SUMMERS, KAREN CRADY, Ph.D. Reading Incest - The University ...

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160 Morris, David B. “Gothic Sublimity.” New Literary History 16 (1985): 299-319. Myrone, Martin, ed. The Gothic Reader: A Critical Anthology. London: Tate, 2006. Nicholson, Peter. Love and Ethics in Gower’s Confessio Amantis. Michigan: University of Michigan Press, 2005. Olsen, Alexandra Henessey. “Betwene Ernest and Game”: The Literary Artistry of Confessio Amantis. New York: Peter Lang, 1984. Panagopoulos, Nic. “Victory and Romeo and Juliet: Eros and Thanatos. Conradiana 39 (2007): 135-151. Pearsall, Derek. Arthurian Romance: A Short Introduction. Oxford: Blackwell, 2003. Pearsall, Derek. Chaucer to Spenser: A Critical Reader. Oxford: Blackwell Publishers, 1999. Pearsall, Derek. Gothic Europe 1200-1450. Essex: Pearson Education, Ltd., 2001. Perry, Ruth. Novel Relations: The Transformation of Kinship in English Literature and Culture, 1748-1818. Cambridge: Cambridge University Press, 2004. Pollak, Ellen. Incest in the English Novel, 1684-1814. Baltimore: Johns Hopkins University Press, 2003. Punter, David. Gothic. London: Routledge, 1996. Punter, David. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. New York: Longmans, 1980. Quilligan, Maureen. Incest and Agency in Elizabeth’s England. Philadelphia: University of Pennsylvania Press, 2005. Rank, Otto. The Incest Theme in Literature and Legend. Trans. Gregory C. Richter. Baltimore: Johns Hopkins University Press, 1992. Rex, Richard. The Lollards. New York: Palgrave, 2002.
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SUMMERS, KAREN CRADY, Ph.D. Reading
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READING INCEST: TYRANNY, SUBVERSION
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APPROVAL PAGE This dissertation has
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TABLE OF CONTENTS Page CHAPTER I. R
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2 of it, despite its familiarity to
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4 about incest was influenced by th
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6 clarification. Pope Gregory II ad
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8 sibling, and mother-son. 2 She no
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10 is viewed by both. Incest in eig
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12 subverts both the social and the
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14 CHAPTER II ‘SWICHE UNKYNDE ABH
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16 a book to each of the seven dead
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18 Richard” (111). The dedication
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20 an idea familiar to Gower’s me
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22 laboring-folk and Piers, in retu
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24 introduction of Amans, the unsuc
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26 learns. Augustine takes up the i
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28 of the king, whose primary duty
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30 bribed two priests to convince P
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32 story of incest implied, averted
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34 Again, her response impassions h
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36 in the most extreme sense. When
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38 in the first book, and relates t
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40 benign, sympathetic interpretati
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42 and Machaire, and at the same ti
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44 To finish the turn in the narrat
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46 oghne prest” (V.1382-3). Geniu
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48 incestuous. When she vows to tel
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50 epilogue that acts as a prayer f
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52 Of wommen were absent as thanne;
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54 speak at length and discover the
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56 Biblical incest, mostly unjudged
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58 of a king and the function of la
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60 country. But the incest—the wo
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62 As chivalry is a controlling the
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64 conflicting demands of love and
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66 material for adaptation or trans
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68 four sons, Gawain, Gaheris, Agra
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70 can not be ameliorated, at least
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72 killed save Mordred, who was fou
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74 surrogate son-knights. Cherewatu
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76 Lo ye all Englysshemen, se ye ha
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78 demonstrated to all present on t
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80 corruption that plagues the Pend
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82 CHAPTER III ‘INCEST IS IN ME
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84 wished to rid himself of Anne Bo
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86 societal forces. The plays focus
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88 in the family and on a national
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90 reputation shifted such that vie
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92 comes not from an instinctive ap
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94 virtue, resists and is made whol
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96 willingness to sacrifice the liv
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98 Rejection of God and divine orde
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100 is as an “ungodly sickness”
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102 exercise her own agency. Though
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104 potential problem of having a f
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106 The plots of these three plays
Page 115 and 116: 108 play, the Duchess will have bee
Page 117 and 118: 110 As we have seen, the Duchess us
Page 119 and 120: 112 BOSOLA. It seems you would crea
Page 121 and 122: 114 But as Ferdinand’s outrages i
Page 123 and 124: 116 knife as phallus. Eros (Cupid)
Page 125 and 126: 118 posed by his slide into unreaso
Page 127 and 128: 120 and, as Kenneth Graham notes, i
Page 129 and 130: 122 Castle of Otranto displays the
Page 131 and 132: 124 Theodore is killed a group of k
Page 133 and 134: 126 memory, and regard your highnes
Page 135 and 136: 128 first Gothic playwright, publis
Page 137 and 138: 130 the castle is there primarily t
Page 139 and 140: 132 strength, and the men enter the
Page 141 and 142: 134 God bless me; and pass’d on.
Page 143 and 144: 136 familiar. It is more usual for
Page 145 and 146: 138 sensation of horror in the audi
Page 147 and 148: 140 foil to the Countess, with her
Page 149 and 150: 142 And when he knelt, weeping, to
Page 151 and 152: 144 Castle of Otranto, the knife is
Page 153 and 154: 146 and political realities during
Page 155 and 156: 149 destruction and disaster. One o
Page 157 and 158: 151 subvert both patriarchy and mon
Page 159 and 160: 153 BIBLIOGRAPHY Aers, David,ed. Me
Page 161 and 162: 155 Classen, Albrecht, ed. Violence
Page 163 and 164: 157 Ford, Jane M. Patriarchy and In
Page 165: 159 Lenz, Joseph. The Promised End:
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