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Stony Brook University - SUNY Digital Repository

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when writers shrink from that uncertainty and seek out comfort<br />

in the form of control and order. As he puts it so very simply:<br />

“Insisting on control, having a plan or outline, and always<br />

sticking to it is a prophylactic against organic growth,<br />

development, change. But it is also a prophylactic against the<br />

experience of chaos and disorientation which are very<br />

frightening” (35). Regardless of whatever plan or purpose you<br />

may have in mind, when you sit down to write, the stark white,<br />

cold and blank page before you – whether actual paper or a new<br />

Word document – is the very face of uncertainty and it can<br />

indeed be a very “frightening” thing to look upon. What should<br />

you say? How should you say it? And what will happen to the<br />

whole if you do not say it as you should? I still have no love<br />

for that feeling of unease, that feeling of loneliness, that<br />

feeling of doubt when I stare down at that wordless page and it<br />

has no answers for me. However, as I said before, I have<br />

welcomed uncertainty with my writing because I have witnessed<br />

what can come from it, what can come from the likes of<br />

Bradbury’s advice and from Elbow’s advice. It can hold open the<br />

door to foreign worlds, alien worlds, worlds that do not make<br />

sense and do not feel safe. It can also hold open the door to<br />

your world – your own already familiar and already known world -<br />

but allow you to see it in ways you have never seen it before.<br />

87

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