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Stony Brook University - SUNY Digital Repository

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Introduction<br />

This work is the culmination of a journey that extends from<br />

my introduction to the field of composition and rhetoric and to<br />

the fulfillment of my doctoral studies with my dissertation.<br />

Because of this, it is a very personal journey that has served<br />

to define my philosophy of writing as well as my philosophy of<br />

the teaching of writing. The spread of time that this work<br />

represents and all that I have done throughout that time, as a<br />

student and as a teacher, has been inspirited by the twin urges<br />

of Uncertainty and Certainty: not simply the contrary but<br />

kindred influences exerted by each of them upon perspectives of<br />

reality and “truth” but also how to exist - to teach and to<br />

write and to think - amidst that stress and struggle that<br />

effuses from their opposition. All too often, the tension of<br />

those opposing calls compels those who experience it to choose<br />

one of them over the other. To worship one of them, almost like<br />

a god, while the other is forgotten. Forsaken. All too often,<br />

this is unconsciously done, leaving the choice to appear<br />

“natural” or “sanctified” or both. And all too often, no matter<br />

whether it is Uncertainty or Certainty that becomes deified,<br />

this choosing breeds severely dualistic “black or white”<br />

perspectives of reality and “truth” that allow for no confusion,<br />

no contradiction, and no compromise. “Right or wrong,” “good or<br />

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