately, the stage is flooded with light <strong>and</strong> the characters appear from the tableau of corpses that ends<br />

Shakespeare's tragedy. An Ambassador from Engl<strong>and</strong> announces that <strong>Rosencrantz</strong> <strong>and</strong> <strong>Guildenstern</strong> are dead,<br />

<strong>and</strong> Hamlet's friend, Horatio, ends the play by pointing out that "purposes mistook [have] fallen on the<br />

inventor's heads."<br />

Biography<br />

Tom Stoppard (pronounced Stop-pard, with equal accents on both syllables) was born Tomas Straussler in<br />

Czechoslovakia on July 3, 1937. His name was changed when his mother married British army major Kenneth<br />

Act II Summary 3

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