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SUMMERS, KAREN CRADY, Ph.D. Reading Incest - The University ...

SUMMERS, KAREN CRADY, Ph.D. Reading Incest - The University ...

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92<br />

comes not from an instinctive application of kynde but instead from Marina’s<br />

resemblance to her mother and especially through her telling of riddles.<br />

Archibald notes that “the ability to solve riddles has always been the supreme sign<br />

of royalty—incest not only the first sin, but also the first riddle” (24). Riddles are ways<br />

to teach and to demonstrate education: they may also disguise a potentially dangerous<br />

commentary or critique, as in the opening riddle scene common to all redactions of the<br />

Apollonius story. Riddles “have a fundamental association with incest and endogamy”<br />

(Archibald 24); the prototypical incest tale, Oedipus Rex, is the prime example of this.<br />

But there is a significant difference in the story of the riddle between Gower’s version<br />

and Shakespeare’s. Gower portrays the incest as the father’s rape of his daughter but<br />

Shakespeare implies the daughter’s willing participation. Gower’s Antiochus speaks the<br />

riddle to Apollonius:<br />

With felonie I am upbore,<br />

I ete and have it noght forbore<br />

Mi modres fleissh, whos housebonde<br />

Mi fader forto seche I fonde,<br />

Which is the Sone ek of my wif (Confessio Amantis VIII.405-409)<br />

Though Antiochus is speaking, he does so in the persona of the daughter. In<br />

Shakespeare’s play, Pericles himself reads the riddle, again crafted in the “I” of the<br />

daughter’s voice:<br />

I am no viper, yet I feed<br />

On mother's flesh which did me breed.<br />

I sought a husband, in which labour<br />

I found that kindness in a father:<br />

He's father, son, and husband mild;

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